Thursday, October 15, 2015

Self-Publishing Success: The Little Rabbit That Could

Carl-Johan Forssen Ehrlin, the most famous author you have never heard of, has been making the news recently. His children's book, The Rabbit Who Wants To Fall Asleep, has been touted as an overnight success after it hit #1 on Amazon's bestseller list with seemingly no promotion.

How did Ehrlin's self-published Rabbit manage to garner the top position on Amazon? There was some speculation that he may have gamed the system by having everyone he knew purchase copies simultaneously (this has been done before) - but 20,000 copies? 

The mystery of how Ehrlin won such spectacular success - including a 7-figure advance from Random House - is finally revealed. Publisher's Weekly has conducted an interview with Ehrlin in which the author revealed how his book became a bestseller - step by step.
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A Self-Published Sleeper: Author of 'The Rabbit Who Wants to Fall Asleep' Speaks

By Claire Kirch | Oct 07, 2015, Publisher's Weekly

"Initially, Ehrlin focused on selling Rabbit at seminars he conducted before various groups and the classes he taught at Jonkoping University. The word-of-mouth praise that effort drove, he said, resulted in people talking about the book to the press. This, he said, propelled sales of the book in Sweden. After Rabbit became a bestseller in Sweden, Ehrlin decided to solicit “friends and their friends” to assist him in translating the book into approximately half a dozen languages so that it could reach a wider audience.

After the various translated editions were self-published in 2014, through Amazon’s CreateSpace imprint, the U.K. edition, Ehrlin said, received “the most attention.” This, he assumes, is attributed to the the fact that he gave away e-book editions of the title via Facebook.

"I did some ads there saying the book existed and [people] could try it for free and see if they liked it or not."

Ehrlin thinks that the people who downloaded the free e-books must have recommended the title to their friends, and those friends then sought out the print edition. “There was a correlation there” between the growing number of free downloads and sales of the print book," he noted. “Then the snowball started rolling, I think. There was a lot of word of mouth.”

Read the rest of this article HERE.

Tuesday, October 13, 2015

2 New Agents Looking for Scifi, Fantasy, Romance, Thrillers, Literary Fiction and More

Updated 6/11/20

Here are two new agents looking for writers. Sandy Harding (Spencerhill Associates) is seeking thrillers, women’s fiction, romance, and literary fiction for the adult market. Caitlin McDonald (Donald Maass Literary Agency) is looking for science fiction and fantasy for all age levels.

ALWAYS check the agency website before submitting. Agents may switch agencies or close their lists, and submission requirements may change.

If these agents do not suit your needs, you can find a comprehensive list of new and established agents seeking clients here: Agents Seeking Clients.


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Sandy Harding of Spencerhill Associates

About Sandy: Prior to joining Spencerhill in September 2015, Sandy Harding spent fifteen years at Penguin Random House and Penguin Group USA, most recently as a senior editor at NAL. In earlier days she earned an MA in American Literature at NYU and taught expository writing. As an editor she was fortunate to work with New York Times bestselling authors, but she also loved discovering new writers in unexpected places and nurturing both their manuscripts and their careers. She’s excited to bring this passion to agenting as she works to build her client list.

What she is seeking: Sandy is seeking mainly upmarket commercial and literary fiction for the adult market. She enjoys women’s fiction for book clubs, smart page-turning thrillers, works of suspense with complex protagonists, mysteries of all sorts (cozies, historical, traditional), and romance. Most of all she’s seeking writing with a voice so penetrating and a story so captivating the reader simply must keep reading.

How to submit:  “Please send us a query letter in the body of an email, pitch us your project and tell us about yourself: Do you have prior publishing credits? Attach the first three chapters and synopsis preferably in .doc, rtf or txt format to your email. Send all queries to: submission [at] spencerhillassociates.com. Put ‘Query for Sandy: [TITLE]” in your subject line. We do not have a preference for exclusive submissions, but do appreciate knowing if the submission is simultaneous. If we are interested in your work, we will contact you within 12 weeks.”

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Temporarily closed to queries

About Caitlin: Caitlin McDonald joined DMLA in 2015, and was previously at Sterling Lord Literistic. She represents adult and young adult speculative fiction, primarily science-fiction, fantasy, horror, and related subgenres, as well as contemporary fiction about geeky characters. She also handles a small amount of nonfiction in geeky areas, with a focus on feminist theory/women’s issues and pop culture. Caitlin grew up overseas and has a BA in Creative Writing from Columbia University. Find her on Twitter here.

What she is seeking: All science fiction and fantasy fiction (and subgenres) for adult, YA, and MG — especially secondary world fantasy and alternate history; Genre-bending or cross-genre fiction, and stories that examine tropes from a new angle; Diversity of all kinds, including (but not limited to) race, gender, sexuality, and ability, in both characters and world-building.

How to submit: Please visit QueryMe.Online/cmcdonald and fill out the online form with your query letter, synopsis, and the first twenty pages of your novel.

Thursday, October 8, 2015

5 Horror Publishers Accepting Submissions Directly from Writers - No Agent Required

Updated 12/15/24

Why do people enjoy being scared to death? This is a question that has haunted philosophers through the ages. Is it the rush of adrenaline? Dopamine? Endorphins? 

Or perhaps it's simply a way of externalizing our hidden fears and anxieties while safely tucked in bed with a book.

Also see: 3 Horror and Dark Fiction Publishers Accepting Unsolicited Manuscripts

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Sourcebooks Horror is actively acquiring agented and unagented Horror fiction including Own Voices, marginalized voices, inclusive and diverse stories. "We’re looking for strong writers of all ethnicities, races, sexualities, gender identities, abilities and ages, whose stories have something fresh to offer in the Horror genre."  Please read full submission guidelines here.

SUBMISSION REQUIREMENTS
  • completed manuscript at 80,000 to 100,000 words
  • we accept email submissions as WORD attachments
  • always include a 1-3 page synopsis (including the ending)
  • a short query letter within the body of the email
  • if you have a track record, please include your sales history
  • please allow 8-12 weeks for response




The Evil Cookie Publishing specializes in horror anthologies and novels/novellas within the realm of Splatterpunk / Extreme Horror / Dark Humor. They are always on the lookout for "gore-rifically unique" novels/novellas. Fast-paced stories with high-octane gore with a perfect blend of splatterpunk and dark humor are preferred. Not looking for anything too religious or political. 

Read full guidelines here.

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By Light Unseen Media

"By Light Unseen Media is currently seeking outstanding and unique manuscripts in the area of vampire fiction and non-fiction. Authors are asked to query before submitting manuscripts. Unsolicited manuscripts will not be considered."

Advance: $200

Formats: Print (POD) and ebooks

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Severed Press

"Established in 2008 Severed Press is a leading independent publisher of horror and science fiction. Publishing trade paperbacks and E-Books. Severed Press has earned a reputation for excellence, quality and commitment to new and established authors alike. We are proud of the diversity of our authors and aim in continuing to build strong relationships worldwide. Authors include seasoned masters of horrors such as Tim Curran, Mark Tufo and Jake Bible to best selling newcomers David Achord and Joseph Talluto."

Severed Press is currently accepting novel submissions in the following categories: Apocalypse/Survival Horror, Dark Humour, Sci-Fi Horror, Anything out of the ordinary.

Advance: None. Pays royalties.

Note: Promotion and marketing for novels locally in Australia.

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Tenebrous Press publishes New Weird Horror. They accept submissions of novels, novellas, and projects that fall under the graphic novel/comics umbrella, or other outside the box approaches to New Weird Horror. They are seeking work that starts at 20,000 words. They have no fixed upper limit. They ask for: “World English first rights in print, electronic, and ebook, and a three-year exclusivity period. All copyright belongs to the author”. They try to respond to all submissions within three months. 

Read full submission guidelines HERE.


Tuesday, October 6, 2015

6 Agents Seeking Women's Fiction

A Quiet Half Hour by Lionel Charles Henley
Updated 12/15/24

Women's fiction - often coupled with the word "upmarket"  - is any fiction centered on the experience of women.

Frequently, that means your protagonist will be buying shoes (brand names prominently mentioned), trying to lose weight (she does!), looking for a man (she finds one and he loves her even though she is fat and owns too many shoes), or any number of deeply apolitical things that commercial publishers would like to have us believe comprise women's experience.

But not always. Especially now, in the age of #metoo, some of the more down-to-earth aspects of women's lives are being considered, though still, most frequently, within the fold of romance.

Note: ALWAYS check the agency website before submitting. Agents may switch agencies or close their lists, and submission requirements may change.

If these agents do not suit your needs, you can find a comprehensive list of new and established agents seeking clients here: Agents Seeking Clients.



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Kimberly has represented a number of New York Times, Wall Street Journal, USA Today and Amazon best selling authors (both traditionally and self published).

How to contact: Please specify the first and last name of the agent to whom you are submitting, as well as the category and genre of your submission (i.e.: “Kimberly Brower – Adult Fiction”) in the subject line of the email. Send your query letter and accompanying material to this email address: queries@parkfinebrower.com. All materials must be in the body of the email, as we are unable to open attachments. Due to the volume of email queries we receive, we will only respond if we are interested.

For adult fiction submissions, please include a query letter and approximately the first 25 pages of your work. For YA & children’s fiction submissions, please include a query letter and the first chapter or approximately the first ten pages of your work. 


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Ms. Laurie Dennison of Creative Media Agency

After earning her master’s degree from the University of Florida, Laurie Dennison began her career as an English teacher. She then spent over ten years working as a freelance writer and editor in desktop publishing, including serving as a Pitch Wars mentor for five years. In 2022 she attended the Denver Publishing Institute, leading to an internship at Creative Media Agency, Inc. before stepping into her role as an associate agent and internship coordinator at CMA.

What she is seeking: Adult: Romance, Contemporary, Light fantasy/paranormal grounded in the real world, Book Club Fiction, Women’s Fiction, Domestic Suspense, Commercial Mystery/Thriller. Nonfiction: Memoir, Narrative, Women’s Issues, Practical Nonfiction (Pop Culture, Education, Social Science)

How to submit: Follow submission instructions HERE.


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Marie is an author in her own right, and an experienced agent. "I’d love to find an original women's novel that would inspire the next smart and funny chick flick."

How to contact: Use her querymanager HERE.

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Carly Watters is a VP and Senior Literary Agent with the P.S. Literary Agency. She is a hands-on agent who develops proposals and manuscripts with attention to relevant markets.

How to contact: E-query query@psliterary.com with “Query for Carly” in the subject line. “Do not send attachments. Always let us know if your manuscript/proposal is currently under consideration by other agents/publishers. If you don’t receive a response to your query within 4-6 weeks it means a no from the agency. In my women’s fiction, I look for an external hook other than the love story (career, family, personal history etc.)” See guidelines HERE.

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Ms. Mara Cobb
 of Lighthouse Literary

After earning my master's degree in English, achieving over fifty publications, and serving as the editor-in-chief for a small literary journal, I completed a year-long publishing internship at Martin Literary Management. 

What she is seeking: Currently, I am looking for Women's Driven Fiction. I am particularly interested in books with strong female heroines who are in their 20s. 

How to submit: Use her querymanager HERE.


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Courtney Miller-Callihan of Handspun

Courtney Miller-Callihan founded Handspun Literary Agency in 2016, after more than ten years with Sanford J. Greenburger Associates. She is a hands-on editorial agent whose eclectic list includes historical fiction, women’s fiction, romance, mysteries, YA novels, humor, and practical nonfiction.

A graduate of the University of California, Santa Cruz (B.A., Literature), and Johns Hopkins University (M.A., English), she lives in San Diego with her family, and travels frequently for meetings and conferences.

How to contact: Use her querymanager HERE.

Thursday, October 1, 2015

2 Agents Looking for Children's Book Writers

Updated 6/18/19

Here are two agents actively seeking children's book writers. They are particularly interested in picture books, but will accept queries for MG, YA, and early readers as well.

ALWAYS check the agency website before submitting. Agents may switch agencies or close their lists, and submission requirements may change.

If these agents do not suit your needs, you can find a comprehensive list of new and established agents seeking clients here: Agents Seeking Clients.


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Jodell Sadler of Sadler Caravette Literary Agency

CLOSED TO QUERIES

About Jodell: Jodell earned her MFA in Children's Writing from Hamline University. She is working on the writing craft book on picture book pacing and has produced five Writer's Digest University Tutorials on Children's Writing on this same topic. Her published articles include "Picture Book Pacing: Verbal and Visual Tools for Writers," and "Picture Book Pacing: The ultimate 20 editing tools for your work," in the Children's Writer's & Illustrator's Market, 2011 and 2013, respectively.

What she is looking for: Author-Illustrators, Picture Books, Chapter Books, MG, and YA (especially funny), fiction and creative nonfiction, and freeverse: authors, illustrators, and, in particular, author/illustrators. She loves a well-paced story that moves the story to move the reader between joy and tears.

How to contact: Please send submissions through the query manager at https://querymanager.com/query/JodellSadler
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Michelle Witte of Mansion Street Management

CLOSED TO QUERIES

About Michelle: Michelle began her career as a journalist, first reporting and then later copy editing for the Deseret Morning News in Salt Lake City, Utah. From there, she transitioned to a position as associate editor with nonfiction publisher Gibbs Smith, where she edited titles on a variety of topics, including children’s activity, humor, gift, cookbooks, and green living. Her combined experience in the publishing industry is a boon for the authors she represents, as she is able to guide them through each of the stages of publication

What she is looking for: Young Adult, Middle Grade, Children’s Non-fiction, Picture books, Early readers.

How to contact: querymichelle@mansionstreet.com. Send your query letter and the first 10 pages of the manuscript in the body of the email. Include QUERY, the age group/genre and the book title in the subject line. No attachments, please.

Tuesday, September 29, 2015

25 Writers' Conferences in October

October is jam-packed with conferences for writers. You will find everything from author readings, craft workshops, private consultations and critiques from professionals, and pitch sessions with agents and editors. Several state and national writing organizations are holding conferences this month, offering excellent opportunities for writers to meet the leaders in their genres.

Related posts:

Valuable Tips for Pitching to an Agent or Editor

Getting an agent: Schmooze or you lose (How to find conferences in your area)
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American Medical Writers Association Annual Conference, Sept 30 - Oct 3, San Antonio, TX. Workshops in medical writing, designing materials for patients, analysis, clinical reports, and more.

St. Augustine Writers Conference, October 1 - 6, St. Augustine, Florida. Focus on fiction, creative nonfiction, and poetry with special sessions on publishing. Faculty includes Sascha Feinstein, Connie May Fowler, Parneshia Jones, and Laura van den Berg. Panel discussions, readings, and workshops.

State Writing Conference & Convention, sponsored by The Kansas Authors Club, October 2 - 4, Topeka, Kansas. Writing workshops, panels, and presentations by Thomas Fox Averill, Mark Bouton, Elle Lothlorien, Max McCoy, Kevin Rabas, T. Dawn Richard, Dennis Smirl.

Write Your Memoir Retreat 2015, October 2 - 4, Westbrook, Connecticut. A memoir writing intensive weekend geared to both experienced and emerging writers. Addressing how to shape your memoir, issues of truth, time sequencing and emotional balance, and more. Faculty: Kaylie Jones, Judy L. Mandel.

Write on the Sound Writers Conference, October 2 - 4, Edmonds, Washington. Workshops in poetry, fiction, and creative nonfiction, as well as manuscript consultations, discussions, readings, and a book signing. The faculty includes poets Laura Read and Maya Jewell Zeller; fiction writers Q Lindsey Barrett, Scott Driscoll, Robert Dugoni, Elena Hartwell, Nick O’Connell, Michael Schein, Roger Weston, and Eric Witchey; and creative nonfiction writers Christine Dubois, Claire Gebben, Jennifer D. Munro, and Sylvia Taylor. Guest speakers include fiction writer Stella Cameron and creative nonfiction writer Rick Steves. SOLD OUT

Pacific Coast Children's Writers Novel Workshop & Retreat, October 2 - 4, Santa Cruz, California. Seminar for writers of MG/YA fiction. Includes whole-novel manuscript critiques by editor or agent; partial manuscripts critiqued by editor and agent. (All written as well as in person.) Plus critiques from target-age readers; advanced craft sessions. Faculty includes Harpercollins executive editor Kristen Pettit, Writers House senior "editorial" editor Stephen Barr. Teens' faculty: Helen Pyne, former Doubleday Children's Book Editor. 

The Pacific Northwest Workshop Retreat, October 7 - 11, Whidbey Island, WA.  "The retreat is enhanced with new pre-event studies, extended personal consult time with business professionals (see bios on the right), and an emphasis on making each writer's work as competitive as possible in its chosen market. The workshop retreat accommodates a variety of genres including mystery/thriller or detective, women's fiction, suspense, adult and YA fantasy and SF, urban fantasy, historical, and paranormal and historical romance, as well as general and upmarket fiction more appropriate for literary presses and select major imprints."

San Diego Writing Workshop. October 9, San Diego, CA. “How to Get Published” is one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript. Faculty includes literary agent Paul S. Levine (Paul S. Levine Literary); Jill Marr (Sandra Dijkstra Literary); Courtney Miller-Callihan (Sanford J. Greenberger Associates); Taylor Martindale (Full Circle Literary);Patricia Nelson (Marsal Lyon Literary); literary agent Jennifer Azantian (Azantian Literary); Annie Bomke (Annie Bomke Literary Agency).

Haiku North America Conference, October 14 - 18, Schenectady, NY. Conference devoted to haiku as a literary art. Includes presentations, readings, panels, bookfair, exhibits, banquet, anthology. Faculty: William Higginson, Jane Hirshfield, Jim Hackett, George Swede, Haruo Shirane, Sonia Sanchez, John Brandi, Michael Dylan Welch, Jim Kacian, Lee Gurga, Emiko Miyashita, Fay Aoyagi, Ce Rosenow, Lucien Stryk, Gerald Vizenor, Charles Trumbull, Richard Gilbert. 

14th Annual Florida Writers Conference, October 15 - 18, Lake Mary, Florida. Four workshops and panels dedicated to help you learn how to pitch your story, and more than fifty acclaimed authors, poets, and publishing industry experts for three days of networking opportunities.

Nimrod Conference for Readers and Writers, October 16 - 17, University of Tulsa, Oklahoma. Workshops in poetry, fiction, and creative nonfiction, as well as readings, master classes, panel discussions, and individual manuscript consultations with faculty. Participants include poets Tina Chang and Benjamin Myers, fiction writers Molly Antopol and Karen Russell, creative nonfiction writer Héctor Tobar, and recent winners of the Nimrod Literary Awards.

James River Writers Conference, October 16 - 18, Richmond, Virginia. Master classes, meetings with agents, panel discussions, and pitch sessions for poets, fiction writers, and creative nonfiction writers. Participants include fiction writers I. W. Gregorio, Becky Masterman, Ellen Oh, and Jewell Parker Rhodes; nonfiction writers Tim Cahill and Kristen Green; and literary agents Linda Camacho (Prospect Agency), Heather Flaherty (Bent Agency), Helen Heller (Helen Heller Agency), Beth Phelan (Bent Agency), and Rebecca Podos (Rees Literary).

Northern Woodlands Writers & Readers Conference, October 16 - 18, Fairlee, Vermont. Sponsored by The Trust for Public Land, the conference explores how writers, artists and educators express the rich forest heritage of the Northeast: both the natural history of our region, and the interactions of people and place. The event will include writing workshops, readings, a nature illustration class, special workshops for educators, woods walks, fun talks on forest topics, and plenty of time for informal conversations over meals and around the campfire. Plenary Speakers: Peter Forbes, Bernd Heinrich, Ben Kilham, David Macaulay, & Kent McFarland. Also including: Robert Kimber, Susan Morse, David Sobel, Adelaide Tyrol, Ted Levin, Michael Wojtech, Jim Collins, Terry Osborne & the staff of Northern Woodlands.

Writers Retreat in the Rockies Conference, October 16 - 18, Estes Park, Colorado. Conference features agents, authors, writers and publishers. Faculty: Todd Mitchell, Shane Kuhn, Michelle Theall, Kerrie Flanagan, Rachel Weaver, Buzzy Jackson, Shannon Hassain, Rachel Walker.

WriteAngles, October 17, South Hadley, Massachusetts. Panels and workshops, with two keynoters, a limited number of agent meetings. Continental breakfast, and buffet lunch included. Agents: Kaylee Davis (Dee Mura), Kimiko Nakamura (Dee Mura), Gina Panettieri (founder and president of Milford, Connecticut-based Talcott Notch Literary).

The Eighth Annual Rochester Writers’ Conference, October 17, Rochester Hills, Michigan. Lectures, Workshops and Panel Discussions in fiction, non-fiction and business of writing presentations. Open to new, working and published writers of all genres. Attendees select four presentations from a dozen to tailor fit their needs.

Cascade Writers Workshop, October 17 - 18. Seattle, Washington. Critique of a story or novel chapter, Q&A and intensive discussion with industry pros. Registration is open. Writers 18+ may attend. Seats in critique workshops are limited to 8 per group. Word count is 4k, standard manuscript formatting, due October 1, 2015 by email to info@cascadewriters.com. Faculty: Ellen Datlow, Kat Richardson, John (J.A.) Pitts, and Elliott Kay. 

Writing By Writers Workshop @ Tomales Bay. October 21 - 25, Tomales Bay, California. Manuscript and poetry workshops are limited to 12 participants and generative workshops are limited to 15 to ensure an intimate setting.

APH 20th Anniversary Conference, October 21 - 25, Sacramento, California. Sponsored by the Association of Personal Historians (APH). Speakers: Andy Anderson, Ph.D. - Wells Fargo Exec VP and Chief Historian, Satsuki Ina, Ph.D. - Emmy Award-Winning Filmmaker, Chris Enss - New York Times Bestselling Author, Scriptwriter, and Comedienne.

Elk River Writer’s Workshop, October 22 - 25, Paradise Valley, Montana. Workshops, seminars, lectures, and readings for poets, fiction writers, and nonfiction writers. The faculty includes poets William Pitt Root and Pam Uschuk, fiction writers Kevin Canty and William Hjortsberg, fiction and nonfiction writers Rick Bass and William Kittredge, and nonfiction writers Tim Cahill, Doug Peacock, and Maryanne Vollers.

Quit Whining Start Writing 2015 Writers' Conference, Oct 23 - 24, Grand Rapids, Michigan. 15 workshops encompassing writing fiction, for children, non-fiction, memoir, poetry, for the screen, and more; using social media effectively; and creating and maintaining effective websites. 

Memoir Writers Conference, Oct 23 - 25, Van Nuys, California. Panels, seminars, interactive workshops, pitch sessions and more, featuring educators, industry experts, best-selling authors, literary agents and publishers. Attendees can also take advantage of ProCritiques where part of your work is read and critiqued by advanced submission to professional editors, and Masters ProCritiques with literary agents and publishers. You can also meet with agents and publishers looking for new talent during free pitch sessions, by appointment. The event is open to all levels.

Indiana Writing Workshop. October 24, Indianapolis, IN. “How to Get Published” is one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript. Faculty includes literary agent Alice Speilburg (Speilburg Literary), literary agent Victoria Lea (Aponte Literary), literary agent Laura Crockett of TriadaUS, and literary agent Amanda Luedeke (MacGregor Literary).

American Literary Translators Association (ALTA) Conference, October 28 - 31, Tucson, Arizona. Panels, workshops, readings, a book fair, and opportunities to meet with editors for translators. The 2015 theme is “Translation and Traffic.” The keynote speakers are translators Jerome Rothenberg and Stephen Snyder.

2015 Western Fictioneers Convention, Oct 30 - Nov 1, St. Louis, Missouri. Western fiction writers/publishers gather for panels and workshops. Topics include Native Americans/U.S. Cavalry/Texas Rangers and more; Tips for Selling Your Story; Western Romance; Publisher Panels; Book Signings. Faculty: Robert Randisi, Frank Roderus, Robert Vaughan, Dusty Richards, James Reasoner, Jacquie Rogers, James J. Griffin, Kathleen Rice Adams, Troy D. Smith.

Thursday, September 24, 2015

11 Calls for Submissions in October - Speculative fiction, poetry, literary fiction, nonfiction


There are some eye-catching calls for submissions coming up in October.

(Many have deadlines of October 1, so don't wait to check this list.)

Of special interest are: an anthology about rescued cats - told from the perspective of the cats, adventure cycling, the feminist take on pop culture, earth science, and, of course, science fiction, fantasy, and horror.

All of these are paying markets. Payments range from 2 to 50 cents a word.

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Myriad Lands: An Anthology of Non-Western Fantasy, Published by Guardbridge Books

"Beyond the familiar tropes of knights and dragons, there is a whole world of possibilities for fantasy literature. This collection seeks to explore the stories available in non-traditional fantasy. We are looking for secondary world fantasy, where the world building and story telling is based on sources other than medieval Europe."

Genre: Speculative fiction

Length: 1000-6000 words. Query first for longer works.

Payment: £0.03/word (approx. 5¢/word US). Contributor's copy. Payment will be made when story line-up is finalized.

Deadline: October 1, 2105

No simultaneous submissions

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Untethered: A Magic iPhone Anthology, Published by Cantina Publishing

Looking for stories that cleverly incorporate the idea of a “magic iPhone” into any setting you like. All genres accepted except straight-up erotica or hard-core horror.

Genre: Speculative fiction

Length: 10,000 words max, 3,000-7,000 words recommended

Payment: $100, one year of exclusivity

Deadline: October 1, 2105

No reprints

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Mythic Delirium

Mythic Delirium is an online and e-book venue for fiction and poetry that ranges through science fiction, fantasy, horror, interstitial and cross-genre territory.

Genre: Fiction, Poetry

Length: 4,000 words max

Payment: 2 cents/word on publication, poems - $5 flat fee on publication

Deadline: Oct 1, 2015

No reprints, no simultaneous submissions

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Orthogonal

New publication looking for original fiction. Orthogonal is a cross between an anthology and a magazine.

Genre: Fiction, Flash fiction

Word length: up to 5K words for stories; under 1K words for flash fiction.

Payment: $100 per story (plus royalties); $30 per flash fiction story (plus royalties).

Deadline: October 1, 2015

No reprints, no simultaneous submissions
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Sycamore Review is a nonprofit journal for the arts published twice annually by graduate students at the Department of English, Purdue University.

Genre: Fiction, Poetry

Payment: $50 per short story or non-fiction piece, or $25 per poem

Deadline: October 1, 2015

Accepts simultaneous submissions
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Bitch Magazine

Bitch is now closed

"Bitch Magazine wants to hear your take on the places where feminism, pop culture, and money meet. The dollars and cents behind politics (Clinton 2016, anyone?); the cash that greases the wheels of pop-culture industries from film to sports to music; the gendered underpinnings of the "sharing economy;" and the everyday economics facing women daily from feminine labor, student-loan debt, and the second shift. We’ll look at insidious (and often ingenious) marketing plans, how our bodies are commodified, and the big business of gentrification and cultural appropriation. But as bleak as it might look out there, we also want to hear about the good things: Resourcefulness! Entrepreneurship! People who want to game the system and/or shift the tide of capitalism! You can take that to the bank."

Genre: Nonfiction

Length: 2,000 to 4,000 words for features; 1500-1800 words for columns on film, television, language, activism, advertising, publishing, and more, with pieces taking the form of reviews, critical essays, Q&As, and activist profiles; 100-word pieces highlighting the best of pop culture

Payment: $200 for features (one full page and one spot), $75 for back-of-book reviews features (half page), and $25 for individual, small spot illustrations.

Deadline: October 1, 2015

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Walk Hand in Hand Into Extinction: Stories Inspired by True Detective

Genre: Fiction inspired by the themes of either season of the TV show True Detective

Length: 2,000 - 3,000 words

Payment: $25

Deadline: October 1, 2015

No reprints
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Issues in Earth Science: A Resource for Writers and Teachers

"Fiction should be written for the feature, "Eww, there's some geology in my fiction!"  We are interested in MG and YA fiction that incorporates Earth Science concepts as key, rather than incidental, elements.  Stories with adult characters but written for MG or YA will also be considered. The science element should be more substantive than "cool facts" or jargon that is slipped into a story."

Genre: Nonfiction

Length: 1000 - 3000 words, with preference for stories around 2000 words

Payment: $0.06/word ($60 minimum).  We ask for first e-publication rights, exclusive for one year, indefinite non-exclusive archival rights, plus the non-exclusive option to include the story in a print edition at some point in the future (which, if selected, would pay an additional $0.06/word)

Deadline: October 15, 2015

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Adventure Cyclist

"Adventure Cyclist is a bicycle travel magazine published nine times yearly by Adventure Cycling Association, a nonprofit service organization for bicyclists. Adventure Cyclist is dedicated to publishing stories about bicycle travel and other recreational cycling subjects."

Genre: Nonfiction

Length: 2000-3500 words/feature article; 1200-1500 words/essay; under 750 words/sidebar

Payment: 30-50 cents/word. First-time writers usually receive the lesser amount, while repeat writers can expect the higher rate. Interior photos for articles pay $50-$250/photo depending on size and quality.

Deadline for queries: October 31, 2015

Simultaneous submissions accepted

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ALIEN ARTIFACTS and WERE-

Zombies Need Brains LLC is accepting submissions to its two science fiction and fantasy anthologies ALIEN ARTIFACTS and WERE-. ALIEN ARTIFACTS is to feature stories where some type of left-behind alien tech has been found and how it may affect our society, our humanity, or the characters. It can be an artifact discovered on Earth in our past or during current times or an artifact that we run across while exploring space in the future.

WERE- is to feature stories where some type of were-creature OTHER than a werewolf is the main character. Werewolves can appear in the story, but they cannot be the main character or the central focus of the story. Stories featuring more interesting were-creatures, and twists on how they are integrated into the story, will receive more attention than those with more mundane creatures.
Length: 7,500 words max

Payment: 6 cents per word for short stories.

Deadline: October 31, 2015
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Rescued: The Stories of 12 Cats, Through Their Eyes

"We are looking in particular for cat bloggers, cat writers, or aspiring writers whose cats have blogs, Facebook or Twitter profiles — writers who are social media savvy, who are part of the online cat community or cat writing community, and those who have relationships with local rescues. And of course, you must have a rescue cat in your life, who will be the protagonist of your story. Even though having a cat’s point of view gives the story a highly creative angle, we are looking for stories based on real-life events."

Genre: Creative nonfiction

Length: 3,000 - 5,000 words

Payment: $150 for each story, with a bonus if the book sells over a certain number.

Deadline: October 31, 2015

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