33 LGBTQ Publishers Accepting Manuscripts - No agent required (Plus 34 paying journals)

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Updated 8/12/25

If you write LGBTQ fiction or nonfiction, here are nearly three dozen publishers that are eager for your work, none of which require an agent. The majority of these are small publishers, which means most do not offer advances, however all pay royalties, provide editing and covers, and distribute books without any charge to authors.

Romance, including all of its subgenres, is the most sought after genre by LGBTQ publishers, but if you write poetry, biography, memoir, or scholarly work, you will find a home for your work on this list.

Scroll down the list for paying magazines that accept LGBTQ short work. Be sure to check Calls for Submissions for upcoming calls by magazines that specifically mention LGBTQ-themed issues.

For more than 450 publishers accepting submissions directly from writers see: Publishers Accepting Unagented Manuscripts

While the list below is niche-specific, there are many mainstream publishers that accept LGBTQ fiction and nonfiction as part of their general lists. Most large houses require an agent. However, there is one exception: Random House (see below).

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Random House has opened its submission policy exclusively to LGBTQIA2S+ and BIPOC writers, as well as those from other traditionally underrepresented communities. Read submission guidelines HERE.

Affinity Rainbow Publishing publishes works of lesbian literature in electronic media (eBooks) and Print on demand. Affinity is wholly owned by authors and the content of works will reflect their collective writing vision. No simultaneous submissions. Manuscripts sent to multiple publishers will be rejected. The genre is unlimited. No pornographic material. Read submission guidelines HERE.

Arsenal Pulp Press is a book publisher in Vancouver, Canada with over 400 titles currently in print. They are considering manuscripts only in the following subject areas:

• Books by BIPOC authors
• LGBTQ fiction and non-fiction, including young adult and children's
• Literary fiction and non-fiction (no genre fiction, such as mysteries, thrillers, or romance)
• Political/sociological studies
• Cultural studies
• Regional non-fiction, in particular for British Columbia
• Graphic novels
• Youth culture and young adult literature
• Books for children, especially those that emphasize diversity
• Craft books. 

"We are interested in literature that engages and challenges readers, and which asks probing questions about the world around us." Read submission guidelines here.

Aunt Lute Books is a nonprofit multicultural women’s press based in San Francisco. For over thirty years, they have been publishing literature that voices the perspectives of women from a broad range of communities. They have published a number of well-known feminist and lesbian authors. They are seeking manuscripts, both fiction and nonfiction, by women from a variety of cultures, ethnic backgrounds and subcultures. Note: They publish very few books per year. Read submission guidelines HERE.

Bella Books is the largest lesbian-owned press devoted to the publication of books written for, by and about women-loving-women. Bella’s books reach worldwide audiences through print, eBooks, translations and distribution.  They now partner with a number of other publishers and independent authors to offer a range of reading choices on their website—BellaBooks.com. Read submission guidelines HERE. No simultaneous submissions.

BLF Press is open to various types of literary work. They are especially interested in work that centers women of color and same gender loving women. Their preferred genres are short fiction, literary fiction, memoir, and creative non-fiction. Prose (fiction and non-fiction) manuscripts should be from 40,000-80,000 words; poetry collections should be at least 50 pages.  If your work is under serious consideration elsewhere, please wait until you've received a decision before submitting it here. They ask for limited print and electronic rights. Read submission guidelines HERE. Has submission periods.

Blind Eye Books publishes science fiction, fantasy, mystery, and romance novels featuring LGBTQ protagonists. They do not publish short story collections, poetry, erotica, horror or non-fiction. Length: 70,000 to 150,000 words. Read submission guidelines HERE.

Bold Strokes Books offers a diverse collection of Lesbian, Gay, Bisexual, Transgender and Queer general and genre fiction. BSB genre fiction includes all romance sub-genres as well as action, adventure, crime, mystery/intrigue, and speculative fic (sci-fi/fantasy/horror). They will consider previously published works (including self-published works). Read submission guidelines HERE.  No simultaneous submissions.

Bywater Books is looking for well-written commercial fiction targeted to lesbian readers. They are especially interested the following fiction and non-fiction categories: Romance, Mystery, Action/Thriller, Science-fiction/Fantasy, Eco-fiction, Young Adult/New Adult, General Fiction, Cross-genre, Memoir, Essay, and Autobiography/Biography. They do not publish poetry or erotica. Read submission guidelines HERE. No simultaneous submissions.

Dagger Editions, an imprint of Caitlin Press, publishes literary fiction, non-fiction and poetry by and about queer women (those who identify as queer women, including trans women or trans men, or anyone who includes this in their personal history). Canadians only. Read submission guidelines HERE.

Deep Hearts YA is a publisher of LBGTQ+ fiction for young adults. They publish all genres and sub-genres, including aro and ace lead characters. While they are primarily a romance publisher, romance need not be the primary plot; submissions need to have some theme of self-empowerment, self-acceptance, or other related message. Given that the characters and target readers are underage, there is to be no erotic content. Read submission guidelines HERE.

Desert Palm Press welcomes fiction and nonfiction by lesbian authors. They are interested in fiction manuscripts where the main characters are lesbians. The story should be engaging, new and fresh. DPP prefers a HEA ending, or at least a happy ending for now, but will consider all well written stories. Non-fiction will be reviewed on a case-by-case basis. Desert Palm Press (DPP) produces e-books and print books that are available worldwide through Amazon, Smashwords, Bella Books, and CreateSpace. Read submission guidelines HERE. Has submission periods.

Dreamspinner Press publishes gay male romance stories in all genres. While works do not need to be graphic, they must contain a primary or strong secondary romance plotline and focus on the interaction between two or more male characters. The main characters of the story must end in a gay or gay polyamorous relationship. Other relationships (heterosexual, lesbian, mixed gender polyamory) are acceptable in secondary pairings or as part of the development of a main character. Accepts novellas. Read submission guidelines HERE.

Faber Children’s is opening up to receive submissions of stories and artwork for children and young adults from LGBTQ+ creatives. There is no time limit on this! We are keen to see more stories that celebrate the lived experience of the LGBTQ+ communities, especially stories that put characters in places we’ve not seen before! And we’d like to see more LGBTQ+ submissions that reach across all age groups, from picture books (3 years) to Young Adult (18 years). Submissions: Please submit your work to reader@creativepride.co.uk in the form of a PDF or Word doc attachment. Please also share any links to websites or social media platforms that showcase your work. We look forward to reading all entries – please be advised this email address is unattended day to day, and we will not be responding to individual queries. Click here for details.

Generous Press. "We want our queer, BIPOC, and sick/disabled communities to turn to Generous Press novels as a source of pleasure and abundant joy. Perhaps you're a poet, graphic novelist, or memoirist who moonlights as a romance novelist—or maybe you're just genre-curious. Or you've written in this genre for years, but love the idea of working with editors who will push your prose to be as musical as it is gripping. If these descriptions fit you, and if our mission lights you up, we want to read your book." Genre: Romance. Payment: $5000 advance plus 40% of royalties. (Generous indeed!) 

 

Harrington Park Press was previously the LGBTQ imprint of The Haworth Press (now part of Routledge/Taylor & Francis). The imprint is now relaunched by Haworth’s founding owner/publisher Bill Cohen as a specialized academic/scholarly print and e-book publisher devoted to emerging topics in LGBTQ diversity, equality, and inclusivity. "Our forthcoming books are intended for classroom adoption in advanced college courses and graduate and professional schools. They are primarily for LGBTQ faculty members teaching either from a disciplinary perspective, within the areas of psychology, sociology, social work, and health care, or cross-disciplinary topics significantly represented within the LGBTQ higher-education arena. We focus on books that are useful as required or recommended reading but also will interest book-reading members of the international LGBTQ community." Distributed by Columbia University Press. Read submission guidelines HERE.

Interlude Press focuses on LGBTQ-focused titles. They are looking for well-crafted original novels, novellas, and short stories of 10,000 to 90,000 words featuring diverse casts with lead characters from across the LGBTQ spectrum, and welcome and encourage manuscripts written by authors from all backgrounds. Read submission guidelines HERE. No simultaneous submissions.

JMS Books LLC is a small electronic press publishing gay, lesbian, bisexual, and transgender erotic romance, romance, and young adult romance. Length: Between 20,000 and 90,000 words.  Their YA imprint, Queerteen Press, accepts books between 40,000 and 130,000 words in length. They do not pay advances. Authors earn 50% royalties on all electronic and print sales from their website and distributors. Read submission guidelines HERE.

Metonymy Press. Restrictions: Open to queer or trans writers. Genre: Novels, short story collections, essay collections, poetry collections, translated works (especially by Canadian writers) and hybrid texts.  Read submission guidelines HERE.

Neon Hemlock publishes queer speculative fiction novellas and anthologies. They publish Baffling Magazine, and a yearly anthology, We’re Here: The Best Queer Speculative Fiction, for queer short fiction reprints. Read submission guidelines and calls for submissions HERE.

NineStar Press is seeking submissions of LGBTQA+ romance fiction and literary novels. Standalones, series & serials all considered across the board. Serials must have a defined ending in each installment. Previously published or self-published books are considered. Authors with orphaned books after the folding of a publishing company are encouraged to submit. You must own all rights to the story. Read submission guidelines HERE.

Painted Hearts Publishing welcomes submissions for all genres of LGBT+ romance from both new, unpublished authors and those already established in the field. Length: 15,000 words minimum. Read submission guidelines HERE.

Rebel Satori Press’s Queer Mojo imprint publishes new and cutting edge LGBTQ+ books including poetry, fiction, and memoir. Their Queer Space imprint is looking for all subgenres of speculative fiction involving LGBTQ+ characters written by LGBTQ+ authors, including but not limited to: sci-fi, interstitial, slipstream, horror, and supernatural fictional manuscripts. Read submission guidelines HERE.

Ride the Rainbow Books is looking for well-written lesbian fiction. If your book is under 55,000 words, it may be considered a novella or a short story. If this is the case, they may combine it with other works by you or by other authors in the same book. Read submission guidelines HERE.

Riptide Publishing accepts all genres of LGBTQ romantic, erotic, and literary fiction under the following three imprints: Riptide Publishing: primarily adult genre fiction with romantic or erotic focus; all heat levels from sweet romance to erotica are welcome; Triton Books: YA genre and literary fiction; Anglerfish Press: upmarket fiction (literary genre fiction) with little or no romantic or erotic focus; HEAs are not required here. You can find details about their publishing contract on the site under FAQs. Read submission guidelines HERE. Has submission periods.

Riverdale/Magnus is the LGBT (Lesbian, Gay, Bisexual and Transgender) imprint of Riverdale Avenue Books. They are actively looking for titles, both fiction and nonfiction, in a wide variety of areas, including popular culture, entertainment, biography/memoir, self-help, spirituality, and current affairs, among others. Read submission guidelines HERE.

Sapphire Books welcomes high-quality unsolicited manuscripts by lesbian authors. They are seeking specifically: romance, mystery/intrigue with romantic elements and young adult. Novel manuscripts must be a minimum of 50,000 words. Read submission guidelines HERE.

Slashic Horror Press. Genre: LGBTQ horror manuscripts. Length: 30,000 to 90,000 words. Payment: Royalties. Read submission guidelines HERE.

Tiny Ghost Press is looking for young adult novels written from a queer perspective. That is, stories featuring a queer protagonist or from a queer author. "We're interested in everything from contemporary romance, to dystopian adventures, and if your story dabbles in the spooky, the supernatural, or the paranormal, or has a speculative element even better! We're especially looking for stories featuring trans, BIPOC, and neurodivergent characters in lead roles written by authors from these communities." Read submission guidelines HERE.  

Ylva Publishing is looking for new, talented authors, who write about lesbian and bisexual heroines. Authors are not expected to contribute to the expenses involved in publishing and marketing their work; however, they are looking for authors who will actively participate in every step of the publishing process and in the marketing of their book. Length: Minimum word count 60,000. Read submission guidelines HERE. No simultaneous submissions. Has reading periods.

Zero Street invites submissions of novels and short story collections, from LGBTQ+ authors new and established, that feature LGBTQ+ characters and/or themes. "We are particularly interested in BIPOC authors, trans authors, and queer authors over 50. Zero Street is committed to literary fiction with commercial potential, and to providing marginalized authors opportunities for a wide readership in the trade fiction market." Seeking: Literary fiction of all kinds, from stories of modern life to innovations on traditions of genre. The manuscript must be in English and should be between 60,000 and 100,000 words. Read submission guidelines HERE. Has submission periods.

Magazines

Anathema You must be a queer person of color/Indigenous/Aboriginal to submit to Anathema. Accepts fiction and nonfiction. Fiction: 1,500-6,000 words (soft min/max, but please within that general range). Original fiction only, no reprints. Must have some speculative content, however slight. No restriction on genre. Non-Fiction: 1,500-3,000 words (soft min/max, but please within that general range). Original content only, no reprints. Payment: $50 (CAD) for fiction and non-fiction, paid on publication. Has submission periods.

The Gay & Lesbian Review This magazine is targeted to “literate non-specialists,” i.e. well-educated readers who span a wide range of professions and interests. A high level of intellectual sophistication can be assumed; however, specialized jargon or highly academic language should be avoided. The G&LR publishes nonfiction and poetry—but not short fiction, personal memoirs, or journals. Payment: $100 for features and $50 for book reviews.

Plenitude Magazine "Plenitude Magazine aims to promote the growth and development of LGBTTQI literature through an online publication of literary fiction, nonfiction, poetry, graphic narrative, book reviews and short film by both emerging and established LGBTTQI writers. We define queer literature and arts as works created by LGBTTQI people, rather than works which feature queer content alone. We are seeking literary fiction, creative non-fiction, poetry, reviews, interviews, and novel excerpts at this time. We are not interested in genre writing, political essays, or rants." Payment: $50 - $100. Has submission periods for non-Canadian writers.

Glittership Glittership podcast is looking for science fiction, fantasy, horror, interstitial, speculative, whatever. "Stories must contain some queer content. I believe in queer as a large umbrella term and specifically include trans, genderqueer, intersex, two-spirit, pan and ace/aro identities in addition to LGB. If your story includes an identity not listed here that you feel is queer, please don’t self-reject." Payment: 3 cents per word ($30 minimum). See submission periods.

Fourteen Poems "We want to represent all that's thrilling about the new wave of LGBT+ poets. If you’re a poet, even if you’ve never been published before, we want to read your work. Every issue we publish 14 of the best queer poems we’ve found, and we want to include you! We publish 4 times a year, but take submissions all year round.  To be considered, email up to 5 poems, preferably in a pdf format, with a small paragraph about yourself to hello@14poems.com. Payment: £30 for each poem published.

Foglifter "Foglifter welcomes daring and thoughtful queer work, in all forms, and we are especially interested in cross-genre, intersectional, marginal, and transgressive work. We want the pieces that challenged you as a writer, what you poured yourself into and risked the most to make. But we also want your tenderest, gentlest work, what you hold closest to your heart. Whatever you’re working on now that’s keeping you alive and writing, Foglifter wants to read it." Payment: $100. See submission periods.

Baffling Magazine "We are looking for speculative stories that explore science fiction, fantasy, and horror with a queer bent. We want queer stories and we want trans stories and we want aro/ace stories. We want indefinable stories. We welcome weird, slipstream, and interstitial writing." Up to 1,200 words. Payment: 8 cents/word. 

Alpennia: Lesbian Historic Motif Podcast Fiction Series. Alpennia publishes short stories in the lesbian historic fiction genre, to be produced in audio format for the podcast, as well as published in text on the website. Payment: 8 cents/word. 

Speculatively Queer Speculatively Queer publishes speculative queer fiction. See their open calls for submissions. Payment: 8 cents/word. 

The Quiet Ones The Quiet Ones is a tri-annual queer-centered horror and dystopian fiction magazine dedicated to atmospheric terror and psychological frights for adults and young adults. "…and we’re not just about the scares. Here, we value inclusivity, respect, creativity, authenticity, and bravery, and the stories we publish reflect these core values. Our goal with every issue is to amplify queer and female voices through both the new and emerging authors we seek and the narratives that claw their way onto our pages. We have interviews and craft essays for you to enjoy as well!" Payment: $25. Has submission periods.

beestung Beestung is a quarterly online micro-magazine for non-binary and two-spirit writers and readers, with an emphasis on intracommunity sensibilities. beestung resists the canon and all forms of bigotry. Beestung considers poetry, fiction, creative nonfiction, hybrids, and art, by creators who fall under the non-binary umbrella or who are two-spirit. Multilingual work and work in translation is welcome. Payment: $20. Has submission periods.

QT: Queer Toronto Literary Magazine QT accepts poetry, fiction, creative nonfiction, book reviews, personal essays, reflections, memoirs, as well as artwork, drawings, comics, photographs, collages, and other visual media. "Here, queer literature is not limited to explicitly queer content, but rather works created by LGBTQ2SIA+ people. Individuals from underrepresented communities, especially women, trans people, and BIPOC artists and writers are encouraged to self-identify in their submission email. Creators based in, or content featuring Toronto will be given extra consideration, but QT welcomes all pieces and artists with a connection to Canada." Payment: Featured artists and authors will receive an honorarium of $15. Issue designers will receive an honorarium of $100.

clavmag is a digital literary magazine. "we publish creative writing by LGBTQIA+ people.
we created clavmag to fulfil our need to shout into the literary void, and as a platform for other people who feel the same way". Payment: £52. Has submission periods.

Orion's Beau. Genre: Gay fantasy: fiction, poetry, art. Payment: $3. See themes. Has submission periods.

Rough Cut Press. Restrictions: Open to LGBTQIA writers. Genre: Experimental fiction, nonfiction, art poetry. 650 words max. Payment: $25. See themes.

just femme & dandy. Genre: Fashion for the LGBTQIA+ community. "We offer a space in the literary & arts world that has yet to exist, and hope to celebrate the queer, trans, non-binary, and intersex community, who have long since coded ourselves with how we adorn and dress our bodies when it has been dangerous to identify solely with words. Until recently, we could only find a handful of models within popular culture and the public imagination to inform our own aesthetic choices, and so the styles (and art) we don and make operate as a patchwork quilt, collaged together with vintage and thrift store finds, our sister or mother’s lipstick and gowns, our father’s neckties and waistcoats". Payment: 50 USD per text-based submission and 150 USD per multimedia submission (video, photography, image + text, fashion spread + interview, etc.). See themes.

Alocacia is a monthly mini journal of queer at-home nature writing. "We appreciate both traditional work, as well as the weird, erotic, explicit, anti-colonial, and whatever you can come up with. This is a journal about plants, gardening, and indoor horticulture. Please don’t send us work that isn’t about plants, gardening, or indoor horticulture." Payment: $50. Has submission periods.

A Velvet Giant is especially interested in work by genderqueer & LGBTQ+ people, women, people of color, global writers, people living with disability and/or chronic pain/illness, and survivors of domestic violence and sexual assault. Payment: $20. Has submission periods.

Fifth Wheel Press is an independent community-focused publisher of art and writing by queer, trans, and gender non-conforming creatives. "We pay all contributors in the form of either royalties (for published editions) or contributor stipends (for anthologies, zines, and blog pitches). Blog features and interviews conducted by the press offer free submissions but are unpaid." Reprints accepted.

oteh nîkân publishes poetry, fiction, and non-fiction by LGBTQ2S+ Indigenous writers year-round. Word count: For prose, no longer than 3000 words (one piece per submission). For poems, no longer than 1000 words per poem (up to 5 pages of poems). Scholarly writing and criticism are welcome.  Payment: $200 CAD/per poem and $300 CAD/per prose piece, including scholarly writing and criticism.

Pride Magazine is looking for articles and poetry written by emerging and experienced queer writers in “Canada”. Pieces should relate with themes of returning to the community, reconnecting with queerness, ourselves and each other. This year's Pride season will be an opportunity to reconnect to our history, physical spaces and each other.  Payment: $75 per poem, 60 cents per word for articles.

Eavesdrop is a queer-focused multimedia magazine. Restrictions: Open to Canadians. Genre: Fiction, poetry, CNF, art, audio. Payment: $30 per poem, $70 per short fiction and CNF piece, $30 per comic. See theme.

My Galvanized Friend is published quarterly (starting April, 2024) and is focused on highlighting works from those identifying as part of the LGBTQIA+ community. Genre: Fiction, nonfiction, and essays between 500 and 3,500 words as well as works of poetry and original works of art. Payment: $25 per fiction/nonfiction/essay and $10 per page of poetry. 

Tagg Magazine is a queer women’s publication. They accept personal essays, listicles, dating advice and fashion-related content. Length: 350-1,000 words. Payment: $75-$175.

Wussy focuses on QUEER art and pop culture. Payment: Not specified.

queerbeat: queer pop culture. Restrictions: Open to LGBTQIA+ journalists/writers. "queerbeat is an online magazine focused on deeply and accurately covering LGBTQIA+ persons in India." Genre: Nonfiction pitches. Payment: INR10,000-40,000.  

Fantabulosa! Restrictions: Open to Queer writers. Genre: Speculative fiction, poetry, nonfiction, art. Payment: $0.08/word for prose, and $50 for poetry. 

Queer Love Project accepts personal essays on a rolling basis that reveal heartbreaks, happiness, secrets, reflections on coming out, sexual encounters, and the contemporary realities of dating. Payment: $75. You MUST be a registered (free) subscriber to QLP to be considered for submission

Mindfork is an indie literary magazine that flaunts divergence. We publish the dark, dream-like, and delirious voices who eat disobedience for dessert. We have a focus on uplifting voices that are queer, neurodivergent and/or female. Payment: $5 - $15. Has submission periods.

OTHERSIDE publishes speculative fiction, poetry, and nonfiction by self-identified members of the 2SLGBTQIA+ community. Payment: $0.08/word for prose. $50 per poem. $100 for nonfiction and reprints.

Queer Poem Club. Genre: Poetry by queer poets. Payment: $25.

2 Agents Seeking Memoir, Narrative Nonfiction, Fiction, Kidlit and more

Updated 12/6/19

Here are two agents actively building their client lists. Julia Kardon is seeking literary and upmarket fiction and memoir, especially with a focus on identity or with an international lens, narrative nonfiction, journalism, and history. Karyn Fischer is particularly drawn to young adult and middle grade novels.

Always check the submission guidelines on the agency website before submitting. Agents may close their lists or switch agencies, and submission guidelines can change.

If these agents do not suit your needs, go to Agents Seeking Clients for a comprehensive list of agents seeking to expand their client lists.

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Julia Kardon of  Hannigan Salky Getzler Agency

Julia Kardon was born and raised in New York City. Her first job in publishing, while in high school, was shelving fiction at the fabled Strand Bookstore. After receiving degrees in Comparative Literature, as well as in Slavic Languages and Literature at the University of Chicago, she moved to Prague to teach English for a year. Julia then returned to New York to restart her career in publishing. She joined HSG in 2018 after building a list at Mary Evans Inc and handling foreign rights.

What she is looking for: Julia is interested primarily in literary and upmarket fiction and memoir, especially with a focus on identity or with an international lens, narrative nonfiction, journalism, and history, and her clients include New York Times Best Seller Brit Bennett, Barnes & Noble Discover picks John Freeman Gill and Leah Franqui, Center For Fiction Emerging Writer Fellow Melissa Rivero, Moriel Rothman-Zecher, Marcelo Hernandez Castillo, and others. ​

How to submit: Use her query manager here. 
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Karyn Fischer of BookStop Literary Agency

NO LONGER AN AGENT

Karyn Fischer joined BookStop Literary Agency in 2014 and is currently looking to build her client list. Karyn holds an MFA in Creative Writing, has completed three publishing internships, and previously worked as a bookseller and buyer in a small independent bookstore. Her background has given her a unique perspective on the book industry, as well as the skills to find and promote books she loves.

What she is looking for: Karyn is particularly drawn to young adult and middle grade novels. Her favorite genres include gothic novels with twisty narratives and dark secrets, historical fiction, literary thrillers, well-drawn fantasy, and heart-tugging contemporary stories. She’s looking for anything with memorable characters, an engaging voice, and a tightrope- taut plot.

How to submit: Please paste a brief cover letter and the first ten (10) pages of your manuscript into the body of your email. E-mail submissions must be sent to info@bookstopliterary.com and must include the word "submission" in the subject line followed by your last name and the title of your manuscript. NO ATTACHMENTS.

38 Calls for Submissions in July 2018 - Paying markets

Pixabay

There are more than three dozen calls for submissions in July. As usual, anything you can think of is wanted - flash fiction, speculative fiction and poetry, creative nonfiction, children's stories, along with several interesting themed issues. All of these literary magazines pay, and none charge submission fees.

Make sure to follow submission requirements carefully. Editors become cranky when writers don't follow their submission rules.

If you want to get a jump on next month's calls for submissions, check the page Calls for Submissions, which is where I post new calls as they come up.

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Cloaked Press. Genre: Fantasy stories. Payment: $10 and 3% of sales. Deadline: July 1, 2018.

Cafe Irreal. Genre: Magical realist stories. Payment: 1 cent/word. Deadline: July 1, 2018.

Alt-Minds. Genre: Fiction and non-fiction/memoir (1,000 to 3,000) of any genre and poetry (no more than 40 lines) that is related to mental health, in theme, subject matter, characterization, whatever “mental health” means to you. Payment: $50.00 CDN per fiction, non-fiction, and memoir piece, and $20.00 CDN per poem. Deadline: July 1, 2018.

Spring Song Press: Oath and Iron Anthology. Genre: Speculative fiction,fantasy. Payment: 1 cent/word. Deadline: July 1, 2018.

Coffin Hop Press: Baby, It’s Cold Outside – Holiday Crime Anthology. Genre: Dark, deadly and noirish tales of holiday havoc and yuletide woe. Length: Up to 5,000 words. Payment: $150 CAD. Deadline: July 1, 2018.

Coffin Hop Press: Knucklehead Noir. Genre: Humorous tales of dimwitted criminals and unlucky twits on the wrong side of the law. Nimrods, numbskulls and rejects. Bumbling sidekicks and idiots-gone-wrong. Length: Up to 5,000 words. $0.03/word CAD. Deadline: July 1, 2018.

Existere. Genres: All genres and forms of art and literature are welcome including and not limited to: poetry, short plays, short stories, postcard/flash fiction, art and literature reviews, critical essays, interviews, sketches, photos, etc. Payment: Small honorarium. Deadline: July 1, 2017.

Nexis Fantasy: Corporate Shadows. Genre: Speculative fiction on theme of Net Neutrality. Length: 2,000-15,000 words. Payment: $0.01 per word. Deadline: July 1, 2018.

Briarpatch Magazine. Theme: Labour. Genre: Nonfiction writing and artwork on a wide range of topics, including current events, grassroots activism, electoral politics, economic justice, ecology, labour, food security, gender equity, indigenous struggles, international solidarity, and other issues of political importance. Payment: $50-$150. Deadline: July 3, 2018.

Monsters of Any Kind. Genre: Horror stories containing at least one non-human monster/creature (and not vampires, ghosts, werewolves, zombies). Unusual creatures will be particularly appreciated. All subgenres and forms of speculative fiction are welcome. Payment: $100. Deadline: July 10, 2018.

Alien Dimensions. Genre: Speculative short stories, “Set it in space, in the far future, and include some friendly non-humanoid aliens helping to solve a pseudo-scientific problem.” Payment: US$10.00 for 3500+ words. Deadline: July 10, 2018.

The Stinging Fly. Genre: Fiction and poetry. Payment: Token. Deadline: July 12, 2018.

Shimmer. Genre: Speculative fiction. Payment: 5 cents/word, minimum $50. Deadline: July 14, 2018.

Helios Magazine. Theme: “Infinite Regression.” Genres: Fiction, poetry, nonfiction, and art. Payment: $0.03 USD per word for the first 1,500 words and $0.01 USD after for short stories, and $0.25 USD a line for poetry. Deadline: July 15, 2018.

Hinnom Magazine. Genres: Science fiction, fantasy, and horror. Payment: $0.005 cents per word with a minimum payment of $5.00 and a maximum cap of $25.00. Deadline: July 15, 2018.

Natural Wonders Anthology: Time in Nature Can Change Your Life. Genre: Essay. “Nature” can be defined in terms of the great outdoors or observations in your own backyard. City dwellers experience the natural world in a park or on a patio and can find those connections meaningful. While readers enjoy immersing themselves deep in the forest, high on an isolated mountaintop, or in the vast wilderness of a desert, nature finds its way into urban settings, too. And no matter where you find it, Nature’s Healing Spirit can help." Payment: $50. Deadline: July 15, 2018.

Malahat Review. Theme: Queer Perspectives. Restrictions: Eligible writers must self-identify as LGBTQ2S? and be Canadians, Canadian residents, or Canadian expatriates. Genres: Poetry, Fiction, CNF. Payment: $60/page. Deadline: July 15, 2018.

Third Flatiron. Genre: Speculative fiction, SF, Fantasy, Horror. Theme is "Terra! Tara! Terror!"  Payment: 6 cents/word. Deadline: July 15, 2018.

Spider Magazine. Genres: Fiction, non-fiction, activities, and poetry  for children on theme of Our Diverse World. "We want stories about real or imaginary people with interesting hobbies, jobs, traditions, or inventions. We would like to see Black, Latinx, First Nations, East Asian, South Asian, and Middle Eastern children from first, second, or third generation families. Tell us quirky, funny, heartfelt, and lesser-known stories where race, ethnicity, class, culture, and ability might intersect." Payment: Stories and articles: up to 25¢ per word, Poems: up to $3.00 per line; $25.00 minimum, Activities and recipes: $75.00 flat rate. Deadline: July 15, 2018.

Ladybug. Genre: Stories and poems for children ages 3 - 6. Theme: Our Diverse World - "We want stories about real or imaginary people with interesting hobbies, jobs, traditions, or inventions. We would like to see Black, Latinx, First Nations, East Asian, South Asian, and Middle Eastern children from first, second, or third generation families. Tell us quirky, funny, heartfelt, and lesser-known stories where race, ethnicity, class, culture, and ability might intersect.. Our readers like simple yet strong plots, memorable characters, and humor. We prefer short work for young children (stories may be up to 800 words, poetry up to 20 lines)." Payment: Stories and articles: up to 25¢ per word. Poems: up to $3.00 per line; $25.00 minimum. Deadline: July 15, 2018.

Enchanted Conversation. Genre: Fiction, poetry - fairy tales. Payment: $30 per story, $10 per poem. Deadline: July 20, 2018.

Thunderbird Studios: San Cicaro. Genre: Speculative fiction. "We’re looking for yarns of dark urban fantasy, the weird, the macabre and the hopeful. Tell us of underground cults performing their rituals for good or ill. Of hell-born creatures leaving scenes of carnage that confound the police. Stories of unbelievable sightings leaving their mark on people. Yarns of fairies leading neighborhood children to safety from that which blurs the line between monsters and men." Payment: $125. Deadline: July 21, 2018.

NonBinary Review: Wind in the Willows. Genre: Fiction, CNF, poetry, art. "We are open to submissions which relate to Kenneth Grahame's 1908 book The Wind in the Willows. Please bear in mind that we're looking for pieces that relate to the BOOK ONLY. References movies or television shows will not be accepted." Payment:1 cent per word for fiction and nonfiction, and a flat fee of $10 for poetry (singular poems or a suite) and $25 per piece of visual art. Deadline: July 24, 2018.

Havok: Skeletons, Slashers, and Succubi. Genre: Horror between 300 and 1000 words. "Monsters, witches, creepy crawlies, things that go bump in the night, and all things terrifying are what we’re seeking in this issue. Make our skin crawl with undead delight!" Payment: 2 cents/word. Deadline: July 27, 2018.

Flame Tree: Haunted House. Genre: Speculative fiction. "The creaking floorboards, the children hiding in the mirror, the spirits that rake across the flesh of the mind, tell us your stories of hauntings and mansions. Oh, what is that sound within the walls?" Payment: 6 cents/word. Deadline: July 29, 2018.

Flame Tree: Cosy Crime. Genre: Mystery. "The armchair detectives, the murder in the vicarage, the family secrets unravelling in gossipy ears, such are the ingredients of a genteel bloodbath in an otherwise delightful village. Do you have any stories that might fit?" Payment: 6 cents/word.  Deadline: July 29, 2018.

Degustation Anthology. Genre: Personal essays of 1500-3000 words exploring sensual relationships with food. This anthology will be suitable for all audiences. Payment: Royalties. Deadline: July 30, 2018 (12pm, BST)

FIYAH. Genre: Speculative fiction and poetry about Africa Diaspora. The theme is Pilgrimage. "Every journey starts with a single step, and this issue is all about the trip, not the destination. We’re looking for stories of journeys to new worlds, of returning to lost worlds, and journeys of the soul. But, like always, make it weird, make it magical, make it Black." Payment: $150 per story. $50 per poem. $300 per novelette. Deadline: July 31, 2018.

Haunted Waters Press. Genres: Fiction, poetry. "We welcome both the profound and the quirky. We are open to most styles and genres of fiction including speculative, dark, experimental, and literary. We love flash fiction of any word count as long as it tells a complete story. We enjoy all forms of poetry including experimental, rhyming, free verse, and invented form. While we welcome deep, meaningful poetry, we also enjoy works that are witty, peculiar, or offbeat. As a general rule, we do not accept erotica. Horror only upon request. Profanity and violence, if used, must be integral to the story." Payment: $.01 - $.04/word. Deadline: July 31, 2018. "For online SPLASH! publication and Penny Fiction submissions, we offer alternating no fee reading periods from January though July. We review the first 200 submissions per month."

Room Magazine: Magic. Restrictions: Open to women (cisgender and transgender), transgender men, Two-Spirit and nonbinary people. Payment: $50 - $150 Canadian dollars. Genre: Fiction, creative nonfiction and poetry on the theme of Magic. Deadline: July 31, 2018.

New Myths. Genre: Speculative fiction and poetry. Payment: 1.5 cents/word with a minimum payment of $30. Deadline: July 31, 2018.

INNSMOUTHBREATHERS: Cautionary Fables of Mythos Fandom! Genre: Humorous stories of a certain kind of Cthulhu Mythos fan: the rabid Lovecraft worshipper, the defender of the outmoded and outclassed, the pulp reader for whom Weird Fiction peaked somewhere in the middle of the last century. Length: 1,500-5,000 words. Payment: .03CAD per word, as well as a contributor copy (paperback) of the anthology, and copies in all electronic formats (mobi, EPUB, and PDF). Deadline: July 31, 2018.

Diabolical Plots. Genre: Speculative fiction. Payment: 8 cents/word. Deadline: July 31, 2018.

Freeze Frame Fiction. Genre: Flash fiction. Payment: $10. Deadline: July 31, 2018.

Virginia Quarterly Review. Genre: Poetry, fiction, nonfiction. Payment: $200 for poetry, $1,000 for prose. Deadline: July 31, 2018.

Crannóg. Genres: Poetry, short stories. Payment: €50 per story, €30 per poem. Deadline: July 31, 2018. (Opens July 1)

Barking Sycamores is a literary journal entirely edited and operated by queer, neurodivergent people of color. Genres: Poetry, short fiction, hybrid genre, creative nonfiction, book reviews, and artwork submissions. They also welcome and publish essays about neurodivergence and the creation of literature. Payment: Not specified. Deadline: July 31, 2018.

Sunlight Press. Genre: Fiction, poetry and personal essays. Payment: Not specified. Deadline: July 31, 2018.

25 Writing Contests in July 2018 - No entry fees

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There are more than two dozen free writing contests in July, some of which offer substantial prizes. Every genre, form, and style is covered, from short stories, to poetry, to published works. As always, read the guidelines carefully. Many contests have geographical and age restrictions.

If you want to get an idea of what kinds of contests are offered throughout the year, take a look at Free Contests. The majority of these contests are yearly events. It never hurts to plan ahead.
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Kingsley Tufts Poetry Award. Sponsored by Claremont Graduate University. Restrictions: Poets must be citizens or legal resident aliens of the United States. Genre: Poetry. The work submitted must be a first book of poetry published between July 1, 2017 and June 30, 2018. Manuscripts, CDs, and chapbooks are not accepted. Prize: $100,000. Deadline: July 1, 2018.

Fred Otto Prize for Oz Fiction/Warren Hollister Prize for Oz Nonfiction. Genre: Short Fiction, Art & Creative Nonfiction. All work must be related to the world of Oz. Prize: $100 in each genre. 2nd Prize $50 in each genre. Deadline: July 1, 2018 (electronic submissions only).

Kate Tufts Discovery Award. Sponsored by Claremont Graduate University. Restrictions: Poets must be citizens or legal resident aliens of the United States. Genre: Poetry. Book must be author's first full-length book of poetry, published between July 1, 2017 and June 30, 2018. Self-published books are accepted. Prize: $10,000. Deadline: July 1, 2018.

Richard J. Margolis Award. Genre: Journalism. Prize is awarded annually to a promising new journalist or essayist whose work combines warmth, humor, wisdom and concern with social justice. Prize: $5,000 and one month of residency at Blue Mountain Center. Deadline: July 1, 2018.

Emmy Awards - Sir Peter Ustinov Television Scriptwriting Award. Restrictions: Non-US citizens under the age of 30 only. Prize: $2,500, a trip to New York City, and an invitation to the International Emmy® Awards Gala in November. Deadline: July 3, 2018.

Scottish Book Trust New Writers Awards. Restrictions: Scottish writers over 18 years of age. Genres: The awards are divided into three different categories.: Fiction and Narrative Non-fiction in English and Scots, Poetry in English and Scots, Children’s and Young Adult Fiction in English and Scots. Prize: £2,000 and personal development opportunities, which can include mentoring from writers and industry professionals. Training in PR, performance and presentation training, and the opportunity to showcase work to publishers and agents. Deadline: July 4, 2018 (midday).

Stone Canoe. Restrictions: Open to people who live or have lived in Upstate New York (not New York City). Genres: Drama, fiction, nonfiction, poetry, art. Prize: $500 and publication. Deadline: July 8, 2018 (poetry), July 22, 2018 (fiction), July 28, 2018 (non-fiction).

Oregon Literary Fellowships. Fellowships of $3,000 each are given annually to Oregon writers to initiate, develop, or complete literary projects in poetry, fiction, and creative nonfiction. One Women Writers Fellowship and one Writer of Color Fellowship of $3,000 each are also given annually. Submit three copies of up to 15 pages of poetry or 25 pages of prose with the required entry from. Deadline: July 9, 2018.

John Glassco Translation Prize. Sponsored by Literary Translators' Association of Canada.  Restrictions: Open to Canadian citizens or permanent residents only. Genre: The work submitted must be the translator's first published book-length translation into English or French. The book must have been published between July 1, 2017 and June 30, 2018. Prize: $1000. Deadline: July 9, 2018.

Oregon Literary Fellowships. Restrictions: Writers must be residents of Oregon. Fellowships of $3,000 each are given annually to Oregon writers to initiate, develop, or complete literary projects in poetry, fiction, and creative nonfiction. One Women Writers Fellowship and one Writer of Color Fellowship of $3,500 each are also given annually. Submit three copies of up to 15 pages of poetry or 25 pages of prose with the required entry form. Deadline: July 9, 2018.

Linda Flowers Literary Award. Restrictions: Entrants must live in North Carolina. "The North Carolina Humanities Council invites original, unpublished entries of fiction, nonfiction, or poetry for the Linda Flowers Literary Award. Submissions should detail examinations of intimate, provocative, and inspiring portraiture of North Carolina, its people and cultures, bringing to light real men and women having to make their way in the face of change, loss, triumph, and disappointments." Prize: $1,500. Deadline: July 13, 2018.

Langdon Review Writer-in-Residence Program. This is a two-week residency at Texas-based Tarleton State University, providing an opportunity to present at the Langdon Review Weekend festival, and publication in the school's Langdon Review journal. Prize: $500. Deadline: July 13, 2018.

Frieze Writers' Prize. Genre: Essay: Art Criticism. Aspiring art critics are invited to submit one unpublished review of a recent contemporary art exhibition, which should be 700 words in length. Prize: The winner will be commissioned to write a review for frieze magazine and will be awarded GBP£2,000. Deadline: July 16, 2018.

Rogers Writers' Trust Fiction Prize. Genre: Fiction. Restrictions: Titles must be published in Canada and written by Canadians. No self-published works. Prize: $25,000 will be awarded to a novel or short-story collection published between May 16, 2018 and September 30, 2018. Prizes of $2,500 will be awarded to each of the finalists. Deadline: July 18, 2018.

Hilary Weston Writers' Trust Prize for Nonfiction. Restrictions: Books must be English-language, first-edition trade books published by a Canadian press, written by Canadian citizens or permanent residents of Canada. Titles must be published between May 16, 2018 and September 30, 2018.  Genre: Literary nonfiction including, among other forms, works of personal or journalistic essays, memoirs, commentary, criticism both social and political, history, and biography.  Prize: Winner: $60,000; Finalists: $5,000. Deadline: July 18, 2018.

The Margaret and Reg Turnill Competition. Restrictions: Writers must be 21 or under on July 23. (Those over 21 can enter for a fee.) Genre: Short story on theme of "Peace." Length: 1,500 to 5,000 words. Prize: £1,000 and publication in the annual HG Wells Short Story Competition Anthology.  Deadline: July 23, 2018.

Story of the Year Contest. Genre: Short stories/nonfiction/novellas between 1000-15,000 words. Prizes: There are three prize categories: and three grand prizes as follows Diversity Award ($3000), Texas Award ($5000), and Character Award ($2000). Only the Texas Award is limited to Texans.  Deadline: July 27, 2018.

Betjeman Poetry Prize. Restrictions: Open to UK residents aged 10-13. Genre: Poem.  Prize: £500.00.  Deadline: July 31, 2018.

Carers UK Creative Writing Competition. Restrictions: Open to UK residents. Genre: Poem or short story about caring for a loved one. "We’d particularly like to receive entries on the theme of 'keeping well, keeping connected.'" Prize: £100.00 in vouchers. Deadline: July 31, 2018.

Foyle Young Poets of the Year Award. Restrictions: Open to young poets age 11 - 17. Genre: Poetry. Prize: Publication. Deadline: July 31, 2018.

Landfall Essay Competition. Restrictions: Open to New Zealand writers. Genre: Essay about New Zealand. Prize: The winner will receive $3000 and a year’s subscription to Landfall. Deadline: July 31, 2018.

Platt Family Scholarship Prize Essay Contest. Restrictions: Open to students who are FULL TIME, undergraduate students in an AMERICAN COLLEGE OR UNIVERSITY during the Spring 2015 semester. Genre: 2018 marks the 160th anniversary of the famous debates between Abraham Lincoln and Stephen Douglas. It will also be the bicentennial of the birth of abolitionist Frederick Douglass.  Although Lincoln had major policy disagreements with both of these men,  they also greatly influenced his political philosophy. What is the historical impact of Lincoln's relationships with Stephen Douglas and Frederick Douglass? Prize: 1st Prize $1500 | 2nd Prize $750 | 3rd Prize $500. Deadline: July 31, 2018.

SLF Diverse Writers and Diverse Worlds Grants. Restrictions: Open to writers from underrepresented and underprivileged groups, such as writers of color, women, queer writers, disabled writers, working-class writers, etc. -- those whose marginalized identities may present additional obstacles in the writing / publishing process. Genres: Book-length works (novels, collections of short stories) of speculative fiction. Prize: $500. Deadline: July 31, 2018.

Polar Expressions Publications Short Story and Poetry Competition. Restrictions: Open to Canadians only. Genre: Short story, poetry. Prize: $500. Deadline: July 31, 2018.

Dragonfly Tea Short Story Competition. Restrictions: UK residents only. Genre: Short stories up to 3000 words on the theme “Journey” (or up to 500 words for youth aged 4-15). Prize: 1st £1500, 2nd £750, 3rd £500 for adults, and a £50 book voucher for kids plus £100 going to their schools.  Deadline: July 31, 2018.

36 Writing Conferences in July 2018

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In July, writing conferences are in full swing. This month there are nearly three dozen writing conferences that span the country from one coast to the other. There are conferences that focus on the craft of writing, pitch conferences with agents and editors, and retreats for those who just need to get away.

Conferences that include intimate coaching sessions tend to fill up quickly. I have included these, even if they are full, so you can plan ahead for next year. Planning ahead also gives you an opportunity to apply for the scholarships offered by some of these conferences. You can find a comprehensive list of conferences throughout the year here: Writing Conferences.
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Fine Arts Work Center Summer Workshops (poetry, fiction, art, and creative nonfiction). June 17 - August 24, 2018, Provincetown, Massachusetts. The faculty includes Marisa Silver, Ariel Levy, Julia Glass, Henri Cole, Marie Howe, Marie Ponsot, Vijay Seshadri, Dean Albarelli, Kimiko Hahn, David Updikel, Pam Houston, Julia Glass, Alice Mattison. Tuition ranges from $600 to $725.

Idyllwild Arts Summer Program Writers Week. July 2 - 6, 2018, Idyllwild, California. Workshops, craft talks, readings, and one-on-one consultations in poetry, fiction, and creative nonfiction. "For decades Idyllwild Arts has been a gathering place for some of the world's finest poets and writers - among them Ray Bradbury, Norman Corwin, Lucille Clifton, Sharon Olds, Maxine Kumin, Billy Collins, Ted Kooser, Philip Levine, Luis J. Rodriguez, David St. John and Natasha Trethewey. That fine tradition continues with our second annual Writers Week, a gathering of talented writers from Idyllwild Arts and beyond."

New York State Summer Writers Institute at Skidmore College. July 2 - 27, 2018: Saratoga Springs, NY. Workshops on Mon, Wed, Fri. Q & As with visiting writers on Tues and Thurs. Readings & presentations by visiting and staff writers. Symposia and student readings on weekends. Extra Manuscript Tutorials in fiction novels, and book-length non-fiction and poetry. Faculty: Danzy Senna, Amy Hempel, Adam Haslett, Joanna Scott, Claire Messud, Phillip Lopate, Campbell McGrath, Vijay Seshadri, Carol Muske-Dukes, Rosanna Warren, Victoria Redel, Garth Greenwell, Rick Moody, Jonathan Dee, Peg Boyers, Henri Cole and others.

IWWG Summer Writers Conference. July 6 - 13, 2018: Allentown, PA. The International Women's Writing Guild sponsors this residential writing program for women. Features: Over two dozen workshops ranging from three to six days in length and spanning fiction, poetry, memoir, creative nonfiction, screenwriting, playwriting, writing as performance, social justice, multi-genre, and mixed media; Critique sessions in fiction, poetry, nonfiction, and playwriting; A multimedia open studio and Two book fairs.

The Summer Writers Institute. July 6 - 20, 2018, St. Louis, Missouri. The Washington University Summer Writers Institute is an intensive, two-week program featuring workshops in fiction, micro fiction, modern humor, personal narrative, playwriting, and poetry, as well as reading and individual conferences with instructors. Adult writers of all levels of experience work together with published authors and exceptional teachers in a supportive, non-competitive format that allows for personalized attention and constructive feedback.

Frost Place Conference on Poetry. July 8 - 14, 2018: Franconia, NH. Spend a week at “intensive poetry camp” with writers who are deeply committed to learning more about the craft of writing poetry. The Frost Place Poetry Conference offers daily workshops, classes, lectures, writing and revising time in a supportive and dynamic environment.

Tin House Summer Workshop. July  8 - 15, 2018, Portland, Oregon. Workshops with afternoon craft seminars and career panels. Evenings are reserved for author readings and revelry. Tin House editors and guest agents are available to meet individually with students throughout the week. Participating writers include poets Matthew Dickman, Dorianne Laux, Ada Limón, Shane McCrae, and Tommy Pico; fiction writers Dorothy Allison, Lesley Nneka Arimah, Robert Boswell, Alexander Chee, Lauren Groff, Randa Jarrar, Tayari Jones, Antonya Nelson, Chinelo Okparanta, Benjamin Percy, Wells Tower, and Lidia Yuknavitch; and creative nonfiction writers Melissa Febos, Lacy M. Johnson, and Kiese Laymon. Tuition is $1,200; the fee for lodging and meals is $600. Scholarships are available. Workshops may be audited for $300. The deadline for scholarship applications is March 18. Cost: $1200. Application deadline: April 29, 2018.

Young Writers Workshop. July 8 - 28, 2018, Great Barrington, Massachusetts. Restrictions: For students completing grades 9, 10, 11. Three 90-minute workshop sessions daily, including imaginative writing activities and discussion of readings. Weekly individual meetings with workshop instructor. Focus is on using various forms of creative writing to develop language and thinking skills.

Stonecoast Writers’ Conference. July 9 - 14, 2018, Portland, ME. Workshops in poetry, short fiction, novel, and nonfiction/memoir, and a mixed-genre Creative Writing Bootcamp. The Stonecoast Writers’ Conference is open to students of all experience levels. However, admission is selective. Writing sample and deposit required.

Summer Fishtrap Gathering of Writers. July 9 - 15, 2018: Wallowa Lake, Oregon. Workshops in poetry, fiction, and creative nonfiction, as well as panel discussions, readings, and open mics. "Held each July at Wallowa Lake in northeast Oregon, Summer Fishtrap gathers writers for a week of inspired writing workshops and culminates with a weekend of passionate discussion on a key issue facing the West."

ThrillerFest XIII. July 10–14, 2018, New York City. This is the annual conference of the International Thriller Writers. The ThrillerFest conference has four main components: Master CraftFest, CraftFest, PitchFest, and ThrillerFest. Master CraftFest was designed as an educational tool for aspiring writers as well as debut and midlist authors to gain advanced training from the masters of the craft in an intimate, day-long training session. CraftFest was designed for all writers to learn from bestselling authors and subject experts who kindly offer their advice and assistance to advance attendees’ writing techniques and further their careers. PitchFest was designed to match writers with agents, editors, publishers, and producers. ThrillerFest, the final two days of the conference, is intended to offer readers a chance to meet the best authors in the industry and be introduced to debut and midlist authors. Expect innovative panels, spotlight interviews, and workshops to educate and inspire.

Martha’s Vineyard Institute of Creative Writing Summer Seminar. June 10 - 16 and 17 - 23, 2018, Martha’s Vineyard, Massachusetts. Workshops in poetry and fiction, one-on-one manuscript consultations, panel discussions, and readings. Offers fellowships. Deadline April 21, 2018.

Southampton Writers Conference. July 11–22, 2018, Long Island, NY. The conference features workshops in poetry, fiction, nonfiction, and publishing, as well as readings, lectures, and a master class series. Creative writing workshops are the heart and soul of the summer experience, meeting four afternoons or mornings throughout the session. Enrollment is limited to 13 lucky writers who have applied with writing samples. Those accepted have the privilege of sharing their work in an intimate, rigorous and friendly setting.

Green River Writers Workshops:Turning Memory into Story: Memoir Writing Workshop. July 12 - 15, 2018, Las Vegas, New Mexico. Using memory as a starting point, Green River Writers Workshops focus on the craft of storytelling through memoir, fiction, historical writing, and poetry. Both experienced and beginning writers are welcome.

The Gathering. July 13 - 15, 2018, La Plume, Pennsylvania. Workshops in poetry, fiction, and creative nonfiction, as well as lectures and performances. "Each year The Gathering is structured around a theme that relates everyday experiences to broader issues. The purpose of The Gathering is to promote understanding and empathy to bridge cultural, social, and economic gaps. Lecturers include authors, poets, scientists, philosophers, musicians, performers, and artists who help shape contemporary thought in their field. A reading list gets us thinking ahead of time about the issues we’ll be immersed in at The Gathering. Our presenters have included Salman Rushdie, Gregory Maguire, Billy Collins, Ted Kooser, Diane Ackerman, Chris Abani, Susan Jacoby, Katherine Paterson, Peter Bohlin, Nancy Willard, Victor Navasky, Sandy Tolan, and many others. Their availability for conversation during meals and breaks and at social gatherings offers important opportunities for participants to gain new insights into the speakers’ work."

Peripatetic Writing Workshop and Retreat. July 13 - 18, 2018: Deal, Kent, England. The first week of the conference features daily workshops, discussions, readings, and time to write. The second week of the conference features writing time, discussions, readings, and individual manuscript tutorials. The workshop will be led by NYU teachers and authors Maureen Brady and Martha Hughes.

The Cleveland Writing Workshop. July 14, 2018, Cleveland, OH. A full-day “How to Get Published” writers conference. "One day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome."

Antioch Writers' Workshop. July 14 - 20, 2018, Yellow Springs, Ohio. Featuring Keynoter  and Sunday Morning Craft Class Instructor, Connie Schultz.  Connie Schultz is a Pulitzer Prize-winning columnist and professional in residence at Kent State University's school of journalism. Morning classes and afternoon seminars in fiction, creative nonfiction, and poetry for all levels of writers--beginning to advanced. The workshop includes opportunities to give readings, receive professional critiques, interact with faculty, and meet with a visiting agent.

Port Townsend Writers’ Conference. July 15 - 22, 2018, Port Townsend, Washington. workshops in poetry, fiction, and creative nonfiction, as well as craft lectures, readings, open mics, and time to write. "The Port Townsend Writers’ Conference has been since 1974 at the wild heart of the thriving Pacific Northwest literary scene. With a focus on community and rigorous attention to craft, the Conference offers morning workshops, afternoon workshops, residencies, guided freewrites, and a vibrant readings and lectures series presented by vital, contemporary writers."

Green Mountain Writers Conference. July 16 - 20, 2018, Chittenden, Vermont. The program features workshops in poetry, fiction, and creative nonfiction, as well as one-on-one consultations, lectures, publishing discussions, and readings. The faculty includes poets Justen Ahren, Chard deNiord, Gary Margolis, Verandah Porche, and Kate Rushin; fiction writers T. Greenwood, Elizabeth Inness-Brown, and Stephen Kiernan; and creative nonfiction writers Chuck Clarino and Yvonne Daley. Tuition is $650 before June 1 and $675 thereafter.

Sewanee Writers’ Conference. July 17- 29, 2018: Sewanee, TN. Faculty will give readings and provide instruction and criticism through workshops and craft lectures, as well as meet individually with participants to discuss their manuscripts. The Conference will offer five fiction workshops, four poetry workshops, and a playwriting workshop supported by two professional actors. In addition, a substantial number of literary agents will attend.

Romance Writers of America. July 18 - 21, 2018, Denver, CO. The RWA Conference is the place where career-focused romance writers meet, mingle, and get down to the business of being an author. Conference highlights include the “Readers for Life” Literacy Autographing; the Keynote speech; hearing from great speakers; book signings; and the Awards Ceremony. At the conference, career-focused romance writers can anticipate: education and information, networking with fellow writers, interaction with editors, agents, publishers, booksellers, and other romance publishing industry professionals.

Writing the Rockies. July 18 - 22, 2018: Gunnison, Colorado. Workshops, readings, panels, seminars and other events in poetry, genre fiction, screenwriting and publishing. One-to-one visits with faculty for critiques & pitches. Sponsored by Graduate Program in Creative Writing, Western State Colorado University.

Saskatchewan Festival of Words. July 19 - 27, 2018, Moose Jaw, Canada. Workshops for all ages, reading sessions, concerts, film, panel discussions, interviews, music, theatre, a slam poetry competition as well as workshops and author readings.

North Carolina Writers' Network Squire Summer Writing Residency. July 19 - 27, 2017: Raleigh, North Carolina. The conference features workshops in poetry, fiction, and creative nonfiction, as well as a presentation and readings. The faculty includes Paul Cuadros, Rob Greene, and Elaine Neil Orr. The cost of the residency ranges from $425 - $675, depending on membership and housing preferences.

Cascade Writers Critique and Pitches. July 20 –22, 2018: Tacoma, WA. Milford-Style critiques, agent pitches and query information, panels on writing, editing, self-publishing, and more. "Join us for our three-day event this July with editors and/or publishers John Joseph Adams, author Christie Yant, agent DongWon Song, author Spencer Ellsworth, author Randy Henderson, author John J.A.Pitts, author David D. Levine, author Rachael K. Jones, and author Liz Coleman. More to come!"

Mayborn Literary Nonfiction Conference. July 20 - 22, 2018, Grapevine, Texas. The Mayborn Literary Nonfiction Conference is a forum for journalists, writers, readers, students, educators and the general public to listen to, be inspired by and practice their craft at the highest possible level. Every year, the Mayborn Conference gathers some of the most talented storytellers in the country to share their stories, life-changing experiences and expertise with aspiring writers through three days of lectures, panels, one-on-one sessions, and student classes. In addition, the conference includes a variety of writing contests for anyone from high school students to Pulitzer prize winning professionals, who receive hand-made trophies, more than $26,000 in cash awards and have their work published in Mayborn's journal, Ten Spurs, or anthology, Best American Newspaper Narratives.

Gemini Ink Writers Conference. July 20 - 22, 2018: San Antonio, Texas. In this moment of social and historic flux, Gemini Ink’s Writers Conference will contemplate the role writing can play in reflecting and driving social, aesthetic and personal change. Participate in panels, roundtables, workshops, and readings. Engage in dynamic conversations on writing as an agent for change.

Juniper Institute for Young Writers. July 22 - 29, 2018:  Amherst, MA. For high school students. Daily workshops in poetry, fiction, & nonfiction; interactive craft sessions that include discussions & writing exercises; evening readings by faculty & writers-in-residence. The faculty includes poets Dorothea Lasky, Rickey Laurentiis, Camille Rankine, Bianca Stone, and Dara Wier; fiction writers Noy Holland, Mitchell S. Jackson, and Joy Williams; and creative nonfiction writer Eileen Myles. Visiting writers include poets Terrance Hayes, Lisa Olstein, Evie Shockley, Safiya Sinclair, and Matthew Zapruder; fiction writers Stephen Graham Jones, Margaret Wilkerson Sexton, and Leni Zumas; and creative nonfiction writer Paul Lisicky. Tuition, which includes some meals, is $1,600. Manuscript consultations are available for an additional $150. Several lodging options are offered, from $48 per night for a dorm room to $140 per night for a private room at a nearby campus hotel. Scholarships and grants are available. Scholarships available.

Mountain Maryland Writers' Institute. July 26 - 29, 2018: McHenry, MD. MMWI is a 3-day camp for adult writers of all abilities. Morning and afternoon writing sessions focusing on research, topic selection, poetry, destination travel guide. Guided by local and regional authors in a combination of indoor and outdoor venues. Faculty: Dr. Neal Brooks, Jess Daddeio, Jack DuBose, Rose Gordy, James Rada, Jr., and Ellouise Schoettler.

Midwest Writers Workshop. July 27 - 28, 2018, Muncie, Indiana. Craft and business sessions, agent pitches, manuscript evaluations. MWW includes quality instruction by a faculty of authors, agents, editors, and specialists.

Bookstock Literary Festival. July 27 - July 29, 2018: Woodstock, Vermont. From Poets & Writers: "The festival features workshops, readings, discussions, and a book fair for poets, fiction writers, and creative nonfiction writers. Participating writers have included poets Benjamin Aleshire, Laura Foley, Pamela Harrison, April Ossmann, and Elizabeth Powell; fiction writers Jean Hanff Korenlitz and Roland Merullo; and nonfiction writers Jabari Asim, Bruce Coffin, and Sarah Prager. All events and workshops are free and open to the public."

Confluence-SFF. July 27 - 29, 2018: Pittsburgh, PA. Located at the birthplace of the Ohio River, Confluence is Pittsburgh’s longest-running literary conference with a strong focus on science fiction, fantasy and horror. Award-winning authors, editors, artists and song-writers gather for three full days.

Napa Valley Writers’ Conference. July 29 - August 3, 2018, St. Helena, California. Workshops in poetry and fiction, craft lectures, panels, and evening readings with wine receptions at venues around Napa Valley. Conference will feature poets Camille Dungy, Brenda Hillman, Jane Mead, and Carl Phillips, and fiction writers Lan Samantha Chang, Lauren Groff, Mat Johnson, and Howard Norman.

Pennsylvania Writers Conference. July 29 - August 4, 2018: Wilkes-Barre, Pennsylvania. PWC includes workshops in creative nonfiction, fiction, poetry, and screenwriting. The conference will offer pitch sessions with agents, as well as certificate programs in publishing and arts advocacy and education.

VQR Conference. July 30 - August 4, 2018: Charlottesville, VA. This conference focuses on writing. Conference participants pay $1,100, which includes lodging and meals. For participants who do not need housing, the cost is $950. Deadline: Once admitted to the conference, a nonrefundable deposit of $200 is due by June 15.

20 Publishers Accepting Nonfiction - No Agent Required

Updated 8/7/25

Here are 20 publishers seeking nonfiction. They are looking for a wide range of subjects, including art, theater, children's nonfiction, calendars, memoirs, pop culture, politics, history - in short, if it isn't fiction, they want it. All are traditional publishers, and none require an agent.

Unlike fiction, in which writers are asked to either submit a sample of their writing or a full manuscript, nonfiction writers are required to submit a proposal. Proposals typically run about 25 pages. They contain an overview, a detailed table of contents, a bio of the author, a business plan, a competitive title analysis showing which similar books are already on the market and why yours is better, and sample chapters. The proposal is essentially a quick guide to your book that will enable a publisher to decide whether it is worth their time and effort, so make sure you spend time and effort writing your proposal.

For detailed information on how to write a proposal read Jane Friedman's excellent article: Start Here: How to Write a Book Proposal.

For more nonfiction publishers see: 22 Cookbook Publishers Accepting Unagented Manuscripts. Many of these publishing houses accept other nonfiction titles as well.

For a list of hundreds of publishers that don't require an agent, see Publishers Accepting Unagented Manuscripts.

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Allworth Press publishes business and self-help information for the general public and creative professionals. It is now owned by Skyhorse. Read their submission guidelines  HERE. Seeking: Graphic Design, Business, Performing Arts, Interior Design, Art, Theater, Web Design, Book Arts, Photography, Crafts.

Andrews McMeel Publishing is the country's premier calendar publisher. Its core publication categories include: inspiration, middle grade children's books, comics and humor, puzzles and games, inspiration and gift, and comics for middle grade children. Interestingly, they also publish poetry. See submission guidelines HERE.

Beacon Press, founded in 1854, is an independent publisher of serious non-fiction. Their books promote such values as freedom of speech and thought; diversity, religious pluralism, and anti-racism; and respect for diversity in all areas of life. Their current publishing program emphasizes religion, history, current affairs, political science, gay/lesbian/gender studies, education, African-American studies, women's studies, child and family issues and nature and the environment. They do not accept hard-copy submissions; they will only accept email queries to editorial@beacon.org. Read submission guidelines here.

Ben Bella publishes niche market books, works by celebrities and experts in their fields, pop culture books, and anything that is associated with a brand. Prospective authors should send a pitch. Read guidelines here.

Career Press, Inc. publishes quality, nonfiction books for adult readers seeking practical information to improve themselves in careers, college, finance, parenting, retirement, spirituality, and other related topics. Seeking: Business, Career, Job Search, HR & Work Place Issues, College Preparation, Small Business/Entrepreneurship, Motivation/Self-Help, Management, Marketing/Sales, Negotiation, Study Aids, and more. Read submission guidelines HERE. 

Free Spirit Publishing. "Our mission is to provide children and teens with the tools they need to overcome challenges and make a difference in the world. We publish high-quality nonfiction books and learning materials for children and teens, parents, educators, counselors, and others who live and work with young people." Read guidelines here.

Greystone Press. "We pursue high-quality non-fiction books about nature and the environment, travel and adventure, health, and current issues. We do not publish poetry or fiction." Read submission requirements here. Has submission periods.

Gryphon House, Inc. publishes books that help teachers and parents enrich the lives of children from birth through age eight. They do not accept children's books. Seeking: Educational resource books for parents and teachers aimed at young children. Read submission policy.

Haymarket Books. "We are interested in manuscripts that are accessible to a wide range of progressive and radical political activists, while also being useful to an academic audience. We are not accepting fiction submissions at this time." Read submission guidelines HERE. Has submission periods.

Hohm Press is committed to publishing books that provide readers with alternatives to the materialistic values of the current culture and promote self-awareness, the recognition of interdependence and compassion. Their subject areas include religious studies, natural health, parenting, women’s issues, the arts and poetry. Initially, they want a sample, not a full manuscript. Read submission guidelines here.

Adventure Keen publishes books on adventure, nature, and wilderness sports activities (excluding hunting and fishing). Read submission policy. 

Chicago Review Press is one of the oldest publishing houses in Chicago. They exclusively publish nonfiction and have more than two hundred published titles on their list. Academy Chicago publishes about 60 new titles yearly under five imprints: Chicago Review Press, Lawrence Hill Books, Ball Publishing, Zephyr Press, Chicago Review Press Children's, Parenting Press, and Academy Chicago. Seeking: Chicago Review Press publishes nonfiction in the following categories: African American interest, autobiography/biography, DIY, film, food and drink (not cookbooks), history, music, parenting, politics, popular culture, popular science, social science, sports, regional (Midwest), nature/outdoor/travel, true crime, and women's interest. Chicago Review Press also publishes an award-winning line of children's and young adult titles. They do not publish children's picture books whether fiction or nonfiction. They do not publish books in the following subject areas: mind/body/spirit, religion, diet/fitness/nutrition, family memoir, self-help, business, poetry, or photography. Read submission guidelines here.

OneWorld Publications was founded in 1986 by husband and wife team Juliet Mabey and Novin Doostdar as an independent publishing house focusing on stimulating non-fiction. Located in the UK. Read guidelines here.

Osprey is a UK publisher specializing in military history. Read submission guidelines here. 

Rowman & Littlefield offers academic and scholarly works aimed at a professional audience. Their submission requirements include a CV and a list of potential peer reviewers. Read submission guidelines here.

Shambhala. "Our acquisition interests are on the topics of Buddhism, mindful living, yoga, psychology, parenting, crafting, creativity, and cooking. We do not accept proposals for fiction (children’s books excepted), poetry, exposés, end-time prophecies, channeled works, martial arts manuals, quotation books, card decks, or audio/video. Anything sent within these genres/formats will not receive a response." Read guidelines here.

Skyhorse publishes a broad range of nonfiction titles. They only accept submissions that fall into their categories, so make sure you consult their list before submitting. See submission requirements HERE.

The New Press is a non-profit independent publisher focusing on contemporary social issues, with an emphasis on race relations, women's issues, immigration, human rights, labor and popular economics, and the media; education reform and alternative teaching materials; cultural criticisms; art and art education; international literature; and law and legal studies. The Press has also taken a leading role in publishing a wide range of new work in African American, Asian American, Latino, gay and lesbian, and Native American studies, as well as work by and about other minority groups. They are very selective. See submission requirements HERE.

Ulysses Press is a small house focusing on niche markets. Genres they publish include Cleanse, Arts and Crafts, Coloring, Gifty Grabs, Fashion and Beauty, Healthy Eating, Krav Maga, Mmm Bites, Pop Culture, Prepping (for the apocalypse), Fitness, Special Diets, Trivia, Working Out, Rehab and Injury Prevention. See submission requirements HERE.

Workman Publishing is owned by Hachette. They have two imprints: Storey Publishing and Timber Press. Storey Publishing publishes practical information that encourages personal independence in harmony with the environment, including nonfiction titles for adults and children on gardening, home reference, crafts, cooking, beer & wine, nature, raising animals, horses, building, farming, homesteading, and mind/body/spirit. Timber Press is devoted to sharing the wonders of the natural world by publishing books from experts in the fields of gardening, horticulture, and natural history, gardening how-to, garden design, popular science, nature, garden literature, and both regional and national field guides. Read their guidelines here.

2 New Agents Seeking Romance, Mysteries, Thrillers, Fantasy, MG and YA

Updated 12/2/19

Here are two new literary agents seeking clients. Tara Gelsomino (One Track Literary Agency) represents romance, women's fiction, mysteries, and young adult. Matthew Huff  (Levine Greenberg Rostan Literary Agency) is interested in novels with a dash of mystery and adventure, whether that be a middle grade/young adult novel, a high concept fantasy saga, or a twisty literary thriller.

As always, go to the agency website and carefully review submission guidelines before submitting. Guidelines can change, and agents may close their lists or switch agencies.

Note: For a comprehensive list of new and established agents expanding their client lists see Agents Seeking Clients.

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Tara Gelsomino of One Track Literary Agency

CURRENTLY CLOSED TO QUERIES

Tara is the founder of One Track Literary Agency. A voracious genre reader since childhood, Tara began her publishing industry career at Romantic Times magazine in 1998 as a writer/editor then managing editor, before transitioning to audiobook publishing in 2005 with BBC Audiobooks America as managing editor, acquisitions editor, and executive marketing manager. During her time with BBCAA, she also spearheaded creating and publishing the first crowd-sourced audiobooks via Twitter with renowned bestselling authors Neil Gaiman and Meg Cabot.

What she is seeking: One Track Literary is currently seeking completed works with vibrant, fresh voices in these genres: romance, women's fiction, mysteries, and young adult.

How to submit: Use the online submission form HERE.
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Matthew Huff of Levine Greenberg Rostan Literary Agency

CLOSED TO SUBMISSIONS

Hailing from what he believes is the best state, Michigan, Matthew grew up on a steady diet of mystery novels and milkshakes, before heading to Grove City, Pennsylvania for college. While majoring in English, his tastes in literature expanded to include everything from T.S. Eliot to Tina Fey, while his tastes in food remained that of a picky third grader. Scrounging around for any crack in the fortress of New York publishing, Matthew worked three jobs at once until he eventually landed at LGR. Now a solidified Manhattanite, he spends his weekends watching The Sopranos, eating donuts, and unashamedly dragging his friends to the touristiest venues the city has to offer.

What he is seeking: Matthew's tastes in books vary widely but he especially loves anything with a dash of mystery and adventure, whether that be a middle grade/young adult novel, a high concept fantasy saga, or a twisty literary thriller.

How to submit: Use the online submission form HERE.