Saturday, March 15, 2014

How to Buy a Top Spot on the New York Times Bestseller List

I have long suspected that the rank of "NYT bestseller" could be purchased. Now, there is proof.

Does this mean you can buy a bestseller slot for your upcoming book? Not unless you have a couple hundred thousand dollars to spare.

Or conversely, you could get the RNC to spend $98,400 on your book, but only if you are Donald Trump, Jr. 
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How to Buy a Top Spot on the New York Times Bestseller List

By Dennis Abrams, Publishing Perspectives, March 10, 2014

Carolyn Kellogg reports in the Los Angeles Times that while every author wants to get a book on the bestseller list, “those who can pay for the services of ResultSource Inc just might get one.”

The company which describes itself as “a boutique marketing firm that works with today’s thought leaders to build bestsellers” apparently has done so. In 2013, Kellogg reports, the Wall Street Journal talked with the authors of two books who paid thousands of dollars to ResultSource and soon ended up on the Journal’s bestseller list. “Precisely how [ResultSource] goes about [its business] is unclear, Jeffrey Trachtenberg reported at the time.

Now, Warren Cole Smith reports at www.worldmag.com that “Seattle’s Mars Hill Church paid [ResultSource] at least $210,000 in 2011 and 2012 to ensure thatReal Marriage, a book written by Mark Driscoll, the church’s founding pastor, and his wife Grace, made the New York Times best-seller list.”

Smith writes that a document obtained by WORLD shows that ResultSource Inc. (RSI) entered into an agreement with Mars Hill “to conduct a bestseller campaign for your book, Real Marriage, on the week of January 2, 2012. The bestseller campaign is intended to place Real Marriage (Thomas Nelson) on The New York Times bestseller list for the Advice How-To list.”

ResultSource also promised Mars Hill that they would be able to help place Real Marriage on the Wall Street Journal Business, USA Today Money, BN.com (Barnes& Noble) and Amazon.com bestseller lists.

Find out how they did it HERE.

Thursday, March 13, 2014

14th Free “Dear Lucky Agent” Contest: Contemporary Middle Grade Fiction

Hey, it's Spring! That means contest time.

This one is FREE. (I am a strong believer in free contests.)

What do you get if you win?

Essentially, you get a chance to be represented by the agent who is reading the entries. So, make sure you check out Christa at McIntosh and Otis (scroll down). You never know - she could become your agent!
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Writer's Digest, March 4, 2014 | Chuck Sambuchino
     
Welcome to the 14th (free!) “Dear Lucky Agent” Contest on the GLA blog. This is a recurring online contest with agent judges and super-cool prizes. Here’s the deal: With every contest, the details are essentially the same, but the niche itself changes—meaning each contest is focused around a specific category or two. So if you’re writing contemporary middle grade fiction, this 14th contest is for you! (The contest is live through EOD, March 18, 2014.)

WHY YOU SHOULD GET EXCITED

After a previous “Dear Lucky Agent” contest, the agent judge, Tamar Rydzinski (The Laura Dail Literary Agency), signed one of the three contest winners. After Tamar signed the writer, she went on to sell two of that writer’s books! How cool! That’s why these contests are not to missed if you have an eligible submission.

HOW TO SUBMIT

E-mail entries to dearluckyagent14@gmail.com. Please paste everything. No attachments.

WHAT TO SUBMIT

The first 150-200 words of your unpublished, book-length work of contemporary middle grade fiction. You must include a contact e-mail address with your entry and use your real name. Also, submit the title of the work and a logline (one-sentence description of the work) with each entry.

Please note: To be eligible to submit, you must mention this contest twice through any any social-media. Please provide a social media link or Twitter handle or screenshot or blog post URL, etc., with your offical e-mailed entry so the judge and I can verify eligibility. Some previous entrants could not be considered because they skipped this step! Simply spread the word twice through any means and give us a way to verify you did; a tinyURL for this link/contest for you to easily use is http://tinyurl.com/kva3w9j. An easy way to notify me of your sharing is to include my Twitter handle @chucksambuchino somewhere in your mention(s) if using Twitter. And if you are going to solely use Twitter as your 2 times, please wait 1 day between mentions to spread out the notices, rather than simply tweeting twice back to back. Thanks.

WHAT IS ELIGIBLE?

Contemporary middle grade fiction. This means any middle grade set in our present world and time — mainstream, thriller, romance, mystery, adventure, humor, etc. What the agent judge will NOT consider as part of this contest is stories set outside our present world — sci-fi, fantasy, historical, steampunk.

CONTEST DETAILS

This contest will be live for approximately 14 days—from March 4, 2014 through the end of March 18, 2014, PST. Winners notified by e-mail within three weeks of end of contest. Winners announced on the blog thereafter.

To enter, submit the first 150-200 words of your book. Shorter or longer entries will not be considered. Keep it within word count range please.

You can submit as many times as you wish. You can submit even if you submitted to other contests in the past, but please note that past winners cannot win again. All that said, you are urged to only submit your best work.

The contest is open to everyone of all ages, save those employees, officers and directors of GLA’s publisher, F+W Media, Inc.

By e-mailing your entry, you are submitting an entry for consideration in this contest and thereby agreeing to the terms written here as well as any terms possibly added by me in the “Comments” section of this blog post. (If you have questions or concerns, write me personally at chuck.sambuchino (at) fwmedia.com. The Gmail account above is for submissions, not questions.)

PRIZES!!!

Top 3 winners all get: 1) A critique of the first 10 double-spaced pages of your work, by your agent judge. 2) A free one-year subscription to WritersMarket.com ($50 value)!

JUDGE

Christa Heschke is an agent with McIntosh & Otis. (Find her on Twitter, and see her blog, Neverending Stories.) Christa graduated from Binghamton University with a major in English and a minor in Anthropology. She started in publishing as an intern at both Writers House and Sterling Lord Literistic, where she fell in love with the agency side of publishing. Christa has been at McIntosh and Otis, Inc. in the Children’s Literature Department since 2009 where she is actively looking for picture books, middle grade, young adult and new adult projects and is currently building her list.

Wednesday, March 12, 2014

3 Major Science Fiction and Fantasy Publishers Accepting Unagented Manuscripts

Updated 3/9/21

Speculative fiction publishers have a tradition of accepting manuscripts directly from authors.

This is a genre that attracts readers who think in terms of possibilities, and who don't, as a rule, like to follow the mainstream.

These readers also have their own networks, which means a speculative fiction novel can achieve fame strictly through word-of-mouth ( e.g. Wool). Publishers in this genre realize that mavericks have a place in the sci-fi world, and are thus willing to work directly with writers.

As always, go to the publisher's website before submitting your work. Submission requirements often change.

[Also see Top 5 Sites for Science Fiction Writers]
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Baen Books 

Baen Books was founded in 1983 by science fiction editor and publisher Jim Baen (now deceased). Baen was one of the first publishers to use the Internet as a means of "spreading the word" about a book or author.

In addition to publishing emerging authors, Baen republishes older science fiction in collections and omnibus editions, such as the works of the 1960s authors Christopher Anvil and others.

What they are looking for: Science fiction and fantasy. Powerful plots with solid scientific and philosophical underpinnings are essential for science fiction submissions. For fantasy, any magical system must be both rigorously coherent and integral to the plot, and overall the work must at least strive for originality. Manuscripts should be at least 100,000 words, but if your novel is really wonderful send it along regardless of length.

Reporting time: usually within 9 to 12 Months.

How to submit: Complete manuscript accompanied by a synopsis. No simultaneous submissions.

Electronic Submissions: Send your manuscript by using the submission form on the site.

Attach the manuscript as a Rich Text Format (.rtf) file. Any other format will not be considered.

Send the manuscript as a single file (do not break it into separate chapter files). The form only accepts a single file so any synopsis and contact info needs to be in the file with your manuscript.

Your submission must include your name, email address, postal mailing address, and telephone number on both your cover letter and the first page of the manuscript. If you have an alternate permanent email address, please include it, in case your primary account goes out of service. Include a plot outline if possible.

You may include your ideal cover treatment, including cover copy, a teaser page, and whatever else you would like.

Hardcopy Submissions: (for those who cannot submit electronically)

Standard manuscript format only: double-spaced, one side of the page only, 1 1/2" margins on all four sides of the page. They will consider photocopies if they are dark and clear.

Font must be seriphed or at least semi-seriphed, 12-point or greater.

Title, author (last name only is okay), and page number at the top of each page are mandatory. Include your name, mailing address, and telephone number on the first page.

All submissions should be accompanied by a stamped return envelope. Submissions from outside the U.S. should be accompanied by sufficient International Reply Coupons.

Send manuscripts to:

Baen Books
P.O. Box 1403
Riverdale, NY 10471

Read guidelines HERE.
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DAW

DAW is part of the Penguin Group.

From the website: Founded in 1971 by veteran paperback editor Donald A. Wollheim, along with his wife, Elsie B. Wollheim, DAW Books was the first publishing company ever devoted exclusively to science fiction and fantasy. Now more than 30 years and more than a thousand titles later, DAW has a well-deserved reputation for discovering and publishing the hottest talents in the industry. Many stars of the science fiction and fantasy field made their debuts in the pages of a DAW book, including Tad Williams, C. J. Cherryh, Mercedes Lackey, Melanie Rawn, C.S. Friedman, Jennifer Roberson, and Tanith Lee. Despite its high profile, DAW is still a small private company, owned exclusively by its publishers, Elizabeth R. Wollheim and Sheila E. Gilbert. Betsy and Sheila are strongly committed to discovering and nurturing new talent, and to keeping a personal "family" spirit at DAW—something they feel is all too rare in today's world of international conglomerate publishing.

What they are looking for: Science fiction and fantasy novels. The average length of the novels is almost never less than 80,000 words. They do not want short stories, short story collections, novellas, poetry, or novels in other genres.

How to submit: DAW accepts submissions through Submittable.

Please send the entire completed manuscript with a query letter. The manuscript should be double-spaced, with at least 1″ margins. Please number your pages consecutively, and put the title of your novel at the top of each page.

Read guidelines HERE. No longer accepts direct submissions from writers.
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TOR

TOR was founded by publisher Tom Doherty in 1980. It was sold to St. Martin's Press in 1986, making it part of the Holtzbrinck group. Tor has published more award-winning and -nominated science fiction books than any other publisher.

What they are looking for: Science fiction, as well as other genre fiction. Imprints include Starscape: science fiction and fantasy for middle grade readers ages 10 and up (grades 5 and up), published in hardcover and paperback, and Tor Teen, science fiction and fantasy for young adult readers ages 13 and up (grades 8 and up), published in hardcover and paperback. All titles are age- and theme-appropriate. Some editions include reader’s guides and other supplemental materials.

How to submit: TOR.com has an open submissions policy. Every proposal is reviewed by at least one member of the editorial staff.

Please note that these guidelines are intended for writers who do not have agents.

Your submissions packet should include:

Your submissions packet should include:

1. The first three chapters of your book, prepared in standard manuscript format on white paper. (If your chapters are really short or really long, or you don’t use chapter breaks, you may send the first 40-60 pages of your book, provided you stay under 10,000 words.) The submitted text must be made up of consecutive pages and should end at the end of a paragraph, not in mid-sentence.

Standard manuscript format means margins of at least 1 inch all the way around; indented paragraphs; double-spaced text; and Times New Roman in 12 pitch. Please use one side of the page only. Do not justify the text. Do not bind the manuscript in any way. Make sure the header of the ms. includes your name and/or the title of the book as well as the page number (on every page).

2. A synopsis of the entire book. The synopsis should include all important plot elements, especially the end of the story, as well as character development for your main characters. The synopsis should run between three and ten pages in standard manuscript format. The first page of the synopsis and the first page of the text should also include your name and contact information and the title of the manuscript.

3. A dated cover letter that includes your name and contact information and the title of the submitted work. Briefly tell us what genre or subgenre the submission falls into and mention any qualifications you have that pertain to the work. Please list any previous publications in paying markets.

4. A self-addressed, stamped, business-size envelope for our reply letter.  We understand that writers living outside the United States may not be able to supply International Reply Coupons. You may submit regardless; please send a self-addressed, business-size envelope for our reply. We recycle all proposals in accordance with corporate sustainability directives and local laws. If you do not include an SASE, you will not receive a reply.

Please send only one proposal in each submissions packet. If you have written a series, send a proposal for the first book only. If we like what we see, we’ll ask for the rest.

Many people include postcards to be returned when the proposal reaches us. Unfortunately, we don’t open submissions until we’re ready to read them, so it’s probably best to save your money.

Address submissions as follows:

* Science fiction and fantasy: Acquisitions Editor, Science Fiction and Fantasy

* Fiction of all other types including but not limited to general fiction, historical fiction, horror, mystery, paranormal, suspense/thriller, urban fantasy, and women’s fiction: Acquisitions Editor, Fiction

* Children’s and Young Adult: Acquisitions Editor, Children’s and Young Adult Division Note: We publish books for the chapter book, middle grade, and young adult audiences. We do not publish picture books.

If you do not receive a reply after six months, please resubmit. It’s likely that your project or our response disappeared in transit.

Thank you for your interest.

Don’t stop reading! Here are some tips to help the whole process work smoothly:

1. Don’t send a query letter. It’s practically impossible to judge a project from a query. We’d rather see your proposal.

2. Don’t send submissions or inquiries by email or fax. We do not respond to emailed or faxed submissions, queries, or inquiries about the status of submissions.

3. Don’t send disks. We want to read words in black type on white paper. And it’s not that we don’t trust you, but your system might have viruses you don’t know about.

4. Don’t send us the only copy of anything. Things get lost in transit.

5. Don’t send interior or cover art or an author photo. There’s time for that later, if we like your project.

6. Don’t send jewelry, food, toys, 3-dimensional representations of anything, or anything that might be construed as a bribe. Over the years, we’ve seen all of the following and more: handmade bracelets and earrings, anatomical models, home-baked cookies, fine fabrics, fancy bookmarks, cocoanuts, fancy manuscript boxes . . ..None of this has any impact on our consideration of your work. The work has to sink or swim on its own merits.

Thanks! Send submissions to:

Tom Doherty Associates, LLC
175 Fifth Avenue
New York, NY 10010

Read guidelines HERE. Submissions temporarily suspended during pandemic.


Monday, March 10, 2014

25% of Top 100 Kindle Books on Amazon from Indie Publishers

Somehow, it does not surprise me that a quarter of the top 100 Kindle books are self-published.

These books consistently underprice the competition from traditional publishers, and are often available for free through Amazon's KDP Select program. Readers are more then willing to take a chance on a book that costs nothing.



And, of course, now that Amazon owns Goodreads, a whole new world of reviews and reader endorsements has opened up.

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Source: The Guardian, Dec 4, 2013

As many as a quarter of the top 100 Kindle books on Amazon.com are from indie publishers, according to data revealed at a trade presentation by the retailer.

A chart detailing the 25 top-selling indie titles in 2012 was passed on by an audience member via Twitter. Though the term indie is broad, covering everything from self-published authors to publishing houses that fall outside the big six, the news has been interpreted as a victory for the go-it-alone author. However in the US the term has come to mean self-published. A spokeswoman for Amazon.com said: "This figure is referring to Kindle books on Amazon.com in 2012, with 'indie' meaning books self-published via Kindle Direct Publishing (KDP). So a quarter of the top 100 bestselling Kindle books on Amazon.com in 2012 were self-published via KDP."

Writer.ly , an online marketplace that connects authors with freelance editors, book designers and marketeers, tweeted a picture of the chart on Wednesday. It displayed the top 100 books, with about a quarter of the covers highlighted, under the title "A Quarter of top 100 on Amazon.com Indie-Published".

The figure refers to Amazon's US book market but is a strong indicator of what's ahead for the UK. "If the UK isn't quite there yet then it's just a time lag – we are seeing that more and more of the top books around the world are published by authors themselves," said Orna Ross, director of the UK Alliance of Independent Authors, which represents self-published writers.

"We are in the middle of a major change. I wouldn't be at all surprised if we reached a situation where the majority of the top books are author-published. I don't see what would stop that," Ross said.

Read more HERE.

Saturday, March 8, 2014

5 Publishers Accepting Unsolicited Manuscripts from Writers - No Agent Needed



Updated 7/27/24

These publishers accept manuscripts directly from writers. As is the case with most publishers that don't require an agent, they have a narrow focus. But, if your work falls into the categories they publish, you will have a good chance of having your proposal read.

As always, go to the website, look at their other publications to see if yours will be a good fit, and follow all of their submission guidelines carefully. Guidelines can change!

If you are looking for publishers in specialized genres, click on these links.


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Kensington Publishing Corp.

Kensington Publishing Corp. is an independent, family-owned book publisher founded in 1974 and based in New York City. Known for the diversity of the authors and books it publishes, Kensington releases more than 300 fiction and non-fiction titles each year, providing readers with a range of popular genres such as thrillers, romance, historical fiction, cozy mysteries, and non-fiction, as well as true-crime, western, sci-fi, and speculative fiction titles. The house of New York Times bestselling authors, including Fern Michaels, Lisa Jackson, William W. Johnstone, Joanne Fluke, Mary Monroe, Dr. Jen Gunter, Ellen Marie Wiseman, and many others, its imprints include Kensington Books, Dafina, Zebra, Pinnacle, Kensington Cozies, John Scognamiglio Books, Citadel Press, Lyrical Press, and Erewhon Books.

Read submission guidelines HERE.
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Allworth Press

Allworth Press publishes business and self-help information for the general public and creative professionals.  They share distribution with Skyhorse Publishing, using W. W. Norton in the United States. Allworth Press titles are now distributed in Canada, the United Kingdom, Europe, Australia, Southern Africa, the Philippines, Korea, Hong Kong, and Singapore. Books from Allworth Press have been translated into many languages, including Chinese, Spanish, Portuguese, German, and Japanese. Allworth Press currently has 300 titles in print.

What they are looking for: Graphic Design, Business, Performing Arts, Interior Design, Art, Theater, Web Design, Book Arts, Photography, Crafts.

How to submit: Prospective authors should submit a book proposal that includes a query letter, synopsis (1-2 pages), annotated chapter outline, market analysis, sample chapter (or two), bio, and SASE.

Send all submissions to: submissions[at]skyhorsepublishing[dot]com. If they are interested, they will get back to you within 4-6 weeks

Read full guidelines HERE.
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Chicago Review Press

Academy Chicago Publishers is one of the oldest publishing houses in Chicago. They publish both fiction and nonfiction and have more than two hundred published titles on their list. Academy Chicago publishes about 60 new titles yearly under five imprints: Chicago Review Press, Lawrence Hill Books, Ball Publishing, Zephyr Press, and Academy Chicago. 

What they are looking for: Chicago Review Press publishes general nonfiction on a wide range of subjects including history, popular science, music, film, biography, autobiography, DIY, craft, and travel, as well as an award-winning line of children's activity books and young adult biographies. Lawrence Hill Books publishes nonfiction on topics of African American interest, progressive politics, Middle Eastern studies, and feminism. Ball Publishing specializes in gardening books, and Zephyr Press publishes professional development titles for teachers. Academy Chicago publishes memoirs, mysteries, and other exciting, new, and well-crafted fiction and nonfiction. 

How to submit: For non-fiction send:
  • A brief synopsis of your proposed book in 1–2 paragraphs
  • The estimated word count of the final manuscript
  • The estimated completion date
  • Author biography or resume specifying credentials and publication credits, where appropriate
  • Approximate sales of previous books published, if any
  • A complete table of contents and/or a complete outline of the proposed chapters
  • 1–2 sample chapters
For children's activity books, include a few sample activities and list the others
  • Any information regarding photographs or artwork for the book
  • A description of the target audience and any information about the market
  • A list of competing and comparable titles and how your book differs—be sure to tell us what makes your book unique
Please e-mail your proposal to frontdesk@chicagoreviewpress.com

Their turnaround time on reviewing proposals is about 4–6 weeks.

Read full guidelines HERE.

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Chronicle Books

Chronicle Books  "We're always looking for the new and unusual." Chronicle Books publishes 90 titles per year.

What they are looking for: Art and design, art, craft, graphic design, interior design, photography, food and drink, kids and teens, literature, lifestyle, pop culture. Chronicle Books publishes fiction and nonfiction books for children of all ages, as well as board books, decks, activity kits, and other unusual or novelty formats. No adult fiction.

How to submit: They review all proposals. However, they do not personally respond to unsolicited proposals unless they are interested in pursuing the project. Chronicle accepts submissions by mail or e-mail. See guidelines for children's books.

What to Include in Your Proposal:
  • They currently accept submissions by email only, which can be sent to submissions@chroniclebooks.com.
  • Please attach your proposal to your email as a single Word file or PDF, and keep the file under 5MB or less to ensure delivery. Outside links and downloads may not be opened due to security risks.
  • Please allow six months for the editors to review a proposal.
Read full guidelines HERE.

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Arsenal Pulp Press

Arsenal Pulp Press is a book publisher in Vancouver, Canada with over 400 titles currently in print, which include literary fiction and nonfiction; books on social issues; gender studies; LGBTQ and diverse literature; graphic novels and non-fiction; cookbooks; alternative crafts; youth culture and young adult literature; visual arts; and books in translation. "We are interested in literature that engages and challenges readers, and which asks probing questions about the world around us." Read submission guidelines HERE. 




Monday, March 3, 2014

Bait and Switch - Amazon is at it again



At Digital Book World's annual conference, Businessweek contributor Brad Stone described Amazon as "ruthless and self-absorbed."

After reading this announcement in Publishers Weekly, I am tempted to add some other adjectives as well - heartless comes to mind.

What Amazon has done to publishing houses, struggling academic presses, and moribund brick-and-mortar book stores, it is now doing to the very authors who helped make Amazon the monster it is today.

By cutting royalty rates for authors who self-publish their audiobooks on Amazon by up to half, Amazon hopes to "encourage authors to become more aggressive marketers." (Translation: "We will do less for you, and, in exchange, you will do more for us.") (There is a reason for anti-trust laws. It's a pity they aren't enforced.)

In sum, the benefits of self-publishing audiobooks through Amazon are waning rapidly. I expect the same will eventually hold true of all of its other publishing platforms as well. 

It's only a matter of time.
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Audible Lowers Royalty on Self-Published Audiobooks

Publishers Weekly, February 28, 2014

Amazon-owned audiobook retailer Audible is lowering the royalty rates it pays authors who self-publish their audiobooks through the website.

As first reported by Gigaom, Amazon announced the news on a blog post on its ACX website. ACX, or Audiobook Common Exchange, is the company's platform through which authors can post their available audio rights and producers can then bid on the rights, to create the work. Creators then have the option to sell the audiobooks exclusively through Amazon, Audible and iTunes at a higher royalty rate, or through a wider range of retailers, at a lower rate. Up until now, Amazon was offering an escalating rate of 50%-90% on ACX titles sold exclusively; now it is dropping the rate to a non-escalating 40%. (ACX audbiobooks distributed non-exclusively are dropping to a non-escalating rate of 25%.)

The move, Amazon said in the post, which takes effect March 12, 2014, will, in part, encourage authors to become more aggressive marketers. With the drop in royalty rate, for authors selling their audiobooks exclusively, Amazon has bumped up its "bounty" program. The bounty is the amount awarded to the author (or royalty earner) whenever an audiobook is the first purchase of a new member of the program. Previously the bounty was $25, and now it is $50.

Audiobooks signed up before March 12, and those currently selling under the existing royalty structure, will continue to draw the original rates.

Saturday, March 1, 2014

Twitter: How to Build a Following - for Writers

The first person to suggest that I use Twitter was my 82-year-old mother.

"No, I most certainly will not tweet," I told her.

As much as I hate to admit it, my mother was right. I now tweet with gusto, and not only is it fun, it's effective - perhaps more effective than emails, Facebook, or any of the forums I used to frequent.

The reason for Twitter's effectiveness - and popularity - is obvious: tweets are short.

As our schedules get busier and busier, it's easier to deal with 140 characters than it is to read an email. (If an agent you are interested in approaching has a Twitter account, by all means, follow.)

It's also incredibly easy to get the word out on your promotions, blog posts, giveaways, and anything else writing-related via tweets.

As a case in point, visitors to this blog have increased dramatically since I started actively building a following. Now, a substantial number of visitors arrive via tweets.

So, read Joel Friedlander's article below. The man knows what he is talking about.
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How to Build an Awesome and Relevant Twitter Following in 6 Minutes a Day

By Joel Friedlander, The Book Designer

If you’re like lots of other authors, you might feel a bit conflicted about Twitter. On one hand, you know that Twitter has become something more than just another social media network. It has started to function as the information network of choice for millions of people around the world.

These days, you even see Twitter feeds on television, and journalists, politicians, and celebrities make use of Twitter’s ability to communicate quite a lot in just 140 characters.

You know it’s a great place to interact with readers and colleagues. And with more and more people joining Twitter every day, you also know it’s a great place to promote your book, your blog and your other activities.

Right now, as Twitter gets ready to “go public” we know that they report over 218 million active monthly users, and that Twitter grew almost 48% in the year between March 2012 and March 2013. This trend shows no signs of slowing down.

On the other hand, Twitter can seem both cryptic and confusing when you first get started.

For one thing, there are lots of people just like you who already seem to have hundreds, thousands or tens of thousands of followers. How will you ever catch up?

Read the rest of this informative article HERE.

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