57 Calls for Submissions in July 2020 - Paying markets

Needpix

There are more than four dozen calls for submissions in July. All of these are paying markets, and none charge submission fees. As always, every genre, style, and form is wanted, from short stories to poetry to essays.

I post the following month's calls for submissions toward the end of every month. But as I am collecting them, I post them on my page, Calls for Submissions. You can get a jump on next month's calls for submissions by checking that page periodically throughout the month. (I only post paying markets.)

Also see Paying Markets for hundreds of paying markets arranged by form and genre.

Happy submitting!

____________________

Thema: The Tiny Red Suitcase. Genre: Fiction, poetry, and art on theme: The Tiny Red Suitcase.   Payment: $10-$25 for short fiction and artwork, $10 for poetry. Deadline: July 1, 2020. Accepts reprints.

Meetinghouse. Note: This is a new journal put out by Dartmouth College. Genre: Fiction, creative nonfiction, poetry. Payment: $100 minimum for prose, and $20/page for stories over 5 pages.  Up to 7,500 words per submission; up to 3 pieces of prose and up to 3 poems. Deadline: July 1, 2020.

Jaggery. Restrictions: South Asian diasporic writers and homeland writers. "We also welcome non-South Asians with a deep and thoughtful connection to South Asian countries, who bring their own intersecting perspectives to the conversation. (By South Asia we mean Afghanistan, Bangladesh, Bhutan, India, The Maldives, Nepal, Pakistan and Sri Lanka.)" Genre: Fiction, nonfiction, art, reviews. Payment: $100 for fiction, $25 for nonfiction/poetry/art/reviews. Deadline: July 1, 2020.

Writer Shed Press: Love and Sacrifice. Genre: Short stories on theme of Love and Sacrifice.  Payment: $20. Deadline: July 1, 2020.

Binge Watching Cure. Genre: Science fiction short stories. Payment: $100. Deadline: July 1, 2020.

Hawk and Cleaver: The Other Stories. Genre: Horror short stories. Theme: Ghost Ships. Payment: $5. Deadline: July 1, 2020.

Tell-Tale Press. Genre: Fantasy, horror, mystery/crime, and/or science fiction short stories. Payment: $5 for 500 to 1000 words; $10 for 1000 to 3000 words; $25 for 3000 to 5000 words. Deadline: July 1, 2020.

The Were-Traveler: People of Color Destroy Lovecraft. Genre: Horror. They want stories with "POC characters that turn Lovecraft's racism and monsters on his/their heads." Payment: $10 for shorts, $5 for microfiction. Reprints accepted. Deadline: July 1, 2020.

carte blanche. Genre: Poetry, Translations, Photography, and Comics. Theme: Anxiety. Payment: Modest honorarium. Deadline: July 1, 2020.

Enchanted Conversation: A Fairy Tale Magazine. Genre: Fairy tales, and essays on theme of Angels. Payment: $100. US dollars only. Essays: $50. Deadline: July 3, 2020.

Havok. Genre: Flash fiction 300 - 1,000 words on theme of Hearing. Payment: Pays for anthologies only. Deadline: July 5, 2020. See accepted genres.

Burial Day Books: Gothic Blue Book Vol 6 – A Krampus Carol. Genre: Short fiction and poetry. "Original Gothic Blue Books typically took place in either a monastery, convent or castle. In years past we have asked for short stories that take place in one of these locations, or a modern day location such as a morgue, haunted house or cemetery. This year, we have added a new theme – Krampus, Christmas, and ghosts / lore from the globe revolving around a major celebration." Payment: $50. Deadline: July 5, 2020.

Suburban Review. Genre: Poetry, fiction, CNF, art on theme of echo. Payment: $75 - $150.  Deadline: July 6, 2020.

Space and Time. Genre: Speculative fiction and poetry: science fiction, fantasy, horror, steampunk, magical realism. Payment: 1 cent/word. Deadline: July 6, 2020.

Scum. Genre: Feminist-friendly work of any variety, but as a general rule your piece should be under 2000 words (50 lines for poetry, max. 3 poems) and able to be classified as “fiction”, “culture”, “memoir”, “column”, “poetry”, and/or “review”. Payment: $60 AUD. Deadline: July 7, 2020. Opens to submissions on July 1.

Owl Hollow Press. Genre: Fiction on theme of Viruses. "Viruses are not new to life or literature. But the ways we experience them are always evolving. Join us as we explore love and loss, passion and betrayal, fear and panic, togetherness and separation, community and isolation within viruses of all varieties—real and imagined." Payment: $50. Deadline: July 10, 2020.

Interstellar Light Press: 2020 Alternate Endings. Genre: Flash fiction stories from BIPOC (Black, Indigenous, and people of color) writers who re-envision the future. "What were you imagining for 2020 when it began? What’s on your apocalypse bingo card for next month? Does it feel like tempting fate too much to ask if our current reality can get any worse OR any better? We invite you to fast forward and tell us how any or all of 2020’s chaotic plot lines resolve, get tangled, tied off, or cut. Write us some Alternate Endings to tell around the fire until we get there. " 1000 words max. Payment: $80. Deadline: July 10, 2020.

Bronzeville Books:Happy Hellidays. Genre: Horror. “Give us some twisted, unexpected holiday stories. Don’t limit yourself to Christmas — we’re looking for all kinds of special occasions gone awry.” Payment: 8 cents/word. Deadline: July 11, 2020.

Twisted Anatomy. Genre: Body horror. "Body horror or biological horror is a subgenre of horror that intentionally showcases graphic or psychologically disturbing violations of the human body. These violations may manifest through aberrant sex, mutations, mutilation, zombification, gratuitous violence, disease, or unnatural movements of the body." Payment: Token Deadline: July 11, 2020.

midnight & indigo. Restrictions: Open to Black women writers. Genre: Horror and speculative fiction. Payment: $50 - $75. Deadline: July 12, 2020.

Hawk and Cleaver: The Other Stories. Genre: Horror short stories. Theme: Immortality. Payment: $5. Deadline: July 14, 2020.

CRICKET: Takes of the Sea (ages 9–14) Genre: Fiction, nonfiction, and poetry for the theme of tales of the sea. Payment: Stories and articles: up to 25¢ per word. Deadline: July 15, 2020.

The Bare Life Review: The Climate Issue. Restrictions: Open to immigrant and refugee authors, including foreign-born authors living in the US, and writers living abroad who currently hold refugee and/or asylum-seeker status. Also, for this issue, anyone who has been displaced by climate change. Genre: Poetry, fiction, nonfiction. Payment: $100 - $300. $750 for accepted full-length prose pieces. Deadline: July 15, 2020.

Liquid Imagination: Silver Pen. Genre: Speculative fiction, poetry. Payment: $3 - $8. Deadline: July 15, 2020.

Augur. Genre: Speculative fiction, poetry for “A Multiplicity of Futures.” "We are especially looking for the following genres and themes: Afrofuturism, soft scifi, scifi-fabulism, scifi-fantasy, Indigenous futurity, hopepunk, dystopia, utopia, post-apoc, solarpunk, scifi-realism, Canadian scifi, ecofiction, & “hopeful futures." We are hoping to position stories and poetry that centre on trauma, systemic oppression and harm alongside pieces that examine hope, better futures, and quiet bildungsromans. We are also interested in pieces that tackle both sides of this coin." Payment: $60 (CAD) per poem, $0.11 cents (CAD) per word for short fiction (1000+ words), and a flat fee of $110.00 per flash fiction piece (1000 words and under). Deadline: July 15, 2020.

Dreamforge Magazine: Hope of the Big Idea. Genre: Science fiction and fantasy. "We’d like to see stories that call upon powerful new visions of how life could be shaped for the better either through technological or social change, or both." Payment: $0.04-0.08/word for fiction; $25-100 for poems and micro-stories. Deadline: July 15, 2020.

The Offing. Genre: Fiction, essays, micro fiction (tweet-length), art, lists, writing on science and the natural world. Payment: $25–$100. Deadline: July 17, 2020.

Minding Nature. Genre: Essays, art, and poetry on theme of "Growing systems of care for a more just and resilient future?" Payment: Honorarium. Deadline: July 17, 2020.

ArabLit Quarterly. Genre: Fiction, poetry, and nonfiction translated from Arabic on theme of Cats. Payment: $15/page. Deadline: Pitches for this issue should be in by July 20. Drafts of completed works should be in by August 2020.

A Public Space. Genre: Fiction or nonfiction about inheritance or legacy, broadly considers memory, or incorporates archival history. Payment: Honorarium. Deadline: July 20, 2020.

Book XI: Body/Embodiment. Genre: Prose and poetry. They want "philosophically informed creative work (though our understanding of “philosophically informed” is capacious)." Payment:  $200 for each piece (or $50 for each poem). Deadline: July 20, 2020.

Human/Kind. Genre: Poetry, prose and art on themes. (See site for themes.) Payment: $5 for each poem, prose, art, video, experimental or hybrid piece and $3 for each micropoem. Deadline: July 21, 2020.

Ruminate. Genre: Fiction, poetry. Payment: $20 per page. Deadline: July 22, 2020.

Non-Fiction: Open City Documentary Festival. Genre: Nonfiction on theme of Network. Payment: £150. Deadline: July 24, 2020.

Antimony and Elder Lace Press: Omens. Genre: Fiction on theme of Omens. Word Count: 1,000-7,500 words. “The idea of seeing the future or having warnings of what is to come is an idea that spans nearly every culture. Whether the omens are good or bad, there is the potential to affect us all. To be considered, your story must deal with the idea of omens in some fashion.” Payment: $0.01 per word and a percentage of royalties. Payment made upon publication. Deadline: July 25, 2020.

Electric Lit "The Commuter." Genre: Poetry, flash, graphic, and experimental narratives. Payment: $100. Deadline: July 27, 2020. Opens July 20.

Paper Angel Press: Heartwreck – Romantic Disasters at Sea. Genre: Personal essays and memoir/creative nonfiction pieces. "Maybe a relationship fell apart and you got stuck with a boat you didn’t think you wanted. Maybe, after five days at sea with a partner and five months to go, you realized you can’t possibly live with that person on a small boat. Whatever the disaster, if it happened on or around boats, we want to read about it.” Payment: $0.02/word. Deadline: July 30, 2020.

The Rumpus. Genre: Essays, Fiction, Poetry. "We strive to be a platform for marginalized voices and writing that might not find a home elsewhere, and to lift up new voices alongside those of more established writers we love. We work to shine a light on stories that build bridges, tear down walls, and speak truth to power." Payment: $300 divided among all contributors. Deadline: July 31, 2020.

Red Cape Publishing: F is for Fear. Genre: Horror. Payment: £10. Deadline: July 31, 2020.

Timeworn Literary Journal. Genre: Historical fiction stories in English under 5,000 words. They should be set before 1996, rooted in history and voice-driven. "We're looking for "Historical Fiction from the fringe." Work with a bend toward the surreal, the dream-like, the strange. The offbeat kind of story that settles into your heart long after reading. That said, we also value beauty and warmth and a generally well-written story with soul. Romance, Mystery, Crime and the Gothic are all acceptable. Speculative elements strongly encouraged." Payment: $25. Deadline: July 31, 2020.

NGY Review. Genre: Story on theme. Poetry on any theme. See site for themes. Payment: Token. (Payment in Japanese yen.) Deadline: July 31, 2020. Reprints accepted.

Existere. Genre: Poetry, prose, postcards, art. Payment: Small honorarium. Deadline: July 31, 2020.

Arc Poetry Magazine. Genre: Poetry. Payment: $50 per page. Deadline: July 31, 2020. Arc does not accept general submissions from January 1 to March 31 and from August 1 to August 31.

Dragon Soul Press: All Dark Places. Genre: Speculative fiction. "In a world where so many dark things go bump in the night, terror awaits around every corner as these authors take horror stories to the next level." Word Count – 5,000-15,000. Payment:  Royalties. Deadline: July 31, 2020.

Dragon Soul Press: Fairytale Dragons. Genre: Speculative fiction. "A new twist on fairytales with a fresh element: dragons. Each fairytale has been reimagined with these beasts based on the author’s preference. Wise dragons, evil dragons, elemental dragons, oh my! These classic characters will never see this coming." Word Count – 5,000-15,000. Payment:  Royalties. Deadline: July 31, 2020.

VQR. Genre: Poetry, short fiction, personal essays, literary criticism, reporting. Payment: For poetry, $200 per poem, up to 4 poems; for a suite of 5 or more poems, $1,000. For short fiction, $1,000 and above.  For other prose, such as personal essays and literary criticism, $1,000 and above, at approximately 25 cents per word, depending on length. Note: Genre fiction is not accepted.  Deadline: July 31, 2020. Opens July 1.

The McNeese Review: Boudin. Genre: Fiction, poetry, CNF on topic of Football. Payment: $50.   Deadline: July 31, 2020.

Feral Cat. Genre: Fiction and poetry. Theme: "We’re looking for original fiction short stories and poetry in support of an election year theme “Dear Leader Tales” (DLT) anthology. We want stories of a humorous or satirical bent which illustrate or lampoon an emperor’s hubris (and lack of clothing). In that spirit, we don’t want any real life current or past Dear Leaders named directly, but their known foibles are fair game." Payment: $0.03/word ; $25 for poetry. Deadline: July 31, 2020.

Mojo. Genre: Fiction, poetry, and nonfiction. Payment: $15. Deadline: July 31, 2020.

Channel. Genre: Fiction, poetry, and nonfiction. "We publish new, previously unpublished work that engages with the natural world. We have a particular interest in work which encourages reflection on human interaction with plant and animal life, landscape and the self." Payment: €15 per poem and €15 per page of prose up to a total maximum fee of €60. Deadline: July 31, 2020.

Typehouse. Genre: Fiction, poetry, art, and nonfiction. Payment: $10 - $18. Deadline: July 31, 2020.

Stonecrop Review. Genre: Creative Non-Fiction, Fiction, Reader’s Corner, Artwork, Photography on theme of Fauna. "We are particularly keen to publish works that explore nature in cities that have not been as widely represented in the urban nature canon." Payment: $20. Deadline: July 31, 2020.

Eerie River. Genre: Dark Fantasy novellas and novels.  Payment: Royalties. Deadline: July 31, 2020.

Understorey Magazine. Genre: Poetry, fiction, creative nonfiction, spoken word, and visual art about women, gender, and technology. "We feature writers who identify as female or non-binary and who also have a strong connection to Canada." Payment: $50-$100 (CAD) Deadline: July 31, 2020.

Nimrod Restrictions: Open to Black writers. "In solidarity and in support of the Black Lives Matter movement, we are currently offering free general/thematic submissions for Black authors." Genre: Poetry on theme of Endings and Beginnings. Payment: $10/page, with a maximum payment of $200. Deadline: July 31, 2020.

Bright Wall/Dark Room. Genre: Critical essays between 2000 - 4000 words on Billy Wilder. Payment: $100 – $300 per essay. Deadline: July 31, 2020.

Third Flatiron: Brain Games: Stories to Astonish. Genre: SF, urban fantasy on theme of: Brain Games. Payment: 8 cents per word. Deadline: July 31, 2020.


And a few more for luck...

The First Line. Genre: Stories that use a first line provided by the journal. (See journal for first lines.) Also 500-800 word critical essays about your favorite first line from a literary work.  Payment:  $25.00 - $50.00 for fiction, $5.00 - $10.00 for poetry, and $25.00 for nonfiction (all U.S. dollars). Deadline: August 1, 2020.

Cemetery Gates Media: Personal Local Lore/Oddities Anthology. Genre: Horror. The theme is: local lore or location-based oddities. "Write something dark into a setting you’ve experienced — it could be a place you’ve lived, or even just somewhere you’ve visited on a vacation." Payment: 5 cents/word.  Deadline: August 1, 2020.

Rogue Blades. Genre: Heroic adventure. Theme: No Ordinary Mortals. Payment: $30. Deadline: August 1, 2020.

Hawk and Cleaver: The Other Stories. Genre: Horror short stories. Theme: Underwater. Payment: $5. Deadline: August 1, 2020.

Eerie River: With Blood and Ash. Genre: Dark Fantasy. "Earth, wind, fire, water and spirit. Dark versus light. We are giving a lot of leeway for story building, but magic must play a part in your world and there must be a dark fantasy element. Create a fantasy world for this to all play out in, or build something in ours. The choice is yours. The only requirement is that you must feature elemental magic." Payment: Royalties. Deadline: August 1, 2020.

Violent Vixens: An Homage to Grindhouse Horror. Genre: Speculative fiction. "Our second fiction anthology, Violent Vixens, will focus on Grindhouse horror films, made famous by movies such as Night of the Living Dead, Death Proof, and Suspiria." Payment: $50. Deadline: August 1, 2020.

38 Writing Contests in July 2020 - No entry fees

Wallpaperflare

This July there are more than three dozen writing contests calling for every genre and form, from poetry, to creative nonfiction, to completed novels. Prizes range from $100,000 to publication. None charge entry fees.

Some of these contests have age and geographical restrictions, so read the instructions carefully.

If you want to get a jump on next month's contests go to Free Contests. Most of these contests are offered annually, so even if the deadline is past, you can prepare for next year.

Good luck!

____________________

Kate Tufts Discovery Award. Sponsored by Claremont Graduate University. Restrictions: Poets must be citizens or legal resident aliens of the United States. Genre: Poetry. Book must be author's first full-length book of poetry, published between July 1, 2019 and June 30, 2020. Self-published books are accepted. Prize: $10,000. Deadline: July 1, 2020.

The Novel Prize. Genre: Book-length work of literary fiction written in English. Prize: $10,000.  Deadline: July 1, 2020.

Richard J. Margolis Award. Genre: Journalism. Prize is awarded annually to a promising new journalist or essayist whose work combines warmth, humor, wisdom and concern with social justice. Prize: $5,000 and one month of residency at Blue Mountain Center. Deadline: July 1, 2020.

Emmy Awards - Sir Peter Ustinov Television Scriptwriting Award. Restrictions: Non-US citizens under the age of 30 only. Prize: $2,500, a trip to New York City, and an invitation to the International Emmy® Awards Gala in November. Deadline: July 1, 2020.

1455’s Second Teen Poetry Contest. Restrictions: Writers aged 13-19. Genre: Poetry. Prize: $500.  Deadline: July 1, 2020.

Kingsley Tufts Poetry Award. Sponsored by Claremont Graduate University. Restrictions: Poets must be citizens or legal resident aliens of the United States. Genre: Poetry. The work submitted must be a first book of poetry published between July 1, 2019 and June 30, 2020. Manuscripts, CDs, and chapbooks are not accepted. Prize: $100,000. Deadline: July 1, 2020.

Green Stories Writing Competition. Genre: Full length adult novel about building a sustainable society. Prize: £750: 1st prize £500, 2nd prize £100, third prize £50 plus £50 for best student submission (18-25 years) and £50 for best < 18 year submission. Deadline: July 2, 2020.

Reedsy. Genre: Short stories about Superpowers. 1,000 - 3,000 words. Prize: $50. Deadline: July 3, 2020.

The Margaret and Reg Turnill Competition. Restrictions: Writers must be 21 or under on July 6. (Those over 21 can enter for a fee.) Genre: Short story on theme of "Time." Length: 1,500 to 5,000 words. Prize: £1,000 and publication in the annual HG Wells Short Story Competition Anthology.  Deadline: July 6, 2020.

Scottish Book Trust New Writers Awards. Restrictions: Scottish writers over 18 years of age. Genres: The awards are divided into three different categories.: Fiction and Narrative Non-fiction in English and Scots, Poetry in English and Scots, Children’s and Young Adult Fiction in English and Scots. Prize: £2,000 and personal development opportunities, which can include mentoring from writers and industry professionals. Training in PR, performance and presentation training, and the opportunity to showcase work to publishers and agents. Deadline: July 8, 2020 (midday).

Spectator. "Glastonbury and Glyndebourne have both fallen victim to Covid-19 this summer. To fill the gap you are invited to describe a visit to either in the style of an author of your choice. Please email up to 150 words/16 lines to lucy@spectator.co.uk. Prize: ? Deadline: Midday on July 8, 2020.

Singapore Poetry Contest. Genre: Poetry containing the word "Singapore" by anyone who is NOT a Singaporean citizen or permanent resident in Singapore. Prize: $100. Deadline: July 15, 2020.

Best of Kindness 2020 Poetry Contest. Genre: Poetry on the theme of kindness. Prize: First Place - $100; Second Place - $50; Third Place - $25. Deadline: July 15, 2020.

New Roscommon Writing Award. Restrictions: All entrants must have a connection with the county of Roscommon (born in, living in, currently working in, went to school in, etc). Genres: Short stories. Prize: €500.00. Deadline: July 15, 2020.

Boardman Tasker Prize. Restrictions: Books published between 1st August 2019 and July 15, 2020 in the UK. Genre: Books with mountain,not necessarily mountaineering, theme whether fiction, non-fiction, drama or poetry, written in the English language. Prize: £3,000.00. Deadline: July 15, 2020.

Arablit Story Prize. Genre: Short story translated from Arabic. Prize: $500. Deadline: July 15, 2020.

Hilary Weston Writers' Trust Prize for Nonfiction. Restrictions: Books must be English-language, first-edition trade books published by a Canadian press, written by Canadian citizens or permanent residents of Canada. Titles must be published between May 20, 2020 and September 30, 2020. Genre: Literary nonfiction including, among other forms, works of personal or journalistic essays, memoirs, commentary, criticism both social and political, history, and biography.    Prize: Winner: $60,000; Finalists: $5,000. Deadline: July 15, 2020.

Rogers Writers' Trust Fiction Prize. Genre: Fiction. Restrictions: Titles must be published in Canada and written by Canadians. No self-published works. Prize: $25,000 will be awarded to a novel or short-story collection published between May 20, 2019 and September 30, 2020. Prizes of $2,500 will be awarded to each of the finalists. Deadline: July 15, 2020.

Enchanted Conversation. Genre: Christmas stories and poems.The stories should be between 500-600 words. Payment: $25. Deadline: July 17, 2020. Opens July 15.

Donn Goodwin and Joseph Gahagen Poetry Prizes: Milwaukee Irish Fest. Genre: Poetry. Entries should have a culture/literary relation to either Ireland, Irish-America, or to Irish poetry. Prize: $100. Deadline: July 17, 2020.

Stone Canoe. Restrictions: Open to people who live or have lived in Upstate New York (not New York City). Genres: Drama, fiction, nonfiction, poetry, art. Prize: $500 and publication. Deadline: July 8 - 22, 2020.  (Website is not clear whether the contest will be held in 2020.)

Stories to Change the World. Genre: Positive short stories about Food Systems and Mental Health. Prize: $80. Deadline: July 26, 2020.

Pop Up Projects: Difference. Restrictions: Open to writers and illustrators under 26 years old. Genre: Short stories. "Each story will explore or touch on the theme of difference. Stories can be inspired by the subject in any way – they might explore diversity or transformation, otherness or other worlds – wherever the writers and illustrators want to go!" Prize: £500. Deadline: July 30, 2020.

Bard Fiction Prize for Young Writers. Restrictions: Open to a writer who is an American citizen aged 39 years or younger at the time of application. Genre: Published fiction book. Prize: $30,000 and a one-semester appointment as writer-in-residence at Bard College. Deadline: July 30, 2020.

The John Byrne Award. Restrictions: Open to residents of Scotland. Genre: A piece of creative work on a chosen theme or value (written work must be no more than 15,000 words in length). Prize:  £7500. Deadline: July 31, 2020.

Broken River Prize. Sponsored by Platypus Press. Genre: Poetry chapbook. Prize: $250/£200.    Deadline: July 31, 2020.

Lune Spark Young Writers' Short Story Contest. Restrictions: Open to writers 10-13 years old, and 13-16 years old. (Two categories.) Genre: Short story. Prize: $500 for first place; $250, 2nd place; $100, 3rd place. Deadline: July 31, 2020.

Foyle Young Poets of the Year Award. Restrictions: Open to young poets age 11 - 17. Genre: Poetry. Prize: Publication. Deadline: July 31, 2020.

Landfall Essay Competition. Restrictions: Open to New Zealand writers. Genre: Essay about New Zealand. Prize: The winner will receive $3000 and a year’s subscription to Landfall. Deadline: July 31, 2020.

Platt Family Scholarship Prize Essay Contest. Restrictions: Open to students who are FULL TIME, undergraduate students in an AMERICAN COLLEGE OR UNIVERSITY during the Spring 2015 semester. Genre: Essay: Abraham Lincoln: The Influence of Women on the Era of Abraham Lincoln Prize: 1st Prize $1500 | 2nd Prize $750 | 3rd Prize $500. Deadline: July 31, 2020.

Polar Expressions Publications Short Story and Poetry Competition. Restrictions: Open to Canadians only. Genre: Short story, poetry. Prize: $500. Deadline: July 31, 2020.

Jan Garton Prairie Heritage Book Award. Genre: Book published in 2018 - 19 that illuminates the heritage of North America's mid-continental prairies, whether of the tall-grass, mid-grass, or short-grass regions. Authors' first books receive extra consideration. Books may be in any genre, and topics may include but are not limited to social or natural history; prairie culture of the past or in-the-making; and interactions between society and ecology. Prize: $1,000. Deadline: July 31, 2020.

RSL Giles St Aubyn Awards for Non-Fiction. Restrictions: The writer must be a resident of the United Kingdom or the Republic of Ireland, or have been a resident in the UK or ROI for the past three years. Genre: Nonfiction book. Prize: Two awards – one of £10,000, one of £5,000 – are offered to support writers to complete their first commissioned works of non-fiction. Deadline: July 31, 2020.

BEECHMORE ARTS JOURNALISM COMPETITION. Genre: Journalism. "“The brief is broad: send us a piece of writing, up to 1000 words, which may include images, that explores any arts-related subject, written from a journalistic or critical perspective. We invite to you to review a local gallery exhibit, investigate a particular method of vocal training, compare two pieces of theatre – anything about which you have compelling ideas, a passionate interest and some sharp insight.” Prize: First prize - £200, second prize - £100. “We may publish other entries on our website in exchange for a reward of £50 each.” Open to writers worldwide. Deadline: July 31, 2020.

BEECHMORE LIFE WRITING COMPETITION. Genre: Prose. “Writing from your own life takes courage. Many people journal in private, but refining a piece of life writing so that it conveys a snippet of your reality is a real art….Send us a short piece of your best life writing, which we define as any creative prose with the essence of truth and a focus on the author’s personal experience.” Prize: First prize £200, second prize £100. “We may publish other entries on our website in exchange for a reward of £50 each.” Open to writers worldwide. Deadline: July 31, 2020.

2020 RCWMS Essay Contest. Restrictions: Open to women 18 years of age and older. Genre: Nonfiction essays of 1,200 words or less.” Essays “should focus on the theme ‘What has changed for you in the midst of the COVID-19 pandemic, the ongoing racism in the USA, and the recent public response to police violence?’ We invite submissions that consider this theme in a variety of ways. What has changed for you? How are you responding? What have you lost or abandoned? What has sustained you during this time?” Prize: $300 for first place, $200 second, and $100 third. The winning essay will be published in the RCWMS newsletter, South of the Garden, in September or December 2020. Deadline: July 31, 2020.

Biopage. Genre: Personal essays about the pandemic. Prizes: Up to $1000. Deadline: July 31, 2020.

30 Writing Conferences in July 2020

health.mil

Summer writing conferences are on! Some are going ahead with their planned live formats, but in most cases organizers have figured out how to hold them virtually. (One advantage to a virtual format is that you don't have to travel to get there, which means you can attend a conference anywhere. The other advantage is that, in many cases, the price to attend has dropped considerably.)

Plan ahead! Conferences often offer scholarships, but these have deadlines. If one of these conferences interests you, put the scholarship deadline date on your calendar for next year, or for whenever the conference rolls around again.

For a full list of conferences, organized by month, see Writing Conferences. While nearly all of these are in the United States, you can find links on that page that will take you to world-wide conference lists.

__________________________


Kaz Conference Keep Writing Virtual Nonfiction Cohort. July 1 - 22, 2020. Workshops include developmental workshops as well as talks on the practical training of writers with input from editors, publicists, agents, social media experts and productivity coaches. Because reading and reviewing other work helps to strengthen ones own writing, peer review is a requirement of all sessions. Just 10 to 16 writers are accepted for each cohort. Will be held online. Deadline June 29.

Fine Arts Work Center Summer Workshops (poetry, fiction, art, and creative nonfiction). June 7 - August 21, 2020, Provincetown, Massachusetts. The faculty and presenters include poets Erin Belieu, Traci Brimhall, Mahogany L. Browne, Gabrielle Calvocoressi, Peter Campion, Tina Chang, Michael Collier, Mark Conway, Vievee Francis, Kimiko Hahn, Terrance Hayes, Marie Howe, Major Jackson, Ada Limón, John Murillo, Eileen Myles, Porsha Olayiwola, Matthew Olzmann, Gregory Orr, Rowan Ricardo Phillips, Martha Rhodes, and Nicole Sealey; fiction writers Kristen Arnett, Andre Dubus III, Aja Gabel, Pam Houston, Reif Larsen, Wendy C. Ortiz, Shobha Rao, Victoria Redel, Sarah Schulman, Justin Torres, and Joan Wickersham; nonfiction writers Alysia Abbott, Elissa Altman, Jill Bialosky, Garrard Conley, Nick Flynn, Ann Hood, Paul Lisicky, Alex Marzano-Lesnevich, T Kira Madden, Gregory Pardlo, Dani Shapiro, Susanna Sonnenberg, Brian Turner, and Marion Winik; and graphic memoirist Nicole J. Georges. Tuition ranges from $650 to $750. The deadline for scholarship applications is April 10. General registration is first come, first served.  (See individual workshops for dates.)

Frost Place Conference on Poetry. July 5 - 10, 2020: Franconia, NH. Spend a week at “intensive poetry camp” with writers who are deeply committed to learning more about the craft of writing poetry. The Frost Place Poetry Conference offers daily workshops, classes, lectures, writing and revising time in a supportive and dynamic environment. The application deadline is June 25, 2020. Will be held online.

Online Summer Camp In Writing Fiction for Children & Teens 2020. July 05, 2020 - July 10, 2020. "We've reinvented our Summer Camp as an online experience, with five whole days of intensive instruction, mentorship, manuscript feedback, peer community and hands-on activities. We've been doing this for over 35 years, and within this year's unique structure you can expect the same focus on craft, community & mentorship." Will be held online.

Idyllwild Arts Summer Program Writers Week. July 6 - 10, 2020, Idyllwild, California. The Writing Workshops offer poets and writers at all levels an experience designed to deepen your understanding of story and language. Faculty is composed of renowned authors eager to help you begin, continue or complete your books, poems, stories and essays. This summer, enjoy a writing workshop in Poetry, Fiction, or Creative Nonfiction, as well as a great line-up of craft talks and readings scheduled throughout the summer. Will be held online.

Summer Fishtrap Gathering of Writers. July 6 - 12, 2020: Wallowa Lake, Oregon. Workshops in poetry, fiction, and creative nonfiction, as well as panel discussions, readings, and open mics. "Held each July at Wallowa Lake in northeast Oregon, Summer Fishtrap gathers writers for a week of inspired writing workshops and culminates with a weekend of passionate discussion on a key issue facing the West." Will be held online.

ThrillerFest XIII. July 6–14, 2020, New York City. This is the annual conference of the International Thriller Writers. The ThrillerFest conference has four main components: Master CraftFest, CraftFest, PitchFest, and ThrillerFest. Master CraftFest was designed as an educational tool for aspiring writers as well as debut and midlist authors to gain advanced training from the masters of the craft in an intimate, day-long training session. CraftFest was designed for all writers to learn from bestselling authors and subject experts who kindly offer their advice and assistance to advance attendees’ writing techniques and further their careers. PitchFest was designed to match writers with agents, editors, publishers, and producers. ThrillerFest, the final two days of the conference, is intended to offer readers a chance to meet the best authors in the industry and be introduced to debut and midlist authors. Expect innovative panels, spotlight interviews, and workshops to educate and inspire. Will be held online.

Southampton Writers Conference. July 8–12, 2020, Long Island, NY. The conference features workshops in poetry, fiction, nonfiction, and publishing, as well as readings, lectures, and a master class series. Creative writing workshops are the heart and soul of the summer experience, meeting four afternoons or mornings throughout the session. Enrollment is limited to 13 lucky writers who have applied with writing samples. Those accepted have the privilege of sharing their work in an intimate, rigorous and friendly setting. Will be held online.

North Carolina Writers' Network Squire Summer Writing Residency. July 9 - 12, 2020: Greenville, North Carolina. An intensive course in a chosen genre (fiction, creative nonfiction, poetry), with ten hour-and-a-half sessions over the four days of the program. Registrants work in-depth on their own manuscript samples, as well as their colleagues’, while also studying the principles of the genre with their instructor. Other features include faculty readings, panel discussions, and open mic sessions for residents. The cost of the residency ranges from $425 - $675, depending on membership and housing preferences. Registration ends June 29 at 12:00 pm (noon).

The Summer Writers Institute. July 10 - 31, 2020, St. Louis, Missouri. The Washington University Summer Writers Institute is an intensive, two-week program featuring workshops in fiction, micro fiction, modern humor, personal narrative, playwriting, and poetry, as well as reading and individual conferences with instructors. Adult writers of all levels of experience work together with published authors and exceptional teachers in a supportive, non-competitive format that allows for personalized attention and constructive feedback. Will be held online.

The Cleveland Writing Workshop. July 11, 2020: Cleveland, OH. A full-day “How to Get Published” writers conference. "One day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome."

Online Summer Camp In Writing Nonfiction for Children & Teens 2020. July 11, 2020 - July 15, 2020. "We’ve reinvented our Summer Camp as an online experience, with four whole days of intensive instruction, mentorship, manuscript feedback, peer community and hands-on activities. We’ve been doing this for over 35 years, and within this year’s unique structure you can expect the same focus on craft, community & mentorship that we’ve always provided." Will be held online.

Young Writers Workshop. July 12 - 25, 2020, Great Barrington, Massachusetts. Restrictions: For students completing grades 9, 10, 11. Three 90-minute workshop sessions daily, including imaginative writing activities and discussion of readings. Weekly individual meetings with workshop instructor. Focus is on using various forms of creative writing to develop language and thinking skills. Will be held online.

Tin House Summer Workshop. July 12 - 26, 2020, Portland, Oregon. Workshops with afternoon craft seminars and career panels. Evenings are reserved for author readings and revelry. Tin House editors and guest agents are available to meet individually with students throughout the week.  Participating writers include poets Hanif Abdurraqib, Jericho Brown, and Aimee Nezhukumatathil; fiction writers Nana Kwame Adjei-Brenyah, Lesley Nneka Arimah, Kristen Arnett, Matt Bell, Jennine Capó Crucet, Renee Gladman, Manuel Gonzales, Catherine Lacey, Carmen Maria Machado, Tommy Orange, Matthew Salesses, Rion Amilcar Scott, and Leni Zumas; creative nonfiction writers Melissa Febos, Saeed Jones, Kiese Laymon, Jeannie Vanasco, and Elissa Washuta; and graphic narrative writer Mira Jacob. Tuition is $1,600. Scholarships and payment plans are available. Submit a writing sample of up to four poems, 5,000 words of prose, or up to 20 pages of graphic narrative with a $30 application fee by March 11. Will be held online.

Green River Writers Workshops:Turning Memory into Story: Memoir Writing Workshop. July 16 - 19, 2020: Las Vegas, New Mexico. Using memory as a starting point, Green River Writers Workshops focus on the craft of storytelling through memoir, fiction, historical writing, and poetry. Both experienced and beginning writers are welcome.

Saskatchewan Festival of Words. July 16 - 19, 2020: Moose Jaw, Canada. Workshops for all ages, reading sessions, concerts, film, panel discussions, interviews, music, theatre, a slam poetry competition as well as workshops and author readings.

Online Summer Camp Intensive in Illustration 2020. July 16, 2020 - July 20, 2020. "We've reinvented our Illustration Summer Camp as an online experience, with four whole days of faculty demonstrations, mentorship, portfolio/dummy feedback, and peer community. We've been doing this for over 35 years, and within this year's unique structure you can expect the same focus on craft, community & mentorship that we've always provided." Will be held online.

The Cambridge Writers’ Workshop Summer Writing Retreat. July 16 - 21, 2020, Paris, France. The retreat offers participating writers of all genres and levels to work alongside award-winning authors and editors. Participating writers will hone their craft and expand their writing skills, while working on new or existing projects. Tuition is $3,875, which includes lodging in central Paris, creative writing workshops and writing seminars with our supportive and award-winning faculty of writers and editors, and daily breakfast. Register by May 30, 2020.

Colrain Intensive. July 17 - 20, 2020. The Colrain Manuscript Intensive is a small, select, highly focused, 3-day conference designed for the evaluation and discussion of book-length manuscripts by editors and publishers. The intensive is open only to those who have attended a previous Colrain conference and/or those whose manuscript is close to publication (semi-finalist, finalist or publisher feedback), and/or those with previous book publication. Will be held virtually.

Columbus State Community College Writers Conference. July 18, 2020, Columbus, Ohio. Workshops in Autobiography/Memoir, Business/Technical, Fiction, Journalism, Marketing, Non-fiction, Playwriting, Poetry, Publishing, Screenwriting. This one-day conference is free of charge.

Juniper Institute for Young Writers. July 20 - 24, 2020: Amherst, MA. For high school students. Daily workshops in poetry, fiction, & nonfiction; interactive craft sessions that include discussions & writing exercises; evening readings by faculty & writers-in-residence. Workshops and craft sessions are led by MFA candidates from the renowned University of Massachusetts MFA Program for Poets and Writers who design curricula especially for the Institute setting. Will be held online.

Midwest Writers Workshop. July 20 - 25, 2020: Muncie, Indiana. Craft and business sessions, agent pitches, manuscript evaluations. MWW includes quality instruction by a faculty of authors, agents, editors, and specialists. Will be held online.

World Building: Construct Real and Fantastical Worlds with Tracey Baptiste, a Two-Day Online Intensive 2020. July 21, 2020 - July 22, 2020. "A well-developed world is an essential component to every story--short fiction through novels. Join Tracey Baptiste as she showcases rich mentor texts like THE SERPENT’S SECRET, DREAD NATION, THE BELLES, and more for a two-day intensive in world-building." Will be held online.

Sewanee Writers’ Conference. July 21 - August 2, 2020: Sewanee, TN. Faculty will give readings and provide instruction and criticism through workshops and craft lectures, as well as meet individually with participants to discuss their manuscripts. The Conference will offer five fiction workshops, four poetry workshops, and a playwriting workshop supported by two professional actors. In addition, a substantial number of literary agents will attend.

Taylor's Professional Writers Conference. July 24 - 25, 2020: Upland, Indiana. 35 seminars covering General & First-timers, Fiction, Nonfiction, Platform & Marketing and Specialty Writing.

IWWG Summer Writers Conference. July 24 - 30, 2020: Beverly, MA. The International Women's Writing Guild sponsors this residential writing program for women. Features: Over two dozen workshops ranging from three to six days in length and spanning fiction, poetry, memoir, creative nonfiction, screenwriting, playwriting, writing as performance, social justice, multi-genre, and mixed media; Critique sessions in fiction, poetry, nonfiction, and playwriting; A multimedia open studio and Two book fairs.

Catamaran Writing Conference. July 26 - 30, 2020: Pebble Beach, CA. The workshop meets four mornings and each participant will receive focused feedback from the group on their poems. You'll be invited to submit a writing sample for group feedback. Optional participant readings will be held. During registration you will be invited to indicate your poetry workshop instructor preference. Will be held online.

Mendocino Coast Writers Conference. July 30 -  August 2, 2020: Mendocino, California. The conference features workshops in poetry, fiction, and creative nonfiction, as well as craft talks, readings, manuscript consultations, open mics, and pitch sessions with agents and editors. The faculty includes poet Victoria Chang; fiction writers Ingrid Rojas Contreras, Charlotte Gullick, Mitali Perkins, Shobha Rao, and Scott Sigler; and nonfiction writers Myriam Gurba, Ismail Muhammad, and Jeannie Vanasco. Participating publishing professionals include agents Sarah Bowlin (Aevitas) and Rayhané Sanders (Massie & McQuilkin) and editors Andrew Karre (Dutton Books) and Philip Marino (Little, Brown). An optional post-conference daylong Publishing Boot Camp taught by Marino will be held on August 4. The registration fee, which includes most meals, is $575. One-on-one manuscript consultations are available for an additional $60. The Publishing Boot Camp is $150. Register by June 30. Will be held online.

Willamette Writers Conference. July 31 - August 2, 2020: Portland, Oregon. This year the conference theme is Share Your Story with three full days of classes, workshops, keynotes, critiques, and events. There are also Master Classes with industry professionals in which you can learn from top instructors in a small group setting and many options for one on one critique, including On the Spot Critiques and Advance Manuscript Critique. As always, they will have a roster of agents, editors and film executives ready to hear about your project. Will be held online.

Society of Children's Book Writers & Illustrators Annual Conference. July 31 - August 4, 2020: Los Angeles, California. More than 100 writers, editors, illustrators, & agents. Workshops, breakout sessions, manuscript and portfolio consultations, panels, discussions. Will be held online.

Calls for Submissions: Black Lives Matter - Paying Markets

Pixabay

"This is where we are now: a fascist calls for the murder of protesters and gets an op-ed in the Times while out-of-control police roams the streets terrorizing and brutalizing peaceful protesters. Trump himself had peaceful protesters tear-gassed and beaten outside the White House on live TV in a brutal warning to Americans that he has the police and military behind him, that he will use lethal force, and that dissent will be crushed. The danger of all this can't be overstated: not only has fascism arrived in the United States—it's winning." ~ Into the Void editors.

I could not have said it any better.

_______________________

The Syndrome. “As a response to the murders of George Floyd, Ahmaud Arbery, Breonna Taylor and countless others, and the continuous systematic violence perpetrated against the black community, we have launched the Black Voices Matter campaign for the month of June. As an ally and supporter of the Black Lives Matter movement, we believe that now is the time to pause our regular content and instead utilize this online space for anti-racism efforts. Black women/non-binary individuals are invited to submit their work – we look forward to hearing from you.” Payment: “Black writers will receive $50 for each published article. Our regular fee of $20 per article has been increased during this time as a small gesture to black writers whose work will inevitably bring insight and education to our wide readership, though we acknowledge this payment is not nearly enough.” Deadline: June 30, 2020.

Into the Void: We Are Antifa. Into the Void literary magazine is seeking submissions for their anthology: Expressions Against Fascism, Racism and Police Violence in the United States and Beyond. All proceeds from the sale of this anthology will go to Black Lives Matter. Genre: Poetry, fiction, flash fiction and creative nonfiction. Your submission must in some way concern fascism, racism and/or police violence. Black writers are strongly encouraged to submit. Payment: $15CAD  per poem/flash piece and $30CAD per prose piece and a contributor copy. Deadline: July 31, 2020.

Nimrod."In solidarity and in support of the Black Lives Matter movement, we are currently offering free general/thematic submissions for Black authors." Genre: Poetry on theme of Endings and Beginnings. Payment: $10/page, with a maximum payment of $200. Deadline: July 31, 2020.

Frontier Poetry: Types of Burns. Frontier Poetry has launched a new series for black writers called Types of Burns. "Black Lives Matter. We must all do what we can, one individual choice at a time, to dismantle white supremacy—in our selves, our relationships, our communities, and our institutions. Frontier stands in unrelenting support of the protestors demanding change—we send you every prayer, every bit of energy we have. Stay safe and stay healthy and stay bold." Genre: Any genre, under 1500 words. This includes photography and performance. "Black voices only." Payment: $50. Deadline: August 3, 2020.

Tor.com: Breathe Fiyah. Restrictions: Open to Black authors, including those from the Black diaspora and Black African authors. Genre: Speculative flash fiction. Payment: $250. Deadline: August 28, 2020. Opens August 26.

Nottingham Writers Studio: The George Floyd Short Story Competition. Genre: Fiction and nonfiction. “With this anthology, we seek to capture not only stories of social justice that capture the mood, tone, and energy of the vital Black Lives Matter movement, but the entire gamut of BAME life experience, from social justice to comedies by black authors to romances with a predominantly Asian cast. This competition is open to all as we welcome the experiences of advocates and allies as well as voices from the black community. Above all, we want to ensure in publishing the anthology we amplify, centre, and celebrate the voices and writings of people of colour.” Prize: £250, £125, £75; £30 for runners-up. Deadline: August 31, 2020.

Rattle: Poets Respond. "Because of the nature of the traditional publication apparatus, poetry doesn't often respond in a timely way to current events—but we think it could. To test this hypothesis, we'd like to try publishing a poem online each Sunday (if we receive any that we like) that responds to a news story or public event from the previous week, and has been written in the time since." Payment: $100. Deadline: The deadline for each week is Friday at midnight PST.

Kikwetu. "The Black Lives Matter movement, precipitated by the brutality and deaths of Black Americans at the hands of mostly white American police officers, has ignited a global demand for the end of white supremacy and spurred voices world over in speaking out against the continued subjugation of Black lives wherever they are placed. For our next Issue (issue 6), we seek short fiction and nonfiction pieces (3,000 word max) in English or Swahili from Black African writers living on or off the continent. We seek pieces which celebrate and highlight Black African experiences in whatever form they take--whether at the frontlines of local or international movements against police brutality and treatment of Black bodies, whether watching the global shifts from the sidelines, or dealing with loss and fear in the face of a global health crisis, or falling in love, self-discovery, etc." Payment: $30. Deadline: September 1, 2020.

CRAFT. "Black lives matter. Black voices matter. While our submissions for short and flash fiction are always free and always open, this summer we are offering a fast response option for free to Black writers." Payment: $200 for accepted short stories and $100 for flash fiction.

Autostraddle is an accepting and supportive environment for queer trans women. "Autostraddle is  currently only accepting submissions that center the fight for Black lives and Black futures, and the end of white supremacy. We are also looking for on-the-ground reporting of current protests and community action." Payment falls within the $40-$100 range. Read their submission guidelines.

Scalawag. "Scalawag’s Race and Place initiative seeks to expand traditional conversations about environmental racism, climate change, segregation, gentrification, and freedom movements to better understand both the nuances of how places are made and for whom, and how we can transform power to create the future places of our dreams. We’re looking for pitches that consider the connections between these conversations in places as big as nations and as small as living rooms. In particular, we’re interested in reported pieces, essays, and even fiction about Black and Latinx rural placemaking, alternative relationships to land, connections between environmental racism and climate change, policing/incarceration and toxicity, radical placemaking for pleasure (e.g, dance clubs, social clubs), and classic investigative reporting on the impact of policies and economies on the placemaking of communities of color. Stories should range from 800-1,500 words. Investigative articles can be up to 2,000 words. Multimedia submissions are also welcome. Payment: Not specified.

The Georgia Review does not have a specific call for submissions, but they are giving space and support to those "whose lead we should follow such as community organizers and literary/arts organizations working directly in the crux of the conflict." The editor writes: "We have witnessed the grievous deaths of Ahmaud Arbery, George Floyd, Tony McDade, and Breonna Taylor, all of whom were unarmed and nonthreatening Black citizens killed by people who have worked officially in the name of our country’s justice. Arbery’s murder took place here in Georgia. Furthermore, when I began to write this, our nation’s capital was—and arguably still is—a zone militarized against the crowds of people voicing both their outrage at these murders and their demands for a better future. I love my home country, the United States of America. I love it so much that I can’t overlook moments when it’s at its worst, when it fails to honor the aspirations it proclaims. I love it dearly, and that is why I support those who force us to reckon with these injustices and compel us to imagine our country at its best. Any love worth keeping allows space for criticism in the spirit of mutual betterment. We can be better than having murders like these be commonplace. We stand in solidarity with Black Lives Matter, and all other allies working for justice, however it is each of us chooses to participate in this resistance movement." Payment: $50 per printed page for prose and $4 per line for poetry. Essay-reviews and standard reviews earn honoraria of $50/printed page. The Georgia Review will be open for submissions again on August 15.

The Massachusetts Review does not have a special call for submissions, but the editors had this to say: "Like many of you, we at the Massachusetts Review have been horrified and saddened by the events of the past two weeks, specifically, and by the ongoing evidence of systemic racism in our country. As we mourn the murders of George Floyd, Breonna Taylor, Tony McDade, and Ahmaud Arbery, we join with other institutions to observe #ShutDownAcademia today, to bring attention to the ways Academia contributes to the marginalization of BIPOC communities. We know that at times like these, literature can feel like a luxury. Yet we are reminded of just how powerful such voices are--at this moment and for the future. Today and always, we recommit to publishing the urgent, necessary voices of BlPOC writers, and to the ongoing project of social justice and civil rights." Payment: $100. The Massachusetts Review will be open for general submissions again on October 1.

Joyland. "The publishing industry has a long way to go in terms of diversity and championing Black writers. If you are a Black writer, we'd like to invite you to submit your short stories, creative nonfiction, and novel excerpts for us free of charge. We do not publish poetry." Payment:  $100/piece.

Jaded Ibis Press: Black Voices Prose Series

"Black literature creates a world for black readers in which we are centered and heard and seen. This is a gift that we give to ourselves and each other–it is a healing balm to see yourself in so many sharp pages. I know that Black prose writers and their books are what made me believe that I could write, that my stories, and poems and essays were worthy of telling, and that, in turn my imagination held something precious. I do not know who or how I would be without Black work, and I know that’s true for many of us.

I am honored to be able to create, with Jaded Ibis Press, a space for Black stories to be told–we will be publishing one Black-authored novel a year in a series that I hope goes on forever. I thank you in advance for trusting Jaded Ibis with your work, and look forward to exploring your worlds.

Please send manuscripts to naima@jadedibispress.com. Include any questions that you may have about our press, the process, and/or compensation–we want our community to feel more informed about the publishing process, even if your ms doesn’t end up with us."

Payment: Royalties


Nightlight Audiocast. "Are you Black? It doesn't matter what part of the world you're from, or where you are now–as long as you're Black and you write horror, you are welcome to submit!"

Payment: $125 for short stories (over 3000 words); Short fiction (less than 3,000 words) is paid at $75 per story; Reprints are paid $50 per story.

5 UK Agents Seeking Nonfiction, Kidlit, Science Fiction, Commercial Fiction and more

Updated 9/11/23

Here are five UK literary agents actively seeking clients. Natalie Jerome has a specific interest in commercial Non-Fiction across areas of health and wellness, food, current events, culture, music and entertainment as well as looking for new authors in children’s fiction. Marina De Pass loves commercial and book-club fiction in all its forms – from twisty, domestic psychological suspense to smart rom-coms and big, sweeping love stories. Justin Nash is looking for both grounded science fiction and SF of the far future. Jessica Woollard represents a diverse range of international literary fiction and narrative non-fiction. South East Asia, Japan, Africa and the Middle East are areas of particular interest. She’s long worked with memoir. Natasha Fairweather  represents predominantly writers of non-fiction as well as fiction.

Always check the agency website and agent bio before submitting. Agents can switch agencies or close their lists, and submission requirements can change.

NOTE: Don't submit to two agents at the same agency simultaneously. If one rejects you, you may then submit to another.

You can find a full list of agents actively seeking new clients here: Agents Seeking Clients.

___________________________

Ms. Natalie Jerome of Originate Literary Agency

Natalie Jerome has launched a new agency, Originate Literary Agency (OLA), which aims to champion “social change through storytelling.” 

Natalie Jerome has previously worked as a Publisher and Acquiring Editor for some of the UK’s most prominent publishing houses including Penguin Random House, Pan Macmillan, Bonnier Books and HarperCollins where she was a commissioner for ten years before making the move across to literary agenting for Aevitas Creative Management, a leading transatlantic independent literary agency. Included in the 2018 publishing trade magazine The Bookseller’s Industry top 100. As one of the few black Publishers in the UK, Natalie has worked to improve diversity within the industry. She is Deputy Chair of Literature Wales and is a founding trustee and board member for Creative Access, a mentoring and graduate trainee scheme for black and minority ethnic candidates looking for paid internships across the media sector. In her first 12 months as an agent she was shortlisted as Literary Agent of the Year at the 2021 British Book Awards.

What she is seeking: Natalie has a specific interest in commercial Non-Fiction across areas of health and wellness, food, current events, culture, music and entertainment as well as looking for vibrant new authors in children’s fiction.

How to submit: Read more HERE.

___________________________

Ms. Marina De Pass of The Soho Agency

Marina joined The Soho Agency in 2016, after working for several years in the editorial departments of Little, Brown and HarperCollins. She has a rare insight into the publishing industry – in addition to her agenting work, she is also a published author, and has studied creative writing at the Faber Academy.

What she is seeking: Marina loves commercial and book-club fiction in all its forms – from twisty, domestic psychological suspense to smart rom-coms and big, sweeping love stories – and is actively looking to take on clients in this area.

How to submit: Send your query to sohoagencysubmissions@gmail.com along with the first three chapters or first thirty pages of your manuscript in word format, along with a synopsis.

___________________________

Mr. Justin Nash of Kate Nash Literary Agency

Justin has a BA in History and an MA in Medieval Studies from Birkbeck, University of London. He worked for a number of years as a teacher of History and Politics. Justin enjoyed teaching any period from the Middle Ages to the present day. He has edited and helped research new editions of two books on the Far East Prisoner of War experience in World War Two. Another book which Justin helped edit is a memoir about the life of a British family trapped in occupied France during the same period, written from the viewpoint of the youngest member of the family.

What he is seeking: Justin is looking for both grounded science fiction and SF of the far future. He loves historical fiction set in any period although Justin would particularly like to see detective fiction set in either earlier times, distant places or against the background of war. Action thrillers with complex lead characters, great settings and lots of action are welcome.

Justin is interested in standout non-fiction with a strong voice. He would be particularly interested to see history, popular science, politics and travel books that immerse the reader in either a place, culture or idea. Journalistic approaches that chronicle the author’s quest with the author present in the narrative are also welcome.

How to submit: Please read submission instructions HERE.

___________________________

Ms. Jessica Woollard of David Higham Associates Ltd

Jessica joined David Higham Associates in 2016 having previously been a literary agent at The Marsh Agency and a Director at Toby Eady Associates, each for ten years.

She represents a diverse range of international literary fiction and narrative non-fiction. South East Asia, Japan, Africa and the Middle East are areas of particular interest. She’s long worked with memoir (is it the new novel). Jessica is looking for books that explore multiple genres; science, natural history, history, diversity, gender, landscape, cultural and current affairs and the way these subjects impact on our daily lives, poetic, awake, activist writing informed by an understanding of the environment. Jessica represents many prize winning authors and journalists including Rob Cowen, Stanley Donwood, Charles Foster, Jay Griffiths, Paul Kingsnorth, Emma Jane Kirby, Julia Lovell, Robert Macfarlane, Jackie Morris, Ben Myers, Fred Pearce, Merlin Sheldrake, Lola Shoneyin and Joshua Virasami.

How to submit: Read submission details HERE.

___________________________

Ms. Natasha Fairweather of Rogers, Coleridge & White

Natasha Fairweather joined Rogers, Coleridge & White as a director in October 2016.  She began her career as a literary agent at Curtis Brown in 1989, returning to the profession when she joined AP Watt in 1999 after a seven-year hiatus spent living and working in Jerusalem and Moscow. More recently she was joint head of books at United Agents.

What she is seeking: She represents predominantly writers of non-fiction including journalists, politicians and historians and also a growing number of prize winning novelists. She also handles New York agent, Elyse Cheney’s, authors in the UK.

How to submit: Send your query to Matthewm@rctlitagency.com. For fiction, send the first three chapters or approximately the first fifty pages of the work to a natural break, and a brief synopsis. Non-fiction submissions should take the form of a proposal up to twenty pages in length explaining what the work is about and why you are best placed to write it. 

4 New Agents Seeking Literary Fiction, Memoir, Sci-Fi, Fantasy, Nonfiction and more

Updated  7/17/22

Here are four new agents seeking writers. Daniella Cohen is most interested in literary fiction, narrative memoir, and psychological thriller. She also loves poetry—particularly anthologies that center on feminism and religion. Evan Brown is looking for literary fiction, historical fiction, Fantasy, science fiction, sports history and memoir. Pam Gruber is seeking adult, young adult, and middle grade fiction with literary voices and commercial hooks. She is particularly interested in layered fantasy, speculative fiction, fantastical realism, rom-coms, and coming-of-age stories with a twist. She is also open to middle grade and YA graphic novels, as well as select narrative non-fiction on lesser-known subjects. Hannah VanVels represents YA, Middle Grade and Picture Books.

Always check the agency website and agent bio before submitting. Agents can switch agencies or close their lists, and submission requirements can change.

You can find a full list of agents actively seeking new clients here: Agents Seeking Clients.

___________________________

Pam Gruber of Irene Goodman

Pam Gruber began her career in publishing as an editor, working for over ten years at Hachette Book Group with a number of acclaimed authors and illustrators. From there, she went on to serve as the Editorial Director at children’s media startup Rebel Girls, where she saw first-hand how a great book can expand into other entertainment mediums.

Pam joined Irene Goodman in 2020 after she realized her favorite part of the publishing business was working directly with authors and artists, helping them to shape not only their stories, but also their careers. She looks for work that is gripping from page one, whether it makes her break out in a smile or gives her goosebumps (from excitement, not fear!). She loves complicated female protagonists, innovative twists on old tropes, and getting swept away by fully realized worlds—be they portraits of the next town over or an imagined universe unlike our own.

What she is seeking: Pam is looking for adult, young adult, and middle grade fiction with literary voices and commercial hooks. She is particularly interested in layered fantasy, speculative fiction, fantastical realism, rom-coms, and coming-of-age stories with a twist. She is also open to middle grade and YA graphic novels, as well as select narrative non-fiction on lesser-known subjects. Pam would not be the best fit for prescriptive non-fiction, anthologies, potty humor, paranormal, or erotica.

How to submit: Use her query manager HERE.

___________________________

Ms. Daniella Cohen of Aevitas Creative Management

NO LONGER AN AGENT

Daniella Cohen holds a BA in English and Creative Writing from Yale University and has published creative work in numerous school publications. She joined Aevitas in 2020, after interning with Folio Literary Management’s editorial and audio rights departments.

What she is seeking: Based in New York, Daniella is most interested in literary fiction, narrative memoir, and psychological thriller. She also loves poetry—particularly anthologies that center on feminism and religion.

How to submit: Use the agency's submission form HERE.

___________________________

Evan Brown of Transatlantic Literary Agency

Open to submissions by referral only

Evan Brown is an Associate Agent and Records Clerk at Transatlantic Literary Agency. Evan has been in publishing since 2012. Prior to joining Transatlantic in April 2019 he worked at a major trade publisher based in Toronto as a marketing specialist for adult and YA novels, including multiple New York Times bestsellers across a wide range of genres; as an acquisitions committee reader; and in online rights, helping authors combat digital piracy and plagiarism. He has experience copyediting, proofreading and freelance editing.

What he is seeking: Evan is currently developing his list and is looking for submissions in the following genres: Literary fiction, featuring unique voices, intriguing characters, writing ranging from real to the surreal, and stories that ponder big questions – even when narrow in scope. Historical fiction, literary rather than genre, featuring epic settings, multi-generational legacies, and compelling character drama. Fantasy fiction, written for adult readers, meaning mature themes more than mature content, laced with intricate lore, tangled politics, and relatable motivations. Science fiction, set in unique and evocative locations, challenging elements of contemporary society through a futuristic lens or alternative reality. Sports history and memoir, ideally narrative driven and reflecting to some extent on bigger issues or the wider world beyond sports.

How to submit: Please send a short biography, synopsis, and 20-page sample in Word or PDF to evan@transatlanticagency.com. Replies will be sent only for submissions being actively considered.

___________________________

Hannah VanVels of Belcastro Agency

Hannah’s life is consumed by all things bookish, and when she’s not working on books, she can usually be found curled up with a good cup of coffee or a glass of wine. She earned her BA at the University of Michigan and holds MA degrees from Tel Aviv University and the University of Chicago. In addition to agenting, Hannah owns a freelance editing business. Hannah has worked various bookish jobs including a stint as a bookseller at Barnes & Noble, a freelance editor for scholarly and academic essays and journals, and most recently as the acquiring editor at a young adult imprint with HarperCollins Publishing. Hannah loves working closely with authors and coming alongside them to make their vision come to life on page. She lives in West Michigan with her partner, two German Shepherds, and two cats.

What she is seeking: YA, Middle Grade and Picture Books. "I’m actively building an inclusive list with a variety of voices and genres. I love working with #OwnVoices authors, and I’m looking for voices from diverse and underrepresented backgrounds, regardless of genre."

How to submit: Use her submission form HERE.