Thursday, February 11, 2016

2 New Literary Agents Actively Seeking Clients - Thrillers, Romance, Nonfiction, YA, Memoir

Updated 1/31/18

Here are two new literary agents seeking clients. Rob Kirkpatrick (The Stuart Agency) is looking for memoir, biography, sports, music, pop culture, current events, history. Rachel Beck (Liza Dawson) is interested in women's fiction, thrillers, romance, YA, and literary fiction.

ALWAYS check the agency website before submitting. Agents may switch agencies or close their lists, and submission requirements may change.

If these agents do not suit your needs, you can find a comprehensive list of new and established agents seeking clients here: Agents Seeking Clients.



Rachel Beck of Liza Dawson



About Rachel: Rachel Beck joined Liza Dawson Associates in 2020 after working at a boutique literary agency for 4 years. She has been in the publishing industry since 2009 and worked at Harlequin editing romance novels for nearly 6 years before transitioning her skills to the agent world in order to be an advocate and champion for authors. She lives in southern California with her husband, young son, and endlessly entertaining cat.

What she is seeking: Rachel is drawn to voice-driven fiction, particularly in young adult; quirky, three-dimensional, flawed characters, including and especially secondary characters; beautiful writing; books that explore good people in morally complicated situations; and complex, detailed plots. Rachel is interested in representing:
  • Women’s fiction
  • Upmarket/book club fiction, i.e., Emily Giffin, Liane Moriarty and Diane Chamberlain
  • Young adult (no fantasy or paranormal unless it’s very light)
  • Contemporary romance, i.e., Kristan Higgins
  • Category romance with unique, memorable plots, i.e., Natalie Charles
  • Southern fiction
  • “Dark” women’s fiction/thrillers, i.e., Gillian Flynn or Mary Kubica
  • Urban fiction
  • Literary fiction
How to submit: Please send a query letter and the first 5 pages of your manuscript or proposal in the body of your email to queryrachel@lizadawson.com. The query letter should include your book’s genre and word count.

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Rob Kirkpatrick of The Stuart Agency

CLOSED TO QUERIES

​About Rob: Rob Kirkpatrick joins The Stuart Agency after working as a senior editor at multiple publishing houses for more than a dozen years. Titles he has helped publish include The Wrecking Crew: The Inside Story of Rock and Roll’s Best-Kept Secret; Shrinkage: Manhood, Marriage, and the Tumor that Tried to Kill Me; Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys. (Viv Albertine); Vagos, Mongols, and Outlaws (basis for the miniseries Gangland Undercover); The Peasant Prince: Thaddeus Kosciuszko and the Age of Revolution; The Agent: My 40-Year Career Making Deals and Changing the Game (Leigh Steinberg); Big Hair and Plastic Grass: A Funky Ride Through Baseball and America in the Swinging ‘70s; Snakes! Guillotines! Electric Chairs! My Adventures in the Alice Cooper Group; The Kennedy Chronicles: The Golden Age of MTV Through Rose-Colored Glasses; Black Noon: The Year They Stopped The Indy 500; Cohn-Head: A No-Holds Barred Account of Breaking Into the Boys Club (by ESPN’s Linda Cohn); and Jerry Rice’s latest book, 50 Years, 50 Moments. Rob completed a PhD in English and also is the author of several books himself. 

What he is looking for: Memoir, biography, sports, music, pop culture, current events, history.

How to submit: Submissions should be sent via the agency's submission form HERE.

Tuesday, February 9, 2016

7 Agents Looking for Horror Writers

Updated 1/7/25

Here are seven agents actively seeking horror. All are from reputable agencies.

ALWAYS check the agency website before submitting. Agents may switch agencies or close their lists, and submission requirements may change.

If these agents do not suit your needs, you can find a comprehensive list of new and established agents seeking clients here: Agents Seeking Clients.


1. 
Alyssa Maltese (Root Literary Agency)

Getting to be an early champion for authors' work is a huge privilege, and a responsibility for which I am deeply grateful. I'm excited to find and uplift books that you can’t put down, books that surprise you, books that make you think, and, above all else, books that help people.

What she is seeking: Commercial suburban horror with a sense of humor.

How to submit: Use her querymanager HERE.

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2. Katherine Odom-Tomchin (FolioLit)

Katherine began her publishing career at Heritage Publishing, Inc., which publishes magazines, guides, and directories for health care, seniors, tourists, and attorneys throughout Florida and Southeast Georgia. During her time there, she held various positions in the editorial, graphic design, and information departments. 

What she is seeking: Less gore and paranormal than the typical slasher or ghost story. More in line with titles like THE FINAL GIRL SUPPORT GROUP, SHUTTER ISLAND, THE HANDMAID'S TALE, or MISERY. Am open to titles like THE HAUNTING OF HILL HOUSE and IT, but characters and writing must carry the story.

How to submit: Find her querymanager form HERE.
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3. Kiana Nguyen (Donald Maass Literary Agency)

Kiana Nguyen joined Donald Maass Literary Agency in 2016, where she assisted several agents, and is now building her own client list.

What she is seeking: "Adult Horror!! I always forget to mention this, but horror was my first love and I adore being scared. I'm looking for less body horror and more haunting realities that effect your relationships with family and loved ones circa The Haunting of Hill House and Bird Box. Intimate stakes, with atmospheric worlds."

How to submit: To query, please email query.knguyen@maassagency.com with the query letter, and the first ten pages of your novel pasted into the body of the email.

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4. 
Connor Smith of Hesperides Literary

As a literary agent and member of the AALA, I leverage my extensive experience as a professional writer, ghostwriter, and editor to routinely hop into the trenches with writers to help them produce the polished work necessary to secure publication. Because writing is fun.

What he is seeking: Powerfully written Horror, Speculative, Romance (all subgenres except fantasy), YA, Humor, and Meta-Fiction. In these genres, I am looking for fast-paced plots penned with style and verve.

How to submit:  Use the submission form HERE.
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5. Alec Shane (Writers House)

Alec Shane majored in English at Brown University, a degree he put to immediate use by moving to Los Angeles after graduation to become a professional stunt man. Realizing that he prefers books to breakaway glass, he moved to New York City in 2008 to pursue a career in publishing. Alec quickly found a home at Writers House Literary Agency and is now aggressively building his own list.

What he is seeking: "Great horror - I haven't been scared to turn off the light in far too long and something needs to be done about it."

How to submit: Send the first 10 pages of your manuscript, along with your query letter, to ashane [at] writershouse.com with “Query for Alec Shane: [TITLE]” as your subject heading. No attachments.

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6. Lynnette Novak (Seymour Agency)

Prior to joining The Seymour Agency, Lynnette spent 17 years freelance editing. She worked with new writers, advanced writers, as well as the New York Times and the USA Today bestselling authors.

What she is seeking: MG, YA and adult horror.

How to submit: Use her submission form HERE.

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7.
Anna Clark (Wordlink Literary Agency)

Anna’s passion for a good story started as a child on the theatre camp stage and was nurtured throughout her life by a love of reading and performance. She is a proud Filipino-American born and raised in southern Georgia by her first generation mother and southern grown father. She attended Belmont University, earning a degree in English, Theatre, and Education. She now resides in Nashville where she has worked as a high school teacher and Teaching Artist for a local theater.

What she is seeking: Anna is looking for dark fiction such as psychological, gothic, southern gothic, paranormal, and literary horror, as well as new adult fiction about immigrant diaspora, interracial identity, and multi-generational conflict. As a lover of the stage and all things dramatic, she appreciates cinematic writing that paints clear pictures of complex worlds and characters in the reader’s mind. She celebrates own voices, particularly those that are usually overlooked or ignored in traditional spaces.

How to submit: Follow submission guidelines HERE.

Thursday, February 4, 2016

2 New Literary Agents Seeking Clients

Here are two agents actively building their client lists. New agents are a boon to writers. They are young, enthusiastic, and willing to go the extra mile for their clients. Stacey Graham (3 Seas Literary) is looking for humor books, humorous memoir, dark middle grade, New Age with a strong platform, quirky nonfiction (YA/MG and adult), history, and horror. Shaun Dolan (Union Literary) is seeking literary fiction, narrative nonfiction, memoir, pop culture, and sports narratives.




Stacey Graham of 3 Seas Literary Agency


About Stacey: Stacey Graham has worked both sides of the literary door as a humor writer with the wickedly funny Zombie Tarot, screenwriter, ghostwriter, and short story writer, and formerly as an agent with Red Sofa Literary. She loves working with writers at all stages of their careers and uses her experience in authorship to help navigate the sometimes turbulent waters of publishing for her clients. 

What she is seeking: She is currently looking to expand her list with snappy Rom-Coms, hilarious/spooky middle grade, and weird nonfiction.

How to submit: Please use her form HERE.

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Shaun Dolan of Union Literary

NO LONGER AN AGENT

About Shaun: Shaun Dolan previously worked with award winning authors – including National Book Award and Pulitzer Prize winners and finalists, Story Prize Winners, and B&N Discover Award Winners – as an assistant at WME. Shaun is a graduate of the University of Michigan.

What he is seeking
: As an agent at Union Literary, he’s interested in both muscular and lyrical literary fiction, narrative nonfiction, memoir, pop culture, and sports narratives. He’s willing and able to dive into the trenches editorially and looks to foster new, exciting voices. (The agency does not represent romance or science fiction.)

How to Submit: sd [at] unionliterary.com. “Due to the high volume of submissions we receive, we will only be in contact regarding projects that feel like a match for the respective agent. Rest assured, every incoming query is being read and evaluated. We prefer to receive submissions by email with sample pages attached in .doc or .docx format. Please do not send .pdf files. Nonfiction submissions should include a query letter, a proposal, and a sample chapter. Fiction submissions should include a query letter, a synopsis, and either sample pages or a full manuscript.”

Tuesday, February 2, 2016

Book Categories That Boomed in 2015, and Books That Busted

Every year Nielsen BookScan releases statistics on how many books in each of its categories sold. This gives us 20-20 hindsight on what constituted a successful genre in the preceding year, while doing nothing to predict future trends.

Nevertheless, looking at yearly statistics gives us pause for thought. For example, in the non-fiction category people appear to have suddenly gotten very interested in art. (Actually, they were just interested in coloring books. Animal Kingdom: Color Me, Draw Me (Lark), sold 332,000 copies last year.) Crafts, hobbies, house and home, and gardening have also enjoyed substantial boosts. 

In adult fiction, science fiction got the biggest boost in sales, increasing 44% in 2015. We can attribute that increase to The Martian, which sold just under 1.2 million print copies. Graphic novels also saw a bump of 22%. 

Literary fiction (classics) also saw an increase due to the publication of Harper Lee's Go Set a Watchman, which generated a surge in sales of To Kill a Mockingbird.

While yearly growth may be due to the success of a single book in any given genre, the distribution of books sold has remained fairly consistent.

Book categories with the most unit sales were general children's fiction (49K) and juvenile SFF (44K). General adult fiction and the Bible/religious books tied at fourth place followed by reference books and romance.

Table from Publisher's Weekly.

Unit Sales by Category, 2014-2015 (in thousands)

20142015% Change
Adult Non-Fiction
Art/Architecture/Design/Photography6,98411,17260%
Biography/Autobiography/Memoir22,80323,5443%
Business/Economics16,60417,1553%
Cooking/Entertaining15,49215,4950%
Computers4,6524,234-9%
Crafts/Hobbies/Antiques/Games8,48511,48635%
Health/Fitness/Medicine/Sports21,57421,5570%
History/Law/Political Science15,22017,13213%
House & Home/Gardening2,1303,18449%
Humor4,8974,660-5%
Performing Arts7,7068,3218%
Reference31,98933,2664%
Religion/Bibles35,79835,9300%
Self Help9,84811,27915%
Travel7,4177,6203%
General Non-Fiction28,53330,0095%
Total Adult Non-Fiction240,130256,0427%
Adult Fiction
Classics7,5789,98532%
Occult/Psychological/Horror3,3292,218-33%
Religion4,1744,4146%
Fantasy7,5266,600-12%
Science Fiction4,1425,96444%
Suspense/Thrillers20,11121,7838%
Action Adventure2,2392,2852%
Graphic Novels8,66910,59122%
Western2,2322,186-2%
Mystery/Detective14,30412,533-12%
Romance30,88528,031-9%
General Fiction33,52435,1015%
Total Adult Fiction138,712141,6902%
Juvenile Non-Fiction
Animals4,6255,12811%
Biographies/Autobiographies3,9794,2537%
Concepts3,7904,29613%
Education/Reference/Language6,4967,65118%
Games/Activities/Hobbies12,36213,70311%
History/Sports/People/Places11,23212,75314%
Holidays/Festivals/Religion3,8954,0735%
Social Situations/Family/Health2,5022,76611%
Total Juvenile Non-Fiction48,88254,62412%
Juvenile Fiction
Animals9,05110,11212%
Classics9,98110,1612%
Concepts8,9099,3074%
Science Fiction/Fantasy/Magic45,51144,578-2%
History/Sports/People/Places14,10713,550-4%
Holidays/Festivals/Religion8,6219,4189%
Social Situations/Family/Health27,81524,932-10%
General52,69049,325-6%
Total Juvenile Fiction176,685171,383-3%

Thursday, January 28, 2016

9 Writing Conferences in February 2016

Houston writers huddling together for warmth.
February is a brutal little month, and this year it's going to be one day longer.

Why not brighten the dark days with a stimulating conference?

There are nine conferences this month - all conveniently located in warm parts of the country. As usual, these conferences are jam-packed with opportunities to pitch your novel, hone your craft, and hobnob with industry professionals.

Make sure you read these tips first:

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Writing Conference of Houston, Feb. 6, 2016, Houston, TX. A full-day of “How to Get Published.” Attending agents: Paul S. Levine (Paul S. Levine Literary); Patricia Nelson (Marsal Lyon Literary); Rachel Brooks (L. Perkins Associates); Tricia Skinner (Fuse Literary); and Eve Porinchak (Jill Corcoran Literary).

The Writers Studio, sponsored by the UCLA Extension Writers’ Program, February 11- 14, 2016, Los Angeles, CA. The conference offers workshops in fiction and creative nonfiction, as well as writing for television and film. Workshop instructors include fiction writers Colette Sartor and Mark Sarvas; nonfiction writers Barbara Abercrombie, Samantha Dunn, and Alison Singh Gee; fiction and nonfiction writer Daniel M. Jaffe; and literary agent Nancy Nigrosh. The cost of the studio is $855 through January 11, 2016, and $940 thereafter.

San Francisco Writers Conference, Feb. 11-14, 2016, San Francisco, CA. The SFWC presenters list includes bestselling authors, literary agents, editors, and publishers from major publishing houses. There will be experts on self-publishing, book promotion, platform building, social media, and author websites. Attending agents: This large conference usually has 20-30 agents in attendance. Check the website for the list.

South Coast Writers Conference, Feb 12 - 13, 2016, Gold Beach, Oregon. "The South Coast Writers Conference is an eclectic gathering of writers of various genres, novice and published authors, returning and first-time attendees. It is our goal that participants and presenters leave the conference inspired and renewed, with new insights and skills, and better connected to fellow writers and resources. Participation in workshops is limited to 30 students or fewer, so register early to secure a seat in the workshops you want." Faculty: Jason Brick, Barri Chase, Miriam Gershow, Peter Brown Hoffmeister, Anne Osterlund, Kate Power & Steve Einhorn, Bruce Holland Rogers, Heidi Schulz, Eric Witchey and Carolyne Wright. Costs: Friday workshops $55 each; Saturday conference $70 (earlybird-$60); songwriting workshops $20 each. Catered lunch $12.

30th Annual Southern California Writers’ Conference (and Retreat), February 12-15, 2016, San Diego, CA. Faculty: 60+ working, professional authors of fiction, nonfiction & screen, editors & agents. "Founded and run by professional writers the SCWC provides veteran and emerging talent with authoritative guidance to help distinguish those manuscripts that are ready for market consideration." Cost: $325-$425. Manuscript critique & one-on-one consultation additional. Limited to 175 conferees.

Desert Nights, Rising Stars Writers Conference, February 18 - 20, Tempe, AZ. "The conference features lectures, panel discussions, readings, and craft classes in poetry, fiction, creative nonfiction, and publishing. The faculty includes poets Alberto Ríos and Hugh Martin; fiction writers T. Geronimo Johnson, Stephanie Kuehn, and Manuel Munoz; and nonfiction writers Lee Gutkind and Xu Xi. The cost of the conference is $350 for standard registration until December 17 and $400 thereafter. Deadline is February 12.

Alabama Writers Conference, February 19, 2016, Birmingham, AL. A full-day of “How to Get Published.” Attending agents: Julie Gwinn (The Seymour Agency); Kurestin Armada (P.S. Literary); Veronica Park (Corvisiero Literary); and Lauren MacLeod (Strothman Agency).

Atlanta Writing Workshop, February 20, 2016, Atlanta, GA. A full-day of “How to Get Published.” Attending agents: Cherry Weiner (Cherry Weiner Literary); Kurestin Armada (P.S. Literary); Pamela Harty (The Knight Agency); Veronica Park (Corvisiero Literary); and Sally Apokedak (Leslie H. Stobbe Literary Agency).

St. Augustine Author-Mentor Novel Workshop, Feb 25 - 28, 2016, St. Augustine, Florida. "The St. Augustine Author-Mentor Novel Workshop creates an intimate and professional environment that combines private meetings with small-group workshops, thus enabling aspiring authors to wisely approach the writing and publication of their novel. At the St. Augustine event, aspiring authors will:
1) Work one-on-one with top authors and savvy market professionals.
2) Apply advanced story and narrative technique to their novel-in-progress.
3) Hone and improve their writer voice and style.
4) Learn the necessary inside mechanics of the publishing business.
5) Leave the workshop with a detailed plan to work towards publication of their novel.
Group workshop sessions will be interspersed with agent and author consultations, workshop assignments, as well as consults with workshop leaders." Faculty: Authors, agents, editors, including Ken Atchity, Robert Olen Butler, Kimberley Cameron, Lyssa Keusch, Robert Bausch, Michael Neff, Tina Wexler, Jackie Cantor, Tom Colgan, Leis Pederson, Jane Smiley, Elise Capron, and more.

Tuesday, January 26, 2016

29 Calls for Submissions: February 2016 - Paying Markets

Here are 29 magazines that want your work - essays, short stories, flash fiction, humor, science fiction, poetry, complaints, fantasy, creative nonfiction, mythology - you name it, they want it!

All of these are paying markets.

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Bitch Magazine: Pitches wanted for 'Kids These Days' Issue

Bitch is now closed

"This issue's goal is to explore childhood as more than just a rite of passage or a target market. We want to hear about parenting, youth culture, and generational crossover today.

What does it actually mean to be an '80’s, '90s or 2000s kid, and what does our collective nostalgia say about us? We also want to look across generations—what can kids these days learn from the past, and vice versa? How have cultural products from Sailor Moon to Netflix influenced the framework of our world? What does the evolution of writing—from the elimination of cursive to the universe of emoji—mean for the future of language and understanding?

This issue will look last everything from kitschy advertising and formative cartoons to single motherhood and the school-to-prison pipeline in an attempt to fill out the often overlooked pockets of youth as a culture force."

Payment: $200 for features

Deadline: February 1, 2016

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The First Line

Genre: Short story, any genre, with a first line “Unfortunately, there is no mistake,” she said, closing the file.

Length: 300 - 5,000 words

Payment: $25-$50


Deadline: February 1, 2016

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"Skirt! publishes two personal essays every month on topics relating to women and women’s interests. All essays for consideration should be submitted in their entirety and be between 800 and 1,100 words. Essays must fit one of our monthly themes."

Genre: Personal essays, theme is "Happiness" 

Payment: $200 per piece

Deadline: February 1, 2016 for "Happiness" issue

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Holdfast Print Anthology 2015-2016: Issue#8: Love, Sex, Romance

Genre: Speculative Fiction, Poetry and Prose

Payment: Based on royalties

Deadline: February 3, 2016

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Splickety Publishing Group - Fairytales: Unfettered

Genre: Speculative fiction. Traditional fairytales with magic and ogres and spells, stories about fairies, new twists on fairy lore.

Length: Between 300 and 1,000 words

Payment: $0.02 per word via PayPal

Deadline: February 5, 2016

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Cricket Magazine - Visions of the Future

The future. Things could get worse.* Or better. Or maybe just different and more deeply weird. Cicada YA lit/comics mag wants sci-fi adventures, utopian schemes, and dystopian thought experiments. Also: tell us how you would change your school, your community, social structures. Especially welcome: works by people of color, people with disabilities, LGBTQIA+ folks, genderqueer folks, and other marginalized peoples. Submit poetry, fiction, nonfic, comics pitches, and blueprints for your Mars base.

Length: Flash fiction to novellas; up to 9,000 words

Genre: Speculative fiction for teens

Payment: Up to 10¢ per word

Deadline: February 7, 2016

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Canadian Comedy Anthology

"Submissions can be on any topic you want, so long as the end result falls within the definition of “Hey, that’s funny.” No topic is taboo; no target is safe. Comedy being a necessarily subjective genre, we’re looking to cast the widest possible net. We will take all stories at face value. The final set should run the gamut of genres and styles, encapsulating the many forms humour may take. Texts of subtle wit will contrast with bawdy humour, giggles will compete with guffaws, gutbusters will share space with others that make you stroke your chin and offer up a mild “Hmm… that’s a good one.” The book as a whole will be a meeting of multiple styles united under the genre of comedy, a meeting place for the wittiest dreamers across the whole spectrum of CanLit. We want this book to showcase as broad a diversity of Canadian writers as possible in terms of location, background, race, gender, genre, experience, and more."

Restrictions: Open to Canadians only

Genre: Funny stories, plays, poetry

Length: Up to 5,000 words

Payment: 5 cents a word (CAN)

Deadline: February 7, 2016

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New Legends: The Hero • The Antihero • The Vigilante, Book 2

"We are looking for exceptional, well-written, engaging stories with subject matter reasonably free from sexually explicit content, gore, and obscenities."

Genre: Short story. Your story can be of any genre, but must be relevant to the theme of the Hero, the Antihero, and the Vigilante.

Length: 2,500 - 8,000 words

Payment: $25 per story

Deadline: February 8, 2016

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Subterrain

"Poetry, fiction, nonfiction exploring the idea of secrecy. Personal, corporate, governmental, military -- secrecy is used to cement personal relationships, to guarantee state security, to harbour knowledge. Some consider secrecy one of the main sources of human conflict. We intend to open the doors on the subTerrain confessional."

Genres: Poetry, fiction, nonfiction submissions wanted for Issue 73: Secrets

Payment: $50 per page

Deadline: February 15,  2016 (11:59PM PST)

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Visions IV: Space between Stars Anthology

"As long as your story takes place outside the boundaries of any star system, we are interested. Physical contact and proximity to any stars or planets is off-limits, although aliens, alien ships, and communications of all kinds are allowed."
Genre: Speculative fiction

Length: 3,000 – 8,000 words

Payment: $25

Deadline: February 15,  2016

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On Spec

Genre: Speculative fiction and poetry

Length: Up to 6,000 words (stories)

Payment: $50 to $200 depending on word count

Deadline: February 15,  2016 for stories, poetry is accepted all year

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"We’re looking for science fiction short stories of up to 10,000 words, reflective of the issue’s theme, written by writers of colour."

Genre: Speculative fiction

Payment: 8 cents per word

Deadline: February 19, 2016

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After the Happily Ever After (AHEA) Anthology

"We are looking for a variety of submissions that transform well-known fairytales into modern, realistic, or fantastical stories. What we want is to see them given new life. We want real characters, real tensions, and real consequences."

Genre: Short fiction

Length: 100 to 7,500 words

Payment: $5 for stories under 2,000 words and between $10 and $20 for 2,000 and up

Deadline: February 20, 2016

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Genre: Personal essay. These essays deal exclusively with raising teens (ages 13 and up), or having been a teenager. We look for illustrative anecdotes, vivid scenes, authentic dialogue, a strong personal voice, and a down-to-earth tone. 


Length: 800- 4,000 words

Payment: Competitive rates

Deadline: February 21,  2016

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Timeless Tales - Theme: Psyche and Cupid

"Timeless Tales exclusively publishes retellings of fairy tales and myths. We only accept submissions that are retellings of the fairytale or myth listed as our theme. We don't accept original fairy tales or stories outside of our current theme."

Genres: Prose and poetry

Length: Up to 2,000 words. Under 1,500 preferred.

Payment: $20 per piece

Deadline: February 25, 2016

Reprints accepted

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NewMyths.com publishes speculative fiction of every stripe except graphic horror. We like each issue to have an eclectic variety of stories:  funny, frightening, hard and soft sci-fi, adventure, thoughtful, etc.

Genre: Speculative fiction

Payment: $50 per story, $20 per poem

Deadline: February 28, 2016

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Vine Leaves

"Vignette" is a word that originally meant "something that may be written on a vine-leaf." It’s a snapshot in words. It differs from flash fiction or a short story in that its aim does not lie within the realms of traditional structure or plot. The vignette focuses on one element, mood, character, setting or object. It's descriptive, excellent for character or theme exploration and wordplay. Through a vignette, you create an atmosphere.

Length: 800 words max

Genre: Vignettes. Prose, poetry

Payment: $5 AUD

Deadline: February 28, 2016

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Blyant Publishing

Genre: Short story

Length: 1000 or 2000 words on the theme of Nationality

Payment: £10 per 1000-word story, £20 per 2000-word story

Deadline: February 28, 2016

Reprints accepted

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LESS THAN DEAD — LGBTQIA Anthology Call

Length: At least 10,000 but not more than approx 20,000 words in length

Genre: Zombies! Stories may be any pairing except cisgender heterosexual M/F (trans* M/F, M/M, F/F, poly, ace/aro, and all permutations thereof are acceptable).

Payment: $200

Deadline: February 28, 2016

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"As the name suggests, we focus on speculative fiction and non-fiction – fantasy, science fiction, myth, fairy tale, dark fantasy, etc… – all on a more or less PG level. We also celebrate the quick review – of books, movies, video games, TV shows, or any media that contains some sort of speculative fiction element. Long reviews tend to give away too much (how many times have you seen a 3 minute trailer and decided you don’t need to see the movie itself?). A drabble review gives you just what you need – whether the item under review suits your tastes or not."

Genres: Speculative fiction, nonfiction, 100 words 

Payment: 5 cents per word

Deadline: February 28, 2016

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The New Quarterly

Restrictions: Canadian citizens only

Genres: Prose and poetry

Payment: $250 for a short story and $40 per poem or "postscript" story

Deadline: February 28, 2016

Note: Postal submissions only

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Ninth Letter

"Ninth Letter is a published semi-annually at the University of Illinois, Urbana-Champaign. We are interested in prose and poetry that experiment with form, narrative, and nontraditional subject matter, as well as more traditional literary work."

Genre: Prose, essays, and poetry

Length: For poetry, submit 3-6 poems (max. 10 pages) at a time. For fiction and nonfiction, please send only one story or one essay at a time, up to 8,000 words.

Deadline: February 28, 2016

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Inclusive Cthulu Anthology

"Many people love the Mythos and Cthulu pervades a lot of geek culture, but Lovecraft himself was a rampant misogynist, racist, and anti-Semitic. An audience member jokingly suggested that there should be a collection of stories that would make dear old Lovecraft roll over in his grave – like a black lesbian Jew triumphing over the Unspeakable. Here is the call for that anthology, which we plan to debut at Balticon 50 in May 2016. It only seems fitting. Send us your best Mythos story, but make sure it would make dear old Lovecraft roll."

Genre: Speculative fiction

Length: 3,000 to 10,000 words

Payment: $25 plus one contributor’s copy

Deadline: February 28, 2016
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"Lazarus Risen will seek SF (no fantasy or horror, please) short stories that explore the economic, political, social and psychological consequences of life extension, human cloning, the hard upload and other forms of the biological singularity. Dreams of immortality and eternal youth are almost as old as human culture itself. But what would the world look like if everyone could live and be young forever? What would it look like if only some of us had that privilege? These are only some of the questions your story might try to answer. Surprise us, shock us, illuminate us but most of all tell us a great story."

Genre: Science fiction, short stories

Payment: 4 cents per word (Canadian)

Deadline: February 29, 2016

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Genre: Short stories, humorous fantasy (reprints only)

Payment: 2 cents per word

Deadline: February 29, 2016

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Triangulation: Beneath The Surface

Genre: Speculative fiction

Length: Up to 6,000 words. There is no minimum word count

Payment: 2 cents per word

Deadline: February 29, 2016

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Tree Lion Press

"We are seeking short fiction in the Speculative Fiction genre (by which we mean to be the umbrella term for the wide and varied range of Science Fiction and Fantasy subgenres).  The stories are to be inspired by (by which we mean drawn from, informed by, derived from) the author's personal experiences of being Jewish.  What does this mean to us?  More to the point, what does this mean to YOU?  We feel that the Jewish tent is a big tent, and want this collection to reflect that belief.  These stories can be explicitly about the Jewish Experience (past, present or future), but they can also be stories that take place on a spaceship, a distant planet, under the ocean, in the afterlife or in another dimension.  As long as it is Speculative Fiction, and something about the story was inspired or influenced by your Jewish Experience, it is a story we'd like to consider for our collection."

Genre: Speculative fiction, Jewish theme

Length: Between 500 and 10,000 words

Payment: Initial $5 payment advance and will share equally fifty percent of the royalties received from sale of the anthology.

Deadline: February 29, 2016

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BLOOD, SWEAT & FEARS: Horror Inspired by the 1970s

Genre: Horror

Length: 3,000 to 10,000 words

Payment: $25

Deadline: February 29, 2016

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Ghosts on Drugs

This call is for a book: "This book is designed to be playful and fun, so we're especially seeking stories that are a mix of comedy and other genres—e.g., comedy & fantasy, comedy & SF, comedy & horror, comedy & thriller, comedy & Western, comedy & adventure. That said, we'll consider a great tale of any genre, or combination of genres."

Genre: Any

Length: 2 pages to 30 pages

Payment: 15 cents a word for the first 2,500 words and 6 cents a word after that (to encourage tight writing).

Deadline: February 29, 2016



Tuesday, January 19, 2016

3 Established Agents Actively Seeking YA, Memoir, Literary & Commercial Fiction, Nonfiction, Cookbooks and more

Updated 1/5/25

Here are three agents seeking clients. Alexa Stark’s interests are wide-ranging, but she is particularly drawn to literary fiction, upmarket commercial fiction, young adult, memoir, narrative nonfiction, popular science, cultural criticism and women’s issues. Leigh Eisenman seeks nonfiction submissions in the areas of cookbooks, lifestyle, design, art, pop culture, travel, humor/gift, health and wellness, and self-care, as well as personal finance, personal/professional development, and select memoir. Mitch Hoffman is actively building a client list of authors writing across the spectrum of fiction and nonfiction, including thrillers, suspense, crime fiction, and literary fiction, as well as narrative nonfiction, politics, popular science, history, memoir, current events, and pop culture.

ALWAYS check the agency website before submitting. Agents may switch agencies or close their lists, and submission requirements may change.

If these agents do not suit your needs, you can find a comprehensive list of new and established agents seeking clients here: Agents Seeking Clients.




Alexa Stark of Writers House

About Alexa Raised in New York City, Alexa earned her BA in comparative literature and society at Columbia University. Prior to joining Writers House, she worked at Curtis Brown and Trident Media Group, spending the first few years working with Ellen Levine before building her own list. She lives in Brooklyn. Stark joined Writers House in 2022, after ten years at Trident Media Group. She represents a range of literary and upmarket fiction and select nonfiction. Alexa also has experience helping authors place stories, essays and book excerpts in a range of publications including the New Yorker, Harper’s, Paris Review, the Atlantic, Tin House, N+1, Playboy, McSweeney’s, and the New York Times, among others. Her authors have appeared on the New York Times Bestseller list and have won or been listed for the PEN/Faulkner Award, the National Book Foundation's 5 under 35, the Rona Jaffe Award, the Ernest J. Gaines Award for Literary Excellence, The Young Lions Fiction Award, the Scotiabank Giller Prize, Lambda Literary Award, and the Center for Fiction First Novel Prize.

What she is seeking:  She represents a range of literary and upmarket fiction and select nonfiction. On the fiction side, she is seeking bold voices, novels that engage with social issues, coming-of-age stories, historical fiction with a modern edge, smart book club reads, and fiction that delves into the surreal or plays with genre in fresh or subversive ways. She is particularly drawn to relationship-driven fiction: novels that center dysfunctional friendships or families, complicated love stories, or stories about obsession. She also enjoys elevated suspense and social thrillers. She gravitates towards the humorous, the psychologically probing and the tender. On the nonfiction side, she is seeking memoir, cultural criticism, popular science, psychology, parenting, and women's issues.

Alexa also enjoys helping her authors place fiction and essays in a range of publications including the New Yorker, Harper’s, Paris Review, the Atlantic, Tin House, N+1, Playboy, McSweeney’s, and the New York Times. Her authors have appeared on the New York Times bestseller list and have been recognized by the PEN/Faulkner Award, National Book Foundation's 5 under 35, Rona Jaffe Award, NYPL Young Lions Fiction Award, Scotiabank Giller Prize, Lambda Literary Award, Ernest J. Gaines Award, Philip K. Dick Award, Center for Fiction First Novel Prize, and more.

How to submit: Please send your query letter to astark@writershouse.com along with the first 5 pages of the manuscript in the body of your email.

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Leigh Eisenman of Wolf Literary Services

About Leigh: Leigh Eisenman is an experienced lawyer who has been practicing in New York since 2003. After ten years of practicing in the New York offices of several international law firms, Leigh shifted her focus to the publishing industry. Since then, she has handled publishing and publishing-adjacent agreements and matters on behalf of several agencies and law firms. From 2003 until 2014 she specialized in commercial, white collar, and securities litigation. Leigh received her juris doctorate from the University of Virginia School of Law and graduated magna cum laude from Dartmouth College. She serves on the Contracts Committee of the Association of Authors’ Representatives (AAR). She is admitted to practice in New York.

What she is seeking: As an agent, Leigh represents primarily adult nonfiction. She loves working on illustrated books of all stripes—including cookbooks, lifestyle, design, art, pop culture, travel, humor/gift, health and wellness, and self-care, as well as personal finance, personal/professional development, and select memoir. She is drawn to fresh voices and perspectives and books that help people live better, more meaningful lives. She is not currently taking on fiction projects. 

How to Submit: Please send a query letter along with a detailed proposal (for nonfiction) to queries@mwlit.com. Samples may be submitted as an attachment or embedded in the body of the email.”

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Mitch Hoffman of Aaron Priest Literary Agency 

About Mitch: Mitch Hoffman joined the Aaron Priest Literary Agency as a Senior Agent in 2015. A 20-year veteran of the publishing industry, he was most recently Vice-President, Executive Editor at Grand Central Publishing. As an editor, Mitch published over 200 books, more than 60 of which were New York Times bestsellers. He has nurtured the careers of debut novelists as well as global #1 bestselling authors, and has worked with journalists, memoirists, scientists, historians, and members of the military and intelligence services. His list of authors included David Baldacci, Sara Blaedel, Harlan Coben, Jeffery Deaver, Roger Ebert, Senator Al Franken, Linda Grant, Dr. David Grinspoon, Raymond Khoury, John Lescroart, Brad Meltzer, Douglas Preston & Lincoln Child, Tom Rob Smith, Daniel Stashower, and Don Winslow. Their books have won the Los Angeles Times Book Prize, the Orange Prize for Fiction, the Edgar Award, the Anthony Award, ITW’s Thriller Award, The Barnes & Noble Discover Award, and have been longlisted for the Man Booker Prize, among many other honors.

What he is seeking: Mitch is actively building a client list of authors writing across the spectrum of fiction and nonfiction, including thrillers, suspense, crime fiction, and literary fiction, as well as narrative nonfiction, politics, popular science, history, memoir, current events, and pop culture.

How to submit: “Please submit a one page query to queryhoffman [at] aaronpriest.com. The query letter should describe your work as well as your background. Please do not send attachments. However a first chapter pasted into the body of an e-mail query is acceptable. Please do not submit to more than one agent at this agency. Due to the tremendous number of queries we receive, we are not able to respond to everyone. We will get back to you within four weeks, but only if interested.”
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