Tuesday, May 22, 2018

60 Great Writing Conferences in June 2018

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June is bustin' out all over for writers. There are no fewer than 60 writing conferences this month, stretching from coast to coast, and covering every aspect of writing and publishing. Want to pitch your work to an agent? There are six conferences in New York, California and points in between that will be attended by agents eager to hear your pitch. Workshops, manuscript consultations, readings, book signings, panel discussions, and contests abound. There is something for everyone.

I've included a few conferences that are already sold out, so you can plan ahead for next year. I highly recommend you look at the Writing Conferences page on this blog for a month-by-month list of conferences throughout the year. Many conferences offer scholarships if you apply early enough. And most of the small hands-on workshops tend to have deadlines a month or more in advance.

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Clarksville Writers Conference. June 1 - 2, 2018: Clarksville, TN. Two days of writing workshops and presentations, a keynote banquet with the authors, and manuscript consultations.

River Teeth Nonfiction Conference. June 1 - 3, 2018: Ashland University in Ashland, Ohio. Individual manuscript consultations, seminars, readings, open mics, and book signings. Faculty: Andre Dubus III, Angela Morales, Jill Christman, Michael Downs, Steven Harvey, Richard Hoffman, Kate Hopper, Sonya Huber, Thomas Larson, Dan Lehman, Joe Mackall, Robert Root, Ana Maria Spagna, Michael Steinberg.

Surprise Valley Writers’ Conference. June 1 - 5, 2018: Cedarville, California. Features workshops in poetry, fiction, and creative nonfiction, as well as craft lectures, readings, open mics, and a Book Arts workshop.

Bread Loaf Translators' Conference. June 1 - 7, 2018: Ripton, VT. The Bread Loaf Translators’ Conference includes workshops in poetry, fiction, and creative nonfiction, as well as lectures, craft classes, meetings with editors and agents, and readings by faculty and guests. Application deadline: March 15, 2018.

Indiana University Writers’ Conference. June 2 - 6, 2018, Indiana University in Bloomington. The conference features workshops in poetry and fiction, as well as craft classes, readings, and panels for poets, fiction writers, and nonfiction writers. The cost of the conference is $385, or $635 with a workshop. Lodging and meals are not included; lodging is available in campus dormitories and in the campus hotel. The registration fee is $30; general registration is first come, first served. To attend a workshop, submit 8 to 10 pages of poetry or 15 to 25 pages of prose; admissions are made on a rolling basis.

Yale Writers' Conference. June 2 - 12, 2018: New Haven, CT. Visiting Faculty: Amy Bloom, Michael Cunningham, Lev Grossman, Claudia Rankine, Edmund White, MG Lord, Sarah Darer Littman Resident Faculty: Kirsten Bakis, Je Banach, Sybil Baker, Marc Fitten, Trey Ellis, and more. Director: Terence Hawkins. Application deadline: March 15, 2018.

Odyssey Writing Workshop. June 4 - July 13, 2018: Manchester, NH. Since its inception in 1996, Odyssey has become one of the most highly respected workshops for writers of fantasy, science fiction, and horror. Top authors, editors and agents serve as guests, and 59% of graduates go on to professional publication. Application deadline: April 7, 2018.

West Chester University Poetry Conference. June 6 - 9, 2018: West Chester, PA. The conference offers poetry workshops and features a keynote speaker, critical seminars, panel discussions, faculty readings, and an opportunity for participants to have conferences with workshop leaders and resident poets.

Writers @Work Conference. June 6 - 10, 2018: Alta, Utah. The conference features workshops in poetry, fiction, and creative nonfiction, as well as craft lectures, panel discussions, hikes, and time to write. Choose one of three intensive workshops, conducted by our award-winning faculty, and held at Alta Lodge, an intimate setting in the breath-taking Wasatch Mountains, where writers of all backgrounds gather to share ideas, craft, and fine writing. The cost of the conference is $730, which includes tuition and all meals. Individual consultations with an agent or editor are available for an additional $50. Lodging is available at the Alta Lodge, and ranges from a total of $115 for a shared dorm to $285 for a private room.

The Algonkian Writer Retreat and Novel Workshop, June 6 - 10, 2018: Algonkian Park, Virginia. "You can show us your manuscript, improve your skills, clear your head, have your work read by our writer mentors, whatever works for you, whatever helps you grow and discover your vision as a writer. You discuss with us ahead of time via the Algonkian Writer Retreat Application the goals you wish to accomplish, and we'll work with you to make it happen. Do you desire a review? A line edit? Do you wish to discuss the reality of the current fiction market, your novel project, plot and characters, or perhaps get feedback on the opening hook or a few sample chapters? Or would you simply like a relaxed and productive dialogue about your goals as a writer?"

The Writer's Hotel. June 6 - 12, 2018, NYC. To apply, send the first 5000 words of a prose manuscript or the first 15 poems of a poetry manuscript. We work with writers of fiction, poetry and nonfiction. We do not work on scripts. International applications are welcome. It is $30 to apply. The fee for the 2018 conference is $3,000 and includes the pre-conference TWH Team Reading and NYC in-town events. Early acceptance not only reserves a writer's spot at an intimate conference, it means writers will have ample time to revise before the NYC pitch meetings. Deadline for application: March 9, 2018.

Connecting Writers with Hollywood. June 7 - 9, 2018: Spokane, WA. CWWH is a writers conference where writers and screenwriters can pitch their material directly to film agents and producers. It is a weekend of education, panels and pitch sessions.

Annual Philadelphia Writers' Conference. June 8 - 10, 2018: Philadelphia, Pennsylvania. Features workshops, contests and awards, critique and feedback sessions, and agent and editor speed dates. Autobiography/Memoir, Fiction, Horror, Journalism, Marketing, Non-fiction, Playwriting, Poetry, Publishing, Romance, Science Fiction/Fantasy, Screenwriting, Young Adult.

West Virginia Writers Conference. June 8 - 10, 2018: Ripley, West Virginia. Author readings, contests and sharing your love of writing with others.

Women Writing to Change the World: Omega Institute. June 8 - 10, 2018: Rhinebeck, NY. "As women many of us have a story we want to share, write about, or tell—but how do we begin? We begin with a word. A sentence. A first line. But those first words can be daunting, especially when you realize that words have power and you can change lives with your writing. Guided by author Amy Ferris and therapists Sherry Amatenstein and Blair Glaser, you spend a weekend meditating, connecting, rabble rousing, and writing. Through small group work, sharing, and creative writing prompts, you transform your fear and shame into power on the page. You create essays, poems, petitions, manifestos—whatever you are moved to create—about topics that catalyze you and leave you forever changed, forever united" Cost: $360.

Colrain Poetry Manuscript Conference. June 8 - 11, 2018: Truchas, New Mexico. The conference features evaluation and discussion of book-length and chapbook-length manuscripts with poets, editors, and publishers. The cost of the conference is $1,475, which includes lodging and meals. Using the online submission system, submit a brief bio and three to four poems.

Kachemak Bay Writers' Conference. June 8 - 12, 2018: Homer, Alaska. Daily workshops, panel presentations, readings and craft talks. Keynote speaker: Anthony Doerr (!) Costs: $375 ($325 early bird by 5/2). Includes luncheons, opening dinner; manuscript review $65. Post-conference workshop $400.

Spring Writing Intensive. June 9, 2018, Annapolis MD. "In this one-day writing intensive, participants will have the opportunity to join other writers for a day devoted to writing instruction, discovery, and inspiration. Working under the guidance of award-winning authors, attendees may select four workshops from seven choices. By choosing from a menu of craft options that will include memoir, fiction, nonfiction, and publishing advice, participants will select the subjects that address their most challenging writing issues and will leave armed with new skills, understanding, and motivation. All levels are welcome." Tuition: $175.

Get Published Conference. June 9, 2018: Bozeman, Montana. This conference is devoted to book writing, marketing and getting published. Faculty includes experienced writers who share their methods for planning, writing and finishing their books, along with practical marketing and promotional information.

DFW Writers Conference. June 9 - 10, 2018, Fort Worth TX. Featuring pitch sessions with literary agents, advanced classes, engaging panels, interactive workshops.

Bread Loaf Orion Environmental Writers' Conference. June 10 - 15, 2018: Ripton, VT. The Bread Loaf Orion Environmental Writers' Conference is a week-long writers’ conference designed to hone the skills of people interested in producing literary writing about the environment and the natural world. The conference is co-sponsored by the Bread Loaf Writers’ Conference, Orion magazine, and Middlebury College’s Environmental Studies Program. Application deadline: April 20, 2018.

Tinker Mountain Writers’ Workshop. June 10 - 15, 2018: Roanoke, Virginia. The conference features workshops in poetry, fiction, and creative nonfiction, as well as craft seminars, individual conferences with faculty members, and readings. The faculty includes poets Rebecca Lindenberg and Jon Pineda; fiction writers Pinckney Benedict, Fred Leebron, and Karon Luddy; multi-genre writers James McKean and Daniel Mueller; agent Jeff Kleinman (Folio Literary Management); and editor Barbara Jones (Henry Holt & Company). The cost of tuition is $795. Housing is available on campus for $225 for the week or in nearby hotels beginning at $65 per night. A campus meal plan is available for $200.

Naropa Summer Writing Program. June 10 - June 30, 2018: Boulder, CO. This is the 44th Summer Writing Program of the Jack Kerouac School of Disembodied Poetics at Naropa University. "These are urgent days, and a new world is possible––and this world is yet worth struggling for. To face facts with creative and spirited resolve; to see through webs of ignorance and power; to witness and study, and bring a new enlivening energy to being writer and citizen; to work collaboratively; to break open categories of resistance, and creation; to write, and think rhizomatically; to keep your weather eye open, and sing out every time–––these are just some of the modes and tactics we imagine The New Weathers will require. As our beloved friend and co-founder of the Kerouac School, Allen Ginsberg says: “Well, while I’m here I’ll / do the work–– / and what’s the Work? / To ease the pain of living. Everything else, drunken / dumbshow.”

Kenyon Review Writers Workshops. June 10 - July 14, 2018: Gambier, Ohio. Workshops in poetry, fiction, and nonfiction led by an accomplished faculty. Genre workshops (Fiction, Literary Nonfiction, and Poetry) are held for three hours each morning. (See individual workshops for dates.)

Interlochen Writer’s Retreat. June 11 - 14, 2018: Interlochen, Michigan. The retreat features workshops in poetry, fiction, and creative nonfiction, as well as craft talks, readings, time to write, one-on-one manuscript consultations, and a dinner. The retreat also offers a practicum that includes additional consultations, lectures, and panel discussions on publishing. The faculty includes poet and fiction writer Brittany Cavallaro, fiction writers Desiree Cooper and Eric Charles May, fiction and nonfiction writer Patricia Ann McNair, nonfiction writer Mardi Jo Link, and poet and nonfiction writer Anne-Marie Oomen. The cost of the conference is $520. Lodging and meals are not included; lodging on campus is available for discounted rates. Registration is first come, first served.

Writing and Illustrating for Young Readers. June 11 - 15, 2018: Sandy, Utah. Offers one-, two-, three- and five-day workshops. Morning workshops devoted to individual work; afternoon talks on market, craft, publication; chats w/ editors and agents; keynote; book signing. For those interested, specialized workshops--Boot Camp and Full-Novel classes. Single day programs as well.

Wesleyan Writers Conference. June 13 - 17, 2018: Middletown, CT. The conference offers workshops in poetry, fiction, and creative nonfiction, as well as master classes, craft sessions, panel discussions, readings, lectures, and manuscript consultations with agents and editors. The program includes a choice of daily seminars focused on the novel, short story, poetry, and nonfiction (memoir, short- and long-form nonfiction, and journalism). The faculty includes poet Honor Moore; fiction writers Nicholson Baker, Amy Bloom, Salvatore Scibona, and Tiphanie Yanique; and nonfiction writers William Finnegan and Lis Harris. Tuition is $850. Lodging is available on-campus for $50 per night or $200 for four nights or off-campus at nearby hotels and inns. A meal plan is available for $275. A one-day program is also available on June 16 for $225, which includes lunch and dinner. To register for a manuscript consultation, submit 10 poems or up to 35 pages of prose by May 23.

Algonkian Writer Conference–New York City Pitch. June 14 - 17, 2018: Ripley-Grier Studios in New York City. The conference offers workshops on writing and selling fiction and creative nonfiction manuscripts, as well as agent pitch sessions. The faculty includes Ibrahim Ahmad, Corinna Barsan, Kat Brzozowski, Jackie Cantor, Tom Colgan, Bess Cozby, Brendan Deneen, Mark Gottlieb, Michaela Hamilton, Thomas Hoeler, Lauren Jablonski, Peter Joseph and more. The registration fee until June 10, 2018 is $795.00, and $895.00 after that date. This fee covers all conference pitch sessions and workshops.

Pacific University Master of Fine Arts in Writing Residency Writers Conference. June 14 - 24, 2018: Forest Grove, Oregon. Writers seeking to deepen their craft and expand their professional community are invited to attend the Residency Writers Conference together with MFA students, faculty and guest speakers. Join us for 10 full days of craft talks, workshops, panels, classes, readings and more featuring some of the best minds of the literary world. This residency is a rare opportunity to engage in sustained and meaningful conversation with others who share your passion for the art of writing.

The Alabama Writers' Conclave. June 15-17, 2018, Orange Beach, Alabama. The Conclave is today one of the oldest continuing writers' organization in the United States. Writers, aspiring writers and supporters of the writing arts may join. Sharing information, developing ideas, honing skills, and receiving practical advice are hallmarks of the annual meeting.

Gateway to Publishing Conference and Convention. June 15 - 17, 2018: St. Louis, Missouri. Faculty: Jennifer Geist, Stephanie Hansen, Eileen Dryer, Angie Fox, Cynthia Graham, Ann Leckie, and still adding literary agents, publishers, and authors. Cost: Writer’s Conference: SLWG Member $210; Students/Affiliated Organizations $230; Regular Registration $250; Gateway Con Masterclass $50 per class; Author Hall Rates: SLWG Members $125; Affiliated Organizations $145; Regular Registration $175.

Sundress Academy for the Arts Summer Fiction Writing Retreat. June 15 - 17, 2018: Knoxville, Tennessee. The three-day, two-night camping retreat will be held at SAFTA's own Firefly Farms in Knoxville, Tennessee. This year's retreat will focus on generative fiction writing and include two break-out sessions "Conflict and POV as Perspective" and "Writing the Travel Narrative," plus discussions on kicking writer's block, publishing, and more.  

Poetry at the Frost Farm. June 15 - 17, 2018:  Derry, New Hampshire. The retreat offers workshops, readings, and one-on-one consultations for formalist poets. "Join a small community of people at the historic Robert Frost Farm learning, reading and writing formal poetry with contemporary award-winning poets. Choose your focus from a series of offerings designed to provide tools for beginning poets as well as perfect the mastery of published poets."

Mountain Heritage Literary Festival. June 15 - 17, 2018, Cumberland Gap, TN. "Every year writers gather at the ancient and beloved Cumberland Gap to celebrate writing, music, and Appalachian heritage. Events include workshops, panels, readings, concerts, lectures, open mic, and more."

Iowa Summer Writing Festival. June 16 -  July 27, 2018, Iowa City. Featuring 138 workshops with 60 instructors. Registrations for weeklong and weekend workshops are accepted on a first-come first-served basis. Class size is limited to twelve. It is a good idea to register early.

The Santa Barbara Writers Conference, June 17 – 22, 2018: Santa Barbara, Calif. "Every summer, writers in many genres from around the world gather to participate in a magical week of intensive work focused on story, voice, craft, marketing, and networking with fellow writers and publishing professionals."

Aspen Summer Words. June 17 - 22, 2018: Aspen, Colorado. Workshops, panels, and readings in fiction and creative nonfiction, as well as opportunities to meet with agents and editors. "Aspen Summer Words is the Rocky Mountain gateway to the literary world. Recognized as one of the country’s pre-eminent literary conferences, Summer Words welcomes visitors and locals alike to celebrate writing and writers in Aspen for a week each June. The exceptional faculty and awe-inspiring mountain scenery combine to make this a writing retreat like no other."

Colgate Writers’ Conference. June 17 - 23, 2018: Hamilton, New York. Morning craft talks & workshops. Individual consultation with workshop instructor in the afternoon. Late afternoon participant readings and talks on publishing, storytelling. Evening readings by instructors & guests. Late night social events. "Bring a story, a book in progress, some poems, or a novel, and work with us on developing narrative strategies, verse techniques, and methods of research. Members of the publishing profession will also be here to discuss marketplace tactics." Application Deadline: April 20, 2018.

Clarion West Speculative Fiction Writers Workshop. June 17 - July 27, 2018: Seattle, Washington. Every summer, Clarion West holds an intensive six-week workshop in Seattle’s University District, geared to help you prepare for a professional career as a writer of speculative fiction. Each workshop is limited to 18 students, and each week features a different instructor, a highly regarded author or editor offering their unique perspective on the field. Short fiction is the workshop’s focus, with an emphasis on science fiction, fantasy, and horror. Come prepared to write several new stories, to experiment and take artistic risks, and to give and receive constructive criticism. FULL

Fine Arts Work Center Summer Workshops (poetry, fiction, art, and creative nonfiction). June 17 - August 24, 2018, Provincetown, Massachusetts. The faculty includes Marisa Silver, Ariel Levy, Julia Glass, Henri Cole, Marie Howe, Marie Ponsot, Vijay Seshadri, Dean Albarelli, Kimiko Hahn, David Updikel, Pam Houston, Julia Glass, Alice Mattison. Tuition ranges from $600 to $725.

Manhattanville College Summer Writers' Week. June 18 - 22, 2018: Purchase, New York. Each day begins with a workshop, then afternoons feature craft panels and events. Evenings feature faculty readings and a keynote reader, and these evening readings are free and open to the public. For an immersive experience, housing is available on campus for workshop participants.

Minnesota Northwoods Writers Conference. June 18 - 24, 2018: Bemidji, Minnesota. Fiction, Non-fiction, Poetry, Publishing. Faculty: Edward Hirsch - Distinguished Visiting Writer. Joan Naviyuk Kane - Poetry. Wayne Miller - Poetry. Mat Johnson - Fiction. Alison Hawthorne Deming - Creative Nonfiction. Paisley Rekdal - Creative Nonfiction. Workshops are capped at 12 and applications are processed first-come, first-served until workshops are filled. 

Chautauqua Writers’ Festival. June 20 - 23, 2018: Chautauqua, New York. The conference features workshops in poetry, fiction, and creative nonfiction, as well as readings, panel discussions, individual conferences with faculty members, open mics, and time to write.  The faculty include poets francine j. harris and Hoa Nguyen; fiction writers Jennine Capó Crucet and Eleanor Henderson; and creative nonfiction writer Mike Scalise. Fiction and creative nonfiction writer Kiese Laymon will deliver the keynote on the the of "Writing in Times of Crisis." The cost of tuition is $500 ($400 for sponsored students). The cost of tuition without workshops and one-on-one faculty sessions is $200. The discounted fee for lodging in the Athenaeum Hotel ranges from $61.29 per night for a double room to $122.57 per night for a single room. The registration deadline is April 30.

Western Writers of America Convention. June 20 - 23 2018: Cheyenne, Wyoming. Children's, Fiction, Marketing, Non-fiction, Publishing, Young Adult. History presentations at the convention include Cats in the Old West, Border Wars/Law and Order, Mark Twain Literary Contributions, and more. Other sessions will take place related to the craft of writing, book marketing, and research sources and techniques.

Fordham University Retreat. June 20 - 24, 2018, New York City. "In order to help mentor the next generation of Asian American writers, Kundiman sponsors an annual Retreat in partnership with Fordham University. During the Retreat, nationally renowned Asian American poets and writers conduct Master Classes and manuscript consultations with fellows. Readings, writing circles and informal social gatherings are also scheduled. Through this Retreat, Kundiman hopes to provide a safe and instructive environment that identifies and addresses the unique challenges faced by emerging Asian American writers." Application Deadline: January 15th, 2018.

In Your Write Mind Workshop. June 21 - 24, 2018, Greensburg, Pennsylvania. Workshops on writing, editing & pitching; guest speaker presentations. A writer's workshop for all writers and aspiring writers! Former workshops featured agents and editors from TOR Books, FinePrint Literary Management, Donald Maass Literary Agency, Poisoned Pen Press, Leap Books, Titan Books and authors including JA Konrath, Michael Bracken, Daniel Jose Older, Jeff Strand and Diana Rowland. The workshop is hosted by Seton Hill University Writing Popular Fiction Alumni.

Chuckanut Writers Conference. June 22 - 23, 2018: Bellingham, Washington. Writers conference that includes speakers, panels, breakout sessions, authors' readings, reception with authors, pitch sessions with literary agents, book signings, open mic for attendees. Autobiography/Memoir, Children's, Fiction, Nature, Non-fiction, Poetry, Publishing. 

The Greater Los Angeles Writers Conference, June 22 - 24, 2018: West Coast Writers Conferences presents a full weekend of panels, workshops and presentations by educators, noted speakers, and industry professionals focused on the craft and business of writing.

Annual Conference on Creative Writing at Pacific. June 22 –24, 2018: Stockton, California. Autobiography/Memoir, Fiction, Humor, Journalism, Marketing, Mystery, Non-fiction, Poetry, Publishing, Romance, Science Fiction/Fantasy. Agents and editors will be available for pitch sessions.

Chicago Writing Workshop. June 23, 2018: Chicago, IL. "This is a special one-day “How to Get Published” writing workshop on Saturday, May 14, 2016, at the historic Congress Plaza Hotel, just south of the downtown area. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome." Features over two dozen attending agents.

Shore Thing Writing Getaway: A One Day Retreat for Poets and Writers. June 23, 2018, Atlantic City, NJ. "Join us for this boardwalk-inspired getaway, designed for writers of fiction, creative nonfiction and poetry. Trigger your imagination and compose new work that will surprise and please you. Spend the day immersed in the literary life: discussing writing, doing your own writing and sharing some of your new drafts." Faculty: Peter E. Murphy. Cost: $85.

Publish & Promote Your Book Conference. June 23, 2018: Bronxville, New York. "If you’re ready to find an agent and present your book to the marketplace, come join our community of educators, writers, agents, editors, and publishers at a one day conference designed to help you succeed in your publishing ventures. In addition to panel discussions, participants can register for Pitch Sessions and discuss their book with up to three agents/editors for 10 minutes each. If you're thinking of attending a Pitch Session, consider signing up for one of our Prep For Your Pitch sessions, which will be held on Tuesday, June 12, Wednesday, June 20, and Friday, June 22, at 7 p.m."

Community of Writers at Squaw Valley: Poetry Workshop. June 23 - June 30, 2018: Olympic Valley, California. "We work together to create an atmosphere in which everyone might feel free to try anything. In the mornings we meet in workshops to read to each other the work of the previous twenty-four hours; each participant also has an opportunity to work with each staff poet. In the late afternoons we gather for a conversation about some aspect of craft. On several afternoons staff poets hold brief individual conferences." Registration deadline: March 28, 2018.

Chesapeake Writers' Conference at St. Mary's College of Maryland. June 24 - 30, 2018: St. Mary's City, Maryland. Intensive workshops in three genres for serious writers at all levels of experience, as well as a multi-genre workshop for high schoolers. Featured Writers Include: Heather Green, Angela Pelster, Patricia Henley, Matt Burgess, Matthew Henry Hall, Jerry Gabriel (director).

Science Fiction & Fantasy Novel Writers Workshop. June 24 - July 6, 2018, University of Kansas, Kansas. "This summer, in conjunction with the Gunn Center for the Study of Science Fiction and the SF Writing Workshop, Kij Johnson teaches a two-week intensive workshop on writing novels. The goal of this workshop is to help writers in the early stages of a novel create compelling, coherent plots and openings for their books. Due to a scheduling conflict for Kij, we've swapped the traditional Novel Workshop and "Repeat Offenders" Novel Workshop for writers who have already taken the traditional workshop, which will run from June 10-22, and this year is hosted by the ever-awesome Kevin McNeil."

Jackson Hole Writers Conference, June 28 - 30, 2018: Jackson Hole, WY. You will have ample opportunity to share your work with a distinguished faculty as well as writers from Massachusetts to Florida, from Texas to Washington.Serious writers pour into Jackson Hole each June looking for a fresh, but critical eye on their work. This event usually has at least 4 agents to pitch.

DRC Conference Faculty & Workshops 2016. June 28 - 30, 2018: Davenport, Iowa. Daily workshops, critiques, pitches, evening events, keynote. With five three-day workshops, book pitches with a publisher and an agent, author luncheon, concluding luncheon, free evening faculty reading and keynote address, there’s something for everyone! Register before June 15th to receive the early bird discount.

David R. Collins Writers' Conference. June 28 - 30, 2018: Davenport, Iowa. Develop your writing working with award-winning authors in a variety of genres, and get publishing tips, one-on-one critiques, and pitch a manuscript. "Each workshop is 4.5 hours over three days, 1.5 hours per day. We will be offering five workshops in 2017, including: poetry; nonfiction/memoir; short fiction; the novel; and finding and keeping an agent. We also have a faculty reading followed by an open mic for participants; pitch sessions for writers to present manuscripts to an agent and an independent press; one-on-one manuscript critiques; an author luncheon; and a featured speaker TBA."

The Art of Description. June 28 - July 2, 2018: Austerlitz NY. Faculty: Colleen Kinder and Owen Murray. "All authors are illustrators. They sketch vivid scenes, legible faces, contoured landscapes, and so much more in the reader’s minds-eye. How do we cultivate this ability: to animate the visual world distinctively and unforgettably in the imaginations of our readers? Co-taught by a writer and photographer/illustrator team Colleen Kinder and Owen Murray, this course will take students on a two-dimensional journey, equipping them to illustrate the visual world in radiant detail."

The Writers’ League of Texas Agents & Editors Conference. June 29 – July 1, 2018: Austin, Tex. The conference features panels, lectures, networking opportunities, and receptions. Individual manuscript consultations with agents or editors are available. Participating agents include Terra Chalberg (Chalberg & Sussman), Arielle Datz (Dunow, Carlson & Lerner), Adriana Domínguez (Full Circle Literary), Cherise Fisher (Wendy Sherman Associates), Wendi Gu (Janklow & Nesbit), Kristina Moore (The Wiley Agency), Eric Myers (Myers Literary Management), Rachel Orr (Prospect Agency), Sharon Pelletier (Dystel, Goderich & Bourret), Sarah Phair (Trident Media Group), Grace A. Ross (Regal Hoffman & Associates), Jeff Silberman (Folio Literary Management), and Jennifer Chen Tran (Bradford Literary Agency). The cost of the conference is $469 ($409 for Writers’ League members), which includes a one-on-one consultation with an agent or editor until April 2, and $509 ($449 for members) thereafter.

Tuesday, May 15, 2018

Mega-List of Paying Markets for Horror, Dark Fiction and Poetry

Pixabay
Updated 8/4/25

Much like other genres of speculative fiction, horror enjoys a loyal, and possibly fixated, fan base. Horror isn't all blood and gore. The subgenres include everything from the mildly unsettling (like Twilight Zone), to splatterpunk (which is exactly what you think it is). Some of the genres accepted by horror magazines include: humorous horror, holiday horror, psychological horror, science fiction horror, slasher horror, supernatural horror, gothic horror, erotic horror, teen horror and, of course, anything with zombies, werewolves, vampires, or other malevolent creatures. Many of the magazines on this list also accept dark fiction, dark fantasy, and other genre crossovers that evoke a sinister mood.

Read the submission guidelines, and make sure to follow them carefully before submitting.

Many more paying markets, organized by topic and genre, can be found here: Paying Markets. You can find markets and submission calls specifically geared to dark fiction on Open Call: Horror Markets.

Note: Many speculative fiction magazines accept horror in addition to science fiction and fantasy. You can find a long list of speculative fiction magazines here: Mega-List of Science Fiction and Fantasy Magazines - Paying markets
Publication Payment Submission Guidelines Notes
Apex $.08 per word http://www.apex-magazine.com/submission-guidelines/ No simultaneous submissions

See submission periods
Nightmare $.08 per word https://johnjosephadams.moksha.io/publication
/nightmare/guidelines
Accepts horror and dark fantasy

No simultaneous submissions

See submission periods
Tales from the Moonlit Path $10 https://talesmoonlitpath.com/submissions/ See submission periods

Themed issues
Spooky 1 cent/wordhttps://spooky-magazine.com/submission-guidelines/ Cozy horror. Fun horror. Classy horror. Dare we say, wholesome horror?

See submission periods
Just Chills Podcast $25 https://justchillspodcast.com/submissions/ Horror. Length: 4000 – 7000 words
Gothic.net Payment is negotiated http://www.gothic.net/submissions/

Online form
Length between 2,000 and 10,000 words
Tales of Horror 6 cents/word for fiction, $40 per poem  https://ashtonspot.com/talesofhorror/ Accepts fiction up to 5,000 words in length. 

See submission periods
Aurealis


Australia
AU$20 to $60 per 1000 words https://aurealis.com.au/submissions/

Submissions from Australian and New Zealand writers: 1 March – 30 September
Submissions from anyone anywhere: March
Accepts short stories between 2000 and 8000 words

Kaleidotrope $0.01/word http://www.kaleidotrope.net/guidelines/ See submission periods

Also accepts poetry
Three-lobed Burning Eye $.08/word http://www.3lobedmag.com/submissions.html No simultaneous submissions
Tales of Horror Magazine $0.06/word fiction, $40 per poem
https://ashtonspot.com/talesofhorror/

Horrific and weird stories

Reprints accepted
Last Girls Club  $0.015 USD/word Poetry, $10. https://www.lastgirlsclub.com/submit Feminist horror

See submission periods
Madness Heart $10 for stories https://madnessheart.press/submissions/?v=7516fd43adaa Madness Heart publishes full-length horror, as well as anthologies

See submission periods
Psychopomp Advance against royalties of $750, as well as 25% of net receipts.  https://psychopomp.com/novella-guidelines/ Speculative fiction or literary novellas between 20,000 to 40,000 words that fall under the umbrella of goth, death, funerary, grief, loss, alternative, otherworldly themes. 
Red Raven £10 https://www.redravenbooks.com/#writers Short horror
Pseudopod $.08/word for original fiction, $100 flat rate for short story reprints, and $20 flat rate for flash fiction reprints (stories below 1500 words) http://pseudopod.org/submissions/ Podcast
Crepuscular 10 cents/word with minimum of $5 https://www.patreon.com/posts/submission-85137677 Microfiction stories exploring places, characters, and questions buried in the gray areas

250 words max
Grinning Skull Press
0.025 cent/word
https://grinningskullpress.wordpress.com
/submission-guidelines/
Novels, novellas, and occasionally short stories
Black Hare Press 5,000 to 10,000   – $25 USD; 10,000 to 17,000 – $50 USD https://www.blackharepress.com/submissions/ 5,000 words minimum 

Drabbles (100 words)
Hungur $25
$12 for reprints

$5 per poem
https://www.hiraethsffh.com/hungur-chronicles-guidelines Vampires
Dark Peninsula Press $25 - $50 for anthologies
https://www.darkpeninsulapress.com/submissions.html Anthologies

See calls for submissions
A Midnight Kind of Place £15 https://www.amidnightkindofplace.com/submissions/ Horror market based in Scotland in the UK, focused on short stories

500-10,000 words

See reading periods
Dreams and Nightmares $12 http://dreamsandnightmaresmagazine.com
/guidelines.htm
Mostly poetry
Nightmare Magazine 8 cents/word

$40 per poem

https://adamant.moksha.io/publication/nightmare/guidelines
Dark fantasy and horror short stories, poems, and nonfiction

See reading periods
Electric Spec $20 http://www.electricspec.com/Submissions.html Macabre

See reading periods
Stone’s Throw $25 https://www.rockandahardplacemag.com/stones-throw-submissions Dark fiction


See reading periods
khōréō 0.10/word for fiction, $100 for nonfiction, and $40-300 for art. https://www.khoreomag.com/submissions/ See reading periods

Open to writers who identify as an immigrant or member of a diaspora in the broadest definitions of the terms

Stories, essays, and art: fantasy, sci-fi, horror, and any genre in between or around it, as long as there’s a speculative element.
White Cat Publications 2 cents/word https://whitecatpublications.com/guidelines/ Accepts mystery, romance, thrillers, suspense, ghost stories and horror stories (no slasher stories, please), westerns, steampunk and fantasy.
Gamut 10 cents/word https://houseofgamut.moksha.io/publication/house-of-gamut "We are looking for a wide range of dark speculative fiction"

Themed issues
Polar Borealis $10 for one thousand words or less. One cent a word for stories 1,000 words to 3,000 words in length https://polarborealis.ca/submission-guidelines/ See submission periods

Horror with SF aspects

Open only to Canadians, long-term foreign residents living in Canada, landed immigrants, or Canadians currently living outside Canada
The Phantom Pulse $0.03 per word for unpublished fiction and $0.01 per word for reprints https://www.thephantompulse.com/ Traditional horror, sci-fi horror, dark fantasy, and the weird. We have diverse reading tastes and are open to experimental forms and stories.
Waxen "Fair compensation" https://www.waxen.org/ We are looking for short fiction, poetry, and illustrations. We are interested in the weird, the occult, the surreal, and the horrific. We love experimentation.
(s)crawl $20

https://scrawlmag.com/submissions/ Horror fiction

100 - 5,000 words

Poetry

See submission periods
Horror
Addicts.net
Some submissions are paid, some not https://horroraddicts.wordpress.com/current-submission-calls/ HorrorAddicts.net is a podcast, blog, and publisher run by horror addicts, for horror addicts.

Accepts nonfiction
Don't Flinch Podcast $100 https://dontflinchpodcast.com/script-submissions/ Scripts 20 - 30 minutes in length
Underbelly Zine $10 https://underbellyzine.blogspot.com/p/what-we-want-extreme-horror.html Extreme Horror

See submission periods
Tales From Between  £15 plus a physical copy of the issue. REPRINT: £5 plus a physical copy of the issue. https://talesfrombetween.wordpress.com/submissions/ Horror up to 1000 words

Has submission periods
Heathen 5 cents/word https://heathen.press/

ON HIATUS
Horror, dark fantasy 

Up to 7500 words

See submission periods
The Other Stories 15 GBT https://theotherstories.net/submissions/

CLOSED ?
Horror podcast

See themes
Unfading Daydream $5 - $10 https://unfadingdaydream.wordpress.com
/submissions/
1,000 - 7,000 words

See reading periods
Infinite Horrrors $0.08/word https://www.infiniteworldsmagazine.com/submissions-faqs 1500–5000 words 

Accepts short fiction, illustrations, comics
Crone Girls Press Payment not specified https://cronegirlspress.com/submissions/ Dark speculative fiction  anthologies and horror flash fiction.

See reading periods
Underland Arcana $0.01 / word—up to 5,000 words—for publication on the website. Additional publication in other formats (ebook and collected print editions, for example) will be under a shared royalty basis https://www.underlandarcana.com/submissions/ Short fiction that veers into the numinous, the esoteric, the supernatural, and the weird. "We like these stories to be mildly speculative, fantastic, mysterious, and/or horrific (if you prefer genre tags)."

See reading periods


The Slab Press 1p a word to a maximum of £50 https://theslab.press/calls-for-submission/ Horror

Themed issues
Cosmic Horror Monthly 1 cent per word for original fiction. 1/2 cent per word for reprints; $10 – $20  for interior artwork. Negotiable; $100  for cover art. Negotiable. https://cosmic-horror.net/submissions/ Up to 7,500 words

Horror, dark scifi

See reading periods


Agita 5 cents USD per word https://agitamag.com/submissions/ Horror or dark science fiction flash stories

1000 words max

See reading periods
ergot $25 https://www.ergot.press/
ergot seeks experimental fiction and hybrid work under 10k words that pushes the boundaries of what literary horror is and what it might become.


Pulp Revival$25 https://www.pulprevivalpress.com/services-2 WORD COUNT: 1,000 – 7,500 words

Has themes
Die Laughing $10 for flash, $25 for short  https://dielaughingmag.com/about-2/ That sweet spot of horror comedy that is genuinely funny but also genuinely scary. Can be as goofy, gory, or smutty as you like!
Ghoulish Tales 10 cents/word https://ghoulish.rip/reopened-for-short-story-submissions-ghoulish-tales/ See reading periods

Short stories that fit our personal definition of the word GHOULISH, which is “fun horror that aims to celebrate all things spooky.”
A Midnight Kind of Place Original fiction receives £30 (GBP), reprints receive £10 (GBP) https://www.amidnightkindofplace.com/submissions/ Horror anthologies

1,000 – 10,000 words

Accepts reprints

Mithila $50 for short fiction, $10 for original poetry/essays
/flash
http://mithilareview.com/submission-guidelines/ 4,000 - 8,000 words

Flash, under 2,500

Accepts poetry
Sometimes Hilarious Horror $25 for original stories, $10 for reprints https://sometimeshilarioushorror.blogspot.com/2024/01/submission-guidelines.html Horror stories of up to 15,000 words

Accepts art
Roads Less Traveled £40 per story regardless of length https://www.midnightstreetpress.com/submission-guidelines Horror and dark fiction mashups

Also accepts nonfiction and interviews

The Dark 5 cents/word for original fiction up to 6,000 words on publication for first world rights; up to 6,000 words

1 cent/word for reprint fiction
http://thedarkmagazine.com/submission
-guidelines/


Horror and Dark Fantasy

2,000 – 6,000 words

Fast response time

Accepts reprints
Bag of Bones Press £0.005 per word https://www.bagofbonespress.com/submission-calls "Speculative, surreal, supernatural, dark fiction with creeping, poetic, dread-inducing prose, and endings we can't predict, but we're open to all subgenres of dark fiction."
The Fifth Corner Payment unspecified https://thefifthcorner.ca/submissions/ Accepts original, unpublished short fiction that explores dark, unsettling, and psychologically resonant themes.

Dark Yonder $50 https://www.darkyonder.online/submissions "Neo-noir" 

Dark literary fiction (crime, horror, speculative lit, etc)
Stygian Lepus Magazine $5 https://stygianlepus.com/submissions/ Dark speculative fiction
Liminal Stories 6 cents/word http://liminalstoriesmag.com/submissions/ Up to 10,000 words

See reading periods
Allegory $15 https://www.allegoryezine.com/submissions See reading periods
Diabolical Plots 8 cents/word http://www.diabolicalplots.com/guidelines/
No simultaneous submissions

See reading periods
Illustrated Worlds Magazine 1 cent/word for fiction, $10 for poetry, $20 - $50 for art. https://www.illustratedworldsmagazine.com/submission-guidelines.html#/ Dark fantasy and horror, fiction and art

See reading periods
Book Worms 8 cents/word  https://rsaintclaire.com/
Horror

See reading periods
Nocturne Magazine $10, $25 for art

https://www.nocturnezine.com/submissions-and-guidelines Horror, dark fantasy, or speculative

6000 words or fewer. Flash fiction (under 1000 words)
Polymorphic $30 CAD https://polymorphicmagazine.com/submissions/ Short horror stories and art
Sanitarium $5 https://www.thesanitarium.co.uk/submissions See reading periods
Kangas Kahn 8 cents/word https://www.kkpublish.com/ See reading periods

Has themes
Broken Antler 

$20 for print magazine, $10 for online publication https://www.brokenantlermag.com/submit Horror and weird fiction, as well as sci-fi and dark fantasy
Tales to Terrify Podcast $0.01 USD per word https://talestoterrify.com/submissions/ They periodically have calls for specific themes

Length varies

Reprints accepted
Red Cape Anthologies  £10 https://redcapepublishing.com/submissions/ Anthology series. See themes and deadlines.
The Dark Door $25 per illustration featured (or a bundled rate of $25 for multiple marginals), and a rate of $15-50 USD per story depending on word count https://illadvisedrecords.com/thedarkdoor Terrifying tales and insidious illustration in the style of 70s and 80s pulp horror fiction zines
Perpetual Motion Publishing Newsletter $25 https://pmmpublishing.submittable.com/submit/34164/perpetual-flash-fiction Flash fiction up to 1500 words

Has reading periods
Nightmare Fuel $15 https://cloakedpress.com/sfwgs-nightmare-fuel/ Anthologies
The NoSleep Podcast $100 for short fiction, and $125 for regular submissions. https://www.thenosleeppodcast.com/submissions First-person perspective
MetaStellar $0.08/word for original fiction https://www.metastellar.com/write-for-us/ Fantasy, horror, and science fiction of up to 7,500 words. Accepts reprints.
Hellbound Books $5 https://hellboundbookspublishing.com/subs-anthologies.html Themed anthologies
Archive of the Odd $15-$25 for fiction of 500-5,000+ words https://archiveoftheodd.com/submissions/ “Archive of the Odd is a zine of uncanny occurrences, told in even stranger ways.”

Has reading periods
Weird Horror Magazine 2 cents/word https://www.weirdhorrormagazine.com/submit Weird horror 500 - 7000 words

Open to submissions periodically
The Ghastling £15 https://theghastling.com/submit/ Psychological horror, folk horror, ghost stories and the macabre.

Has submission periods
Horrific Scribes $25 https://horrificscribblings.com/about/submissions/ Dark fiction, mostly horror (all subgenres) but also the horror-adjacent, e.g. dark fantasy and dark sci-fi and also surreal and experimental work with dark edges.
The Dundee Review £25 per published story (approx. $33 USD or €29 https://dundeereview.com/submit/ All forms and styles of Gothic short fiction, including tales of terror and wonder, horror, crime, dark romance, science fiction, speculative fiction, the weird or the fantastical. And we are open to all authors, wherever you may be.
Deep Cut Magazine. 8¢ per word https://magazine.deepcut.press/submissions/ Literary horror: dark fiction with teeth and an interior life, and scholarship 

Has submission periods
Horror Story Magazine 2 cents/word CLOSED Horror stories and poetry

1000 - 2000 words
Witch House $10 https://witchhousemag.blogspot.com/ Cosmic horror

Has submission periods
Dark Dead Things $.02 per word for short story and nonfiction; flat rate of $30 per poem https://www.darkdeadthings.com/submissions Weird short stories, poetry, and  nonfiction.

"We love horror but are open to anything strange, surreal, or subversive."

Has submission periods
Just Keep Up $10 a story, $10 a poem https://www.justkeepupmagazine.com/submissions Stories should be science fiction and/or horror (preferably both) and 100-10,000 words long
Monstrous 6 cents/word CLOSED Dark fiction, flash, comics, prose, and articles.

Print format
Nightlight Podcast $200; Flash fiction, 5 cents/word; Reprints, $50. https://nightlightpod.com/
Horror by Black writers

Has submission periods
Zombies Need Brains 8 cents/word https://www.patreon.com/posts/66268714 Science fiction, fantasy, and horror, including all subgenres
Dark Holme Publishing £50 https://www.darkholmepublishing.uk/submissions-portal Horror and dark fantasy
PsychoToxin Press Royalties CLOSED Novelettes, novellas, novels, short story collections, short stories
Max Blood’s Mausoleum $30 CLOSED Horror short stories up to 8,000 words
House of Long Shadows Subscription revenues share https://houseoflongshadows.substack.com/p/submission-guidelines Gothic Horror

Reprints accepted
Horrorsmith $25 https://www.horrorsmithpublishing.com/pages/submissions Horror and thriller short stories

Word Count - 3,000-10,000 words
Frost Zone $15 CAD https://www.frostzonestories.com/p/submissions.html Dark literary fiction 

1800 - 3800 words
Skull and Laurel 3c/word (USD) originals; $25 (USD) reprints https://tenebrouspress.com/submissions Weird Horror, Dark Fantasy, Dark Science Fiction. Short Fiction, Narrative Poetry. They also encourage things like comic strips, mixed media, found footage, puzzles, games, experiments, and other weird forms, as long as they tell a story. Translations welcome. Word count: 100 to 4999 words. 
Infinite Horrors 8 cents/word https://www.infiniteworldsmagazine.com/submissions-faqs Horror and comics
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Thursday, May 10, 2018

54 Paying Markets for Flash Fiction


Pixabay
Updated 8/1/25

Flash fiction is shorter than the normal range of short stories, which are generally 3,000 words or more. The precise length remains somewhat elusive. Some literary journals ask for 2,000 words or less, others set maximum word counts in the hundreds. Each publication has its own style, its own format, and its own needs, so whether your 1,953-word short story qualifies as "flash" is entirely up to the editors.

Flash fiction is very popular. There are dozens of sites where you can read flash fiction on a daily basis. This is perfect for people who are commuting on a train, waiting to see a doctor, or have other brief, potentially interrupted periods of time to fill.

Below is a list of paying markets for flash fiction. I have included links to submission guidelines, payment information, and word counts where available. Make sure you follow their guidelines carefully. (Editors don't consider submissions that fail to follow guidelines.) None of these magazines charge submission fees.

For my excellent list of paying markets, nicely organized by genre and form, see Paying Markets.

JournalSubmission GuidelinesPaymentNotes
Confrontationhttps://confrontation-magazine.org/submit/$150 - $200;
more for commissioned work.
Reading periods

500 words max
The Good Life Review: "Micro Monday" (online)https://thegoodlifereview.com/submissions/$25Flash fiction and CNF (under 500 words) and poetry

See submission periods
Fabula Argenteahttp://www.fabulaargentea.com/
index.php
/submissions/
$5Accepts all genres
Flash Fiction Onlinehttps://www.flashfictiononline.com/submission-guidelines-flash-fiction/what-were-looking-for-and-not/$80; reprints $.02 (two cents)
per word
500 to 1000 words
The Fabulisthttps://fabulistmagazine.com/about/submissions/$100Has submission periods

Fantastical and speculative fiction up to 1,000 words
Every Day Fictionhttps://everydayfiction.com
/submit-story/
$3 CADUp to 1,000 words
Stupefying Stories https://stupefyingstories.blogspot.com/p/submission-guidelines_1.html$15

$5 for reprints
Science fiction, fantasy, and horror, in that order

Has submission periods
Longleaf Reviewhttps://longleafreview.com/submissions/

ON HIATUS
$20Horror

1000 words max

See submission periods
Chestnut Reviewhttps://chestnutreview.submittable.com/submit$120All genres

1,000 words max

See submission periods
Manawaker Studioshttp://www.manawaker.com/ffp-submissions/1 cent/wordFlash fiction podcast

Ideal length
is around 800 words, but
stories as short
as 250 or as
long as 1500
may be considered
Crafthttps://www.craftliterary.com/submit/$100Reprints accepted (no pay)
Baltimore Reviewhttp://baltimorereview.org/index.php
/submit
$40 You can submit up to 3 pieces of flash fiction

See submission periods
The Cafe Irrealhttp://cafeirreal.alicewhittenburg.com/1 cent/wordMagical realism

2000 words max
The Orange & Beehttps://theorangebee.substack.com/p/submission-guidelines$80Has submission periods

Also accepts poetry and nonfiction
The Cincinnati Reviewhttps://www.cincinnatireview.com/submission-guidelines-2021-2/$25/page500 words maximum

Submit up to 3 pieces
Electric Lithttps://electricliterature.com/submit-ebdd3b73083a$100Electric Lit has short, infrequent submission periods
Odyssahttps://odyssamagazine.com/submit/$30Travel themes

700-1500 words
Chestnut Reviewhttps://chestnutreview.submittable.com/submit$120All genres

1,000 words max
Bayou Magazinehttps://bayoumagazine.org/submissions/$25 Submission period September 15- May 15
Okay Donkeyhttps://okaydonkeymag.com/submissions/$20They like the odd, the off-kilter, and the just plain weird

1,200 words max
Tales and Feathershttp://www.augurmag.com/submissions/11 cents CAD/wordCozy slice-of-life fantasy short stories

2,500 words max

Has submission periods
Ruminatehttps://ruminatemagazine.submittable.com/submit

CLOSED
$20/page for proseAlso accepts poetry and art
The Journal of Compressed Creative Artshttps://matter.submittable.com/submit$50"We accept fiction, creative nonfiction, poetry, mixed media, visual arts, and even kitchen sinks"

See reading periods
Funny Timeshttps://funnytimes.com/about/
submissions/
$60Humor

500-700 words
Futureshttp://blogs.nature.com/futureconditional/
2015/04/19/how-to-write-for-nature-futures/
$130Science fiction

850 - 950 words
MonstrousCLOSED$15/pageHorror comics
Wallstraithttps://www.wallstrait.com/submissions$25Flash fiction, longer stories, hybrid, and experimental stuff you can't quite define.

Has submission periods

Now charges for submissions
Dream Theoryhttps://www.dreamtheory.media/submission-guidelines/$30Speculative and literary flash fiction

See submission periods
Variant Lithttps://variantlit.com/submit/$10Poetry, fiction, flash fiction, art
PseudoPodhttp://pseudopod.org/submissions/$20Horror

Podcast
THEMAhttp://themaliterarysociety.com
/submissions.html
$10Accepts reprints

Each issue has a theme
The Temz Reviewhttps://www.thetemzreview.com/submissions.html$20If your pieces are fewer than 1000 words each, feel free to submit several pieces at once

See submission periods
Carmen et Errorhttps://carmenerror.com/?page_id=19£5Poems, 40(ish) lines max. Fiction, 400(ish) words max
 Curiositieshttps://gallerycurious.com/p/submissions-1599834174/

TEMPORARILY CLOSED
$50 for stories under 1000 words
5 cents a word USD for original fiction and a penny a word for reprints
Steampunk, dieselpunk, dreadpunk, bronzepunk, others that haven’t even been invented yet punk 
The Ex-Puritanhttps://ex-puritan.ca/submissions$75See submission periods

Submissions are free on a limited basis
Teach. Write.https://heymrswinkler.com/about/teach-write/teach-write-submission-guidelines/$15Fiction, nonfiction, flash fiction, poetry, CNF. "I prefer writing that is either written by composition teachers and writing students or about teaching and learning." 
Gordon Square Reviewhttp://www.gordonsquarereview.org/submit.html$251,000 words max

See submission periods
Variety Pack
https://varietypack.net/submissions-2/

HAS BEGUN TO CHARGE A FEE FOR SUBMISSIONS
$20Fiction, flash fiction, poetry, CNF, art
Bansheehttps://bansheepress.org/submit"small"Poetry, essays, flash fiction, short stories

See submission periods
Wyldblood Presshttps://wyldblood.com/submissions-2/
£0.01 per word for print and digital rights (to a maximum of £75)
1000 words max for flash fiction

See submission periods
New Mythshttps://sites.google.com/newmyths.com/newmyths-com-home/submissions
3 cents/word with a minimum payment of $50Speculative fiction (no horror)

See reading periods
The Fantastic Otherhttps://fantasticother.com/submissions/$5Fiction, flash fiction, poetry, art on themes

See submission periods
matchbookhttps://www.matchbooklitmag.com/guidelines$20Short fiction, creative nonfiction, and indeterminate prose

1000 words max

See submission periods


Brilliant Flash Fictionhttps://brilliantflashfiction.com/submissions/$201,000 words or fewer

All genres
Three-lobed Burning Eyehttp://www.3lobedmag.com/
submissions.html
$30 for flash fictionHorror and
dark fantasy, magical realism, slipstream,
cross genre, or weird fiction

See submission periods
Paranoid Treehttps://www.paranoidtree.com/$50Up to 400 words

Points in Casehttps://www.pointsincase.com/submissions$10 for lists, $35 stories under 1,000 wordsHumor under 1000 words, lists
The Bureau Dispatch https://www.bureaudispatch.com/submissions$50 "Our stories often contain a hint of the speculative, a dash of the intriguing." 

500 - 1,500 words

See submission periods
Mithilahttp://mithilareview.com/submission-guidelines/$10Under 2,500 words

Speculative fiction
Daikaijuzinehttps://daikaijuzine.org/guidelines$5See reading periods

Up to 1,000 words
Timber Ghost Presshttps://www.timberghostpress.com/submissions.html$51000 words max

Horror

Opens from the 1st to the 10th of every month
The Arcanisthttps://thearcanist.io/a-call-for-submissions-244f646d25a4$50Medium-based publication, weekly

1000 words max

Speculative fiction
Smokelonghttps://smokelong.submittable.com/submit
/128/smokelong-general-submissions
$501000 words max
Flash Fiction Magazinehttps://flashfictionmagazine.com/submissions/$40

Only pays for stories selected for anthologies
300–1000 words
Die Laughinghttps://dielaughingmag.com/about-2/$10Horror comedy

1000 words max
Fractured Lithttps://fracturedlit.com/submit/$50 for original micro fiction and $75 for original flash fiction400-1000 words

See submission periods
Middle House Review: Height Charthttps://middlehousereview.submittable.com/submit$25Up to 1000 words

See submission periods
Baffling Magazine


https://www.bafflingmag.com/submissions8 cents/wordUnder 1,200 words

We are looking for speculative stories that explore science fiction, fantasy, and horror with a queer bent. We want queer stories and we want trans stories and we want aro/ace stories. We want indefinable stories. We welcome weird, slipstream, and interstitial writing.  
Short Circuithttps://short-edition.com/en/contest/short-circuit-short-circuit-02/guidelines100 euros for short stories, 50 euros for poemsShort stories and poems of maximum 7,500 characters (spaces included) or children's works of maximum 7,000 characters.
Vast Chasmhttps://vastliterarypress.org/submissions/


$50Bold work that explores the expansive human experience, including flash and short fiction, creative nonfiction, poetry, and other nonconforming work

1200 words max
Iron Horsehttps://www.ironhorsereview.com/submit$50Has submission periods

Has one free submission day during submission period
Over/Exposedhttps://overexposedlit.uvic.ca/submission-guidelines/$15 CAD"We prioritize the work of graduate students, so please indicate in your submission if you are a graduate student, including your university, and department."

1000 words max

Has submission periods
Memezinehttps://www.memezinelit.com/submit$5Maximum of three (3) pages

Send any work (traditional or hybrid) that engages with our participation in the digital landscape. Send us your best…oh screw it, send us your worst too.

Has submission periods
Flash Point Science Fictionhttps://flashpointsf.com/submissions/$15Speculative fiction stories from 100 to 1,000 words in length

Has submission periods
Orion’s Belthttps://www.orions-belt.net/submissions8 cents/wordSpeculative fiction up to 1,200 words
The Masters Review New Voiceshttps://mastersreview.com/submissions/$100Open to new or emerging author who has not published a work of fiction or narrative nonfiction of novel length.

1,000 words max
Litomospherehttps://www.charlottelit.org/litmosphere/$50See submission periods

Has begin charging for submissions
Flash Froghttps://flash-frog.com/submit/$251,000 words max
The Forge Literary Magazinehttps://forgelitmag.com/submit/$75Open to all genres and voices 

"We love flash and micro prose."
Scrawl Spacehttps://scrawlplace.com/submit/$35CNF, Fiction, Poetry, Hybrids

Must be connected to a specific place

900 words max
Havokhttps://gohavok.com/submission-guidelines/upcoming-themes/$10 for each story published in an anthologyMystery, scifi, comedy, thriller, and fantasy

300 - 1000 words

See themes
Aphabet Boxhttps://alphabetbox.com/submissions/$20Fiction, poetry

900 words max

See submission periods
Cast of Wondershttps://www.castofwonders.org/submissions/$20 Open to young authors

YA Speculative fiction podcast

See submission periods
Tales From Betweenhttps://talesfrombetween.wordpress.com/submissions/ £15 plus a physical copy of the issue. REPRINT: £5 plus a physical copy of the issue.Horror 

Has submission periods
MetaStellarhttps://www.metastellar.com/write-for-us/flash-fiction-story-submission/8 cents/wordScience fiction, fantasy, horror up to 1000 words

See submission periods

A Velvet Gianthttps://www.avelvetgiant.com/submit$20"We are open to work that takes the shape of basically any format: words, recordings, visual art, hybrid forms, etc. We are open to translated original work."
The Lorelei Signalhttps://www.loreleisignal.com/guidelines$5Fantasy with strong female characters

1000 words max
Factor Fourhttp://factorfourmag.com/submissionsinfo/11 cents/wordScience fiction, fantasy, supernatural, super hero, or any combination up to 1000 words
U.S. Kids

Humpty Dumpty

Jack and Jill
https://uskidsmags.com/writers-guidelines/$20 - $40 and upFlash fiction and nonfiction for children
Aquilahttps://www.aquila.co.uk/contributors-guidelines.htm £105Short stories between 1,000 and 1,150 words; Nonfiction articles of 800 words for children
Ecotonehttps://ecotonemagazine.org/submissions/$200Fiction that is deeply rooted in place, and/or that engages similarly with ecology, natural history, climate crisis, et al.

Has free submission periods
The Colored Lenshttp://thecoloredlens.com/?page_id=137752$10Speculative fiction 500 words and up
Crepuscularhttps://www.patreon.com/posts/submission-85137677$5Microfiction stories exploring places, characters, and questions buried in the gray areas between
101 Storieshttps://101words.org/submit-your-stories/#gf_17$10 for print, no payment for online publication101 words

See submission periods 
The Wakinghttps://ruminatemagazine.submittable.com/submit

CLOSED
$10Fiction and nonfiction, image text/hybrid work up to 1500 words
Abandon Journalhttps://abandonjournal.com/submissions/$15Writing and artwork that has been created with abandon 

Has submission periods

1000 words max
Theme of Absencehttps://themeofabsence.com/submission-guidelines/

ON HIATUS
$3 - $5Speculative flash fiction and short stories
Rough Cut Presshttps://roughcutpress.com/submit/650 words max; $25Experimental poetry, fiction, nonfiction, art

LGBTQIA writers only

Themed issues


Split Liphttps://splitlipthemag.com/submit$75See website for free submission periods
Cincinnati Review’s miCRO featurehttps://www.cincinnatireview.com/submission-guidelines-2021-2/$25500 words max
In a Flashhttps://inaflashlitmag.substack.com/p/submission-guidelines$25500 words max

CNF only!

See submission periods
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Tuesday, May 8, 2018

3 New Literary Agents Actively Seeking Memoir, Kidlit, Adult Fiction & more

Updated 5/5/22

Here are three agents seeking to expand their client lists. Leslie Zampetti is interested in middle grade and young adult novels, especially mystery and contemporary. For adult fiction, Leslie is interested in literary mysteries, upmarket romance and women’s fiction, and historical fiction from lesser-known eras and places. For nonfiction, Leslie finds narrative nonfiction that straddles the boundaries between crime, memoir, and literature especially appealing. Dara Kaye represents nonfiction only. Léonicka Valcius is seeking under-represented voices in picture books, MG and YA, nonfiction, and adult fiction.

Be sure to check the agency website before submitting. Agents can switch agencies or close their lists, and submissions requirements may change.

If these agents don't suit your needs, you can find a comprehensive list of new and established agents expanding their lists here: Agents Seeking Clients.

_____________________

Leslie Zampetti of Open Book Literary

Leslie graduated from Wake Forest University with a degree in English and has a Master’s of Library and Information Science degree from the University of North Carolina at Greensboro. A former librarian with over 20 years’ experience in special, public, and school libraries, Leslie has cataloged rocket launch videos and Lego rocket ship models, presented SEC documents and story times, and negotiated with organizations from Lexis-Nexis to the PTA. Her experience as a librarian has given her a distinct perspective on publishing and readers. A writer herself, Leslie is very familiar with querying from both sides of the desk.

What she is seeking: 
Fiction:Children's, Historical, Literary, Middle Grade, Mystery, Romance, Women’s Fiction, Young Adult

Non-Fiction:Memoir, Science, Travel, True Crime

Though she reads widely, Leslie’s not a good fit for political thrillers, high fantasy, inspirational or Christian fiction, stories that use violence against women as the primary narrative hook, or hard sci-fi.

How to submit: Use her querytracker HERE.

__________________________


Dara Kaye of William Morris Endeavor

Before joining WME, Dara was an agent and foreign rights director at the Ross Yoon Agency and spent two years in South Korea on a Fulbright fellowship. A graduate of Smith College (BA) and University College London (MA), she lives in Washington, DC, with her husband and children.

What she is seeking: Dara Kaye represents adult nonfiction that tells great stories, from serious history and memoir to pop science and parenting. Her clients include NYT bestsellers and winners of awards from the Locus to PEN America, Fulbright, and NEH fellowships.

Across genres, she is drawn to projects with potential for international success and books that make the familiar world feel new and surprising. She especially loves working with academics, journalists, and other experts with a knack for communicating original research to mainstream audiences, and with memoirists whose unique perspective stays with readers long after the last page.

How to submit: Follow guidelines HERE.

__________________

Léonicka Valcius of Transatlantic Agency (Canada)

No longer listed on the agency website

"I am eager to work with people of color, including (but not limited to) trans people, disabled people, religious minorities, and queer folks.

In Adult and Young Adult fiction, I like fun commercial fiction, romance that ranges from sweet to steamy, otherworldly fantasy, and sweeping historical fiction. I do not represent mysteries or thrillers.

In Adult non-fiction, I like narrative non-fiction that explains complex issues through the lens of a personal story. I am also seeking books that straddle the self-help/lifestyle line and the self-help/business line.

For Middle Grade and younger, I love humour, adventure, and make believe. I also enjoy stories about children navigating their changing relationships with family and friends. I strongly prefer books with at least 1 human character."

How to submit: Please send your query by email only to leonicka@transatlanticagency.com. Include a query letter, bio, synopsis, and a 20 page excerpt. If you are comfortable, please include your social and cultural identities in your bio, especially if you self-identify as a person of color and/or part of another underrepresented group.

If you are are submitting a non-fiction proposal, please include information about your expertise and platform, as well as a detailed table of contents. If you are submitting a picture book, please send the complete manuscript. 

Thursday, May 3, 2018

11 Paying Markets for Pet-Loving Writers

Pixabay
Updated 7/26/25

If you are a writer who owns a pet, you can write about the experience. Most pet magazines are looking for nonfiction articles. But even if you are a fiction writer, there is room for creative writing. Many magazines explore the history of domestic pets, as well as other topical aspects of pet ownership.

What they are looking for:

Pet care: All pet magazines welcome articles on how to care for animals. Keeping pets healthy and happy is one of the primary concerns of pet owners.

Products: Which types of products do you use for your pet? Which are better avoided? Equipment articles are especially relevant to horse owners.

Activities: Taking your dog for a walk is rather mundane, but what if your pet's activity involves providing comfort to people who are bereaved? Even a simple aquarium can provide a feeling of peace and tranquility. Activities that promote a positive view of pets are strongly encouraged by magazine editors.

Profiles: Owners of  animals that have pedigrees are particularly interested in breed profiles. But any article that relates to specific sub-types is sought after: Dogs that don't shed (for people with allergies), fish that like small spaces (for dorm rooms, and children), cats that can be herded (that's a joke).

As with all freelance articles, make sure you perfect your pitch. Most magazine editors don't accept freelance articles on spec, but even those who do like a good, solid pitch.

Related articles: 13 Outdoor and Environmental Magazines that Pay Writers

Freelancing: Getting Paid to Write Nonfiction Articles

General


Your Pet Space posts cover a variety of needs—such as which books and products are especially helpful, profiles of pet breeds and organizations. They also love espousing causes for companion animals.Your Pet Space needs content from many writers to be able to give a wide range of perspectives on a variety of pets and pet subjects. They also encourage submissions from nonprofit organizations and pet vendors about their work and products. Payment: They pay $20 per article, upon publication, for each article that meets all of their submission guidelines. 


"Our publication embraces the entire holistic spectrum, from physical health issues to the emotional and spiritual well being of our animals. We welcome unsolicited articles and story outlines. Articles may range in length from 500 to 1,500 words. If you submit an outline for an article, please also include samples of your work. We especially encourage submissions for our Animal Passages, Warm & Fuzzy, and Tail End columns, but welcome other articles as well, as long as they focus on holistic healing, whether physical, emotional or spiritual. Payment: Not specified.

Dogs - Woof!


Dogster publishes opinion, editorials, columns and essays about dogs. Please send your query, background and link to writing samples via their online form. They will contact you only if they are interested in discussing your query. Payment: Who Pays Writers lists a payment of 3 cents/word.


Canid Literary & Art a print journal committed to publishing poetry, short stories, creative nonfiction, and artwork that pays tribute to our best friend: dogs. We are committed to showcasing exciting and inclusive work across genres. Canid seeks work that challenges us to see the crossroads where the human and dog experiences meet in new and honest ways through both established and emerging voices. The only submission criteria is that the piece either is about or includes dogs. Payment: $5.

Cats - Meow!


Catster publishes opinion, editorials, columns and essays about cats. Please send your query, background and link to writing samples via their online form. They will contact you only if they are interested in discussing your query. Payment: Who Pays Writers lists flat fees of $50 - $75 for news and opinion articles.

Horses - Neigh!


The Chronicle of the Horse is a national weekly magazine with approximately 16,000 subscribers. The magazine focuses primarily on dressage, hunters and jumpers, events, foxhunting and steeplechase racing. In addition to reporting sport horse news, we feature articles on horse care and profiles of prominent horse people. They occasionally accept humor, human interest and historical articles. No poetry, please. Send query first. Payment: $150 - $400.


Horse Network covers all facets—big and small—of the horse community, from news, to opinion, to satire. 500-750 words is a sweet spot for posts. Payment: They pay for original, published content on Horse Network. In addition to regular article fees, contributing authors have the chance to earn social share bonuses for their stories.


Horse Illustrated is looking for informative, in-depth, upbeat articles (limited to 2,000 words) that will help readers better care for and enjoy their horses. They may be about such topics as training (for both horse and rider), management or horse-related activities. Payment: Articles are paid upon publication. Rates of payment are based on quality, not length. Articles accompanied by high-quality photographs earn the highest rates.

Reptiles - Hiss!


Reptiles is a bimonthly magazine that caters to reptile and amphibian hobbyists at all levels of experience, from beginner to veteran. Publishes nonfiction only. Query via email before submitting. Article queries for new, original articles should be emailed to reptileswebeditor@gmail.com No reprints. Payment: $300 is the usual payment for a 2,000 to 2,500-word article with photos. Payment is made in U.S. dollars no later than 90 days upon publication.

Fish - Glug!

Tropical Fish Magazine

Tropical Fish Magazine is all about the fascinating world of aquariums. It covers freshwater and  saltwater as well as aquatic plants, and any matter pertaining to fishkeeping. Their guidelines are very specific so follow them carefully. Nonfiction articles only. Photos required for most articles. Payment: Not specified. They do not pay by the word.


"AMAZONAS is the world’s leading freshwater-only aquarium magazine. Available in high-quality print and digital editions, published six times per year, bimonthly. Readers look to Aquatic Media Press for in-depth, authoritative, cutting-edge, trustworthy information and inspiration. They rely on us to publish the work of experts and people who know their subjects. Hands-on advice on selecting and keeping aquarium fishes, invertebrates and plants is enhanced with reports on aquaculture, environmental issues and pioneering work in aquarium technology and marine science." Payment: $100-$600 per article.


Tuesday, May 1, 2018

3 Established Agents Seeking Fiction, YA, Romance, Biography, SciFi/Fantasy and more

Pixabay
Updated 7/25/25

Here are three established agents seeking to expand their client lists.

Ann Rose is looking for MG and YA in all genres, as well as adult romance, and light scifi-fantasy.

Madison Smartt Bell is seeking literary fiction, noir, criminal procedurals, and work from the Caribbean basin and other diasporas.

Jaidree Braddix is interested in both serious non-fiction and buzz-worthy topics that can make a big media splash. She is particularly interested in food, health, personal development, current events, and big ideas with the potential to influence the national conversation.

Before you send your query, make sure to check the agency's website. Agents may switch agencies or close their lists, and submission requirements can change.

If these agents don't suit your needs, you can find a comprehensive list of agents expanding their client lists here: Agents Seeking Clients.

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Jaidree Braddix of Arc Collective

Jaidree Braddix has over a decade of experience in publishing, first as a book publicist and then as a literary agent. She believes in the power of great stories and bold ideas to spark global movements, and she is an expert at helping authors to refine their message, find talented professional partners, and develop publication strategies that can turn those ideas and stories into successful literary careers and worldwide readerships.

What she is seeking: Jaidree Braddix represents a broad range of non-fiction authors who are changing the ways we think about, talk about, and move through the world we live in. Her clients are Guinness World Record-holding athletes, activists who are challenging societal standards and institutions, trailblazers who have created globally trending wellness movements, and acclaimed thought leaders in the fields of psychology, neuroscience, business, and organizational behavior. Specializing in platform-driven non-fiction, Jaidree is committed to helping authors turn their assets—be they courageous ideas, academic studies, foundations for social good, popular podcasts, transformative programs, or online communities—into compelling proposals and noteworthy books.

How to submit: Please email your query letter to: lit.queries@arccltv.com
Please specify the first and last name of the agent to whom you are submitting, as well as the category and genre of your submission in the subject line of the email.

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"I'm a California native who now resides in Texas after a stint in Florida. Each place has its pros and cons, but I can say that I left my heart in San Diego and dream of going back one day (although that will probably never happen). My degree is in Communication from San Diego State University, and my resume holds a gamut of jobs from Life Guard to Business Systems Analyst/Portfolio Manager, but books have always been my passion. I'm excited to finally merge my love of literature with my past professional experiences as a literary agent with Prospect. It is my honor to help authors build successful, sustainable careers."

What she is looking for: Ann is looking for characters who aren’t afraid to stand up for their convictions and beliefs - whether they fight with their fists or their words. She’s open to all genres of middle grade—and especially love stories that push the MG boundary. By this she means they explore topics that affect middle graders but aren’t always talked about in MG books; like It Happened on Saturday by Sydney Dunlap. Ann also represents all genres in YA. In the adult arena, she adores swoony romances, light sci-fi or fantasy (emphasis on the light side), commercial fiction, and heartwarming - or heart wrenching - contemporaries.

She really enjoys feminist stories that highlight women’s experiences in the world. She is a sucker for a strong female friendship narrative because she truly believes that empowered women, empower women! She’s always looking for unique voices, diverse perspectives, vivid settings, and stories that explore tough topics. Dark and edgy is totally okay too. She is also up for a good revenge plot. "

How to submit: Use her query manager HERE.

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Madison Smartt Bell
of Ayesha Pande

Madison Smartt Bell is the author of twelve novels. Bell has also published three collections of short stories. Born and raised in Tennessee, he has lived in New York, Paris and London. A graduate of Princeton University and the Hollins College graduate creative writing program, he has taught in many other writing programs, including Goucher College, the Iowa Writers’ Workshop, and the Johns Hopkins University Writing Seminars. 

What he is seeking: He is interested in literary fiction, noir, criminal procedurals, work from the Caribbean basin and other diasporas, and anything genuinely original and fresh.

How to submit: Please query using the form on the website HERE.






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