Monday, January 19, 2015

8 February Writing Contests - No Entry Fees

February is a short month, but it does not lack for writing contests. There is a little bit of everything this month: travel writing, poetry, short fiction, journalism, and - one of my favorites - the impoverished author contest. (Most of us fit into that category.) 

Even if there is nothing that is quite up your alley this month, there may be in March. So, don't stop submitting.

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 Emerging Environmental Writers ContestSage Magazine invites writers to submit nonfiction prose that enhances our understanding of the world, each other, and ourselves. Genre: Nonfiction, environmental topics. Prize: 1st $1000, 2nd $300, 3rd $200, and publication in Sage. Deadline: February 1, 2015. How to enter: Read submission guidelines HERE.

The Levis Reading Prize is sponsored by the Department of English and its MFA in Creative Writing program at Virginia Commonwealth University. Restrictions: The prize is given annually for the best first or second book of poetry published in the previous calendar year. Genre: Poetry. Prize: $2000 . Deadline: February 1, 2015. How to enter: Read submission guidelines HERE.

$1000 for 1000 Words Creative Writing Contest is sponsored by the Leyla Beban Young Authors Foundation. Restrictions: Students enrolled in grades 6-12. Genre: Short fiction of exactly 1000 words. Prize: Two $1,000 scholarship prizes will be awarded, one for grades 6-8 and one for grades 9-12. Seven $100 cash prizes will also be awarded for winning entries, one per grade level. Deadline: February 1, 2015. How to enter: Read submission guidelines HERE.

Inspiration Travel Writing Contest #7 is sponsored by We Said Go Travel, an organization that promotes world travel. Genre: A nonfiction travel article about a place that inspires you to be brave and save the day. Prizes: 1st Prize $500, 2nd Prize $100, 3rd Prize $50, and promotion on website. Deadline: February 14, 2015. How to Enter: Read submission guidelines HERE.

The Matthew Power Literary Reporting Award supports the work of a promising early-career nonfiction writer on a story that uncovers truths about the human condition. Genres: Nonfiction journalism works in progress with “strong, character-driven narratives with detailed scene writing and lyrical description.” Restrictions: The award will not fund proposals to report on armed conflicts where journalists are already imperiled, nor projects that are mainly investigatory. Prize: $12,500 grant and use of the NYU library. Deadline: February 16, 2015. How to enter: Read submission guidelines HERE.

Central PA Magazine Writing Contest is sponsored by WITF and funded by York College of Pennsylvania. Genres: Original, unpublished fiction short stories not exceeding 1,500 words. Restrictions: The contest is only open to legal residents of Pennsylvania who are at least 18 years old as of the date of entry. Prize: $500, runner-up $200. Deadline: February 27, 2015. How to enter: Read submission guidelines HERE.

Wattpad's "The Write Affair" romance novel contest. Restrictions: Writers must be 16 or older, and must join Wattpad between January 23 and February 27, 2015. Genre: Romance: Deadline: February 27. Prize: Publication with Kensington publishers. How to enter: Read submission guidelines HERE.

SLF Working Class/Impoverished Writers Grant is sponsored by the Speculative Literature Foundation. Genres: Speculative fiction, magical realism. Restrictions: Applicants must be working class (see guidelines page for definition) and demonstrate financial hardship. Available to international writers. Prize: $750. Deadline: February 28, 2015. How to enter: Read submission guidelines HERE.

Thursday, January 15, 2015

2 New Agents Seeking Writers

New agents are a boon to budding authors. They take the time to really delve into the manuscripts they receive, and they are enthusiastic supporters of their clients. In addition, many new agents work for long-standing literary agencies, which gives them the benefit of a respected letterhead.
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Kirsten Carleton of Prospect Agency

NO LONGER LISTED ON THE AGENCY'S WEBSITE

About Kirsten: Before joining Prospect Agency in 2015, Kirsten learned the agenting ropes at Sobel Weber Associates and the Waxman Leavell Agency. She fell in love with working on writers while getting her B.A. in English with a Creative Writing concentration from Amherst College, and cemented her fascination with publishing with a Graduate Certificate in Publishing from the Columbia Publishing Course and internships at Charlesbridge and Liza Dawson Associates. As an agent, she gets to be a champion for the author throughout the challenging publishing process. She loves sharing an author's vision for the book, working to help him or her uncover it, and finding a home for it with editors and readers who also feel that connection. Beyond the individual book, she wants to develop satisfying and successful careers that celebrate great talent.

What she is seeking: Upmarket young adult, speculative, and literary fiction with strong characters and storytelling. She’s particularly interested in novels that bend and blur genres; literary takes on high concept worldbuilding; diverse characters in stories that are not just about diversity; antiheroes she find herself rooting for; characters with drive and passion; girls and women in STEM fields; settings outside the US/Europe; well-researched historical settings; YA noir/thriller/mystery; stories that introduces her to a new subculture and makes her feel like a native. She is not interested in horror, romance, erotica, poetry, or picture books.

How to submit: Use the form on the submissions page to upload materials. https://www.prospectagency.com/submissions.php  
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Amanda Panitch of Lippincott Massie McQuilkin

NO LONGER AN AGENT

About Amanda: Amanda Panitch was recently promoted from agency assistant to associate agent at Lippincott Massie McQuilkin. Before joining LMQ in 2012, she interned at Writers House and attended The George Washington University and New York University’s Summer Publishing Institute. A writer herself, her first novel, Damage Done, will be released in July from Random House Books for Young Readers. Follow her on Twitter: @AmandaPanitch

What she is seeking: Young adult and middle grade only. In particular, she’d love to find a high fantasy set in a non-Western inspired setting. Other concepts she’d love to see in her inbox include a dark psychological thriller, a quirky mystery, a gorgeous literary contemporary, historical fiction set in a place or time not often explored in fiction, or anything featuring food as a main element. She is also drawn to generational spaceships, unreliable narrators, magical realism, the pre-Columbian Americas, the Amazon, close sibling relationships, and slow-burning romances.

How to submit: Submit your query, including the first five to 10 pages of your manuscript pasted into the body of the email (no attachments) to amanda [at] lmqlit.com. Include the word “Query” in the subject line.

Monday, January 12, 2015

Subscription Services for Self-Published Authors

Updated 10/27/24

Subscription services are often overlooked by self-published authors. The reason for the oversight is simple: authors tend to focus on sales rather than borrows. There aren't many book subscription services, so the field is fairly narrow. But those that exist have a huge number of subscribers (and an equally huge number of books).

Self-published authors should consider offering their books on subscription services because, as far as publishing goes, the more venues the better. You should get your book onto as many sites, and in as many formats, as you can.
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Scribd

While they still call themselves Scribd, in November 2023, Scribd became three distinct entities: Everand, Scribd, and Slideshare. Everand is focused solely on books, magazines, podcasts and more. Scribd has 1.9 million subscribers and more than 200 million unique monthly visitors from 190 countries. For a monthly fee of $11.99 subscribers can read unlimited books. The Scribd library boasts more than half a million e­books and over 30,000 audiobooks, including New York Times bestsellers, Pulitzer Prize winners, as well as self-published works. 60+ million documents ­have been uploaded by ­users, Essentially, anyone can upload a file onto Scribd, which has led to several copyright infringements, Although Scribd has a huge readership, the best way to ensure that they notice your book, and that you get some monetary compensation, is to go through your publisher. As a self-publisher, you can use Smashwords or BookBaby, each of which offers a Scribd royalty payment.

Find more information about Scribd for writers HERE and HERE.
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Substack

Serializing novels is nothing new. The Count of Monte Cristo by Alexandre Dumas was originally published in serial form in 1844. A Tale of Two Cities by Charles Dickens, Dostoevsky's Crime and Punishment, and Jules Verne's 20,000 Leagues Under the Sea were also serialized. But while Substack is willing to offer famous authors a substantial advance, an unknown author would probably have no greater chances of a sale than trying to get the attention of a traditional publisher. Substack's only appeal to unknown authors it that, like self-publishing, it allows an author to simply put a book out there, come what may.

Aside from serialization, Substack offers of couple of features that make it appealing to writers, one of which is that you can import your existing blog, or create a new one. You can also send newsletters via Substack. And if you already have a newsletter, you can import your subscriber list. 

The monthly fee for newsletters can vary anywhere from free to $5 to $50 a month. The writer sets the fee. While writers don't have to pay to sign up, Substack charges 10% of the subscriber fee. An additional 2.9% of your billing rate, plus 30 cents per transaction will be taken out by Stripe, the service Substack uses for billing. Like many self-publishing platforms, Substack offers editing, proofreading, art and design, and legal services as part of their packages.

In addition to subscriptions, Substack also runs a monthly short story competition. Their mission is to "revive the art of the short story, support artists, and produce something wonderful." The prize is $100 for the chosen story plus 50% of subscription revenue to be sent by Paypal, Zelle, or check. Submit stories by the end of the month. (Only one story receives the full payout.) Their preferred length is 6000 - 10,000 words. Reprints are ok so long as you still have the rights to distribute. Read more about the competition HERE.


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Kindle Unlimited offers a Netflix-style, all-you-can-read approach to more than 600,000 e-books, including blockbuster series like “The Hunger Games” and “Diary of a Wimpy Kid,” nonfiction titles like “Flash Boys” by Michael Lewis, as well as literary fiction and classics for $9.99 a month. Books published through Amazon's KDP Select program are automatically enrolled in Kindle Unlimited. The catch is that for 90-days (renewable) you cannot offer your book on any other platform. Royalties: Once a customer reads more than 10% of your book, or a Kindle Owners' Lending Library customer downloads your book, you'll receive a share of the KDP Select Global Fund.

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Laterpress is the newest kid on the block for subscriptions, serials and ebooks. They offer:
  • Direct publishing: Laterpress lets you publish online books and serials directly to your own branded website. 
  • Direct payment: Laterpress lets you charge readers exactly how and what you want–via subscription or one-time fee.
Laterpress charges a maximum fee of 15% in addition to Stripe's payment processing fees. Stripe, charges a small additional fee (roughly 2.9% - 3.4% + 30¢), and you keep the rest. There are no up-front fees. Read their FAQs HERE.

Thursday, January 8, 2015

PEN Condemns Murders of Charlie Hebdo Journalists

PEN, PUBLISHED ON JANUARY 7, 2015

As writers, editors, and artists we stand together today in solidarity and outrage at the murder of our colleagues at Charlie Hebdo in Paris. This attack on cartoonists, writers, and editors is an attack on free expression worldwide. It is an attempt to terrorize and intimidate all of us in order to inhibit the free flow of ideas.

Peaceful coexistence within diverse communities requires a climate of tolerance and an open exchange of views that includes criticism, humor, and hyperbole. The right to satirize, to question, to expose, to mock, even when offensive to some, is a bulwark of a free society. Today’s bloody retribution for the drawing and publishing of cartoons represents a terrifying challenge to these values of tolerance.

We call upon all governments, religious leaders, and civil society institutions to join us in condemnation of this vicious attack. We ask them to insist that however offensive speech may be to some, it is never a justification for violence.

We call upon responsible authorities and institutions to redouble their efforts to protect those working on the front lines of free expression worldwide who put themselves at personal risk to voice controversial viewpoints.  Today’s effort to silence criticism by murdering the artists and writers who voice it must be met with a far wider movement to defend the right to dissent, which forms the spine of free expression.

Peter Godwin, President, PEN American Center
Suzanne Nossel, Executive Director, PEN American Center
Woody Allen
John Ashbery
Margaret Atwood
Carl Bernstein
T.C. Boyle
Peter Carey
Michael Chabon
Ron Chernow
J.M. Coetzee
Teju Cole
Martha Cooley
Lydia Davis
Junot Díaz
E.L. Doctorow
Jennifer Egan
Louise Erdrich
Richard Ford
Neil Gaiman
William Gass
Masha Gessen
Malcolm Gladwell
Barbara Goldsmith
Daniel Handler
Tom Healy
Joanne Leedom-Ackerman
Paul Karasik
Garrison Keillor
Sam Lipsyte
D.T. Max
Colum McCann
Jay McInerney
Paul Muldoon
John Oakes
Joyce Carol Oates
Orhan Pamuk
Francine Prose
Zia Haider Rahman
Theresa Rebeck
Marilynne Robinson
Salman Rushdie
James Salter
George Saunders
Said Sayrafiezadeh
Simon Schama
Raja Shehadeh
David Simon
Jane Smiley
Andrew Solomon
Art Spiegelman
Rob Spillman
Janne Teller
Fred Tomaselli
Anne Tyler
Ayelet Waldman
Lawrence Weiner
G. Willow Wilson
Lauren Wolchik
Tobias Wolf

... and many more

Wednesday, January 7, 2015

Saul Bellow: Saying what you damn well please

Saul Bellow (June 10, 1915 – April 5, 2005) was one of our most renowned American writers. He won the Pulitzer Prize, the Nobel Prize for Literature, and the National Medal of Arts, and he is the only writer to have won the National Book Award for Fiction three times.

In spite of all the accolades Bellow received during his lifetime (and after) Bellow thought of himself as a "working stiff."

"Celebrity interferes with the business of writing," he said. "But it gives you a certain amount of confidence. Before, I said anything I damn pleased, and I did it defiantly. Now, I say anything I damn please, but I do it with confidence."

Bellow was not afraid to say what he pleased, at any time. Like Churchill, he stated at a PEN conference that ours was the worst form of government, except for all the others. And, he "had a fight on his hands." But Bellow was not one to back down, nor was he one to remain neutral about what he created.

"You must like what you are doing very much. Either like your characters or hate them, you can't be indifferent."




On writing:

"When you write the first few lines of a story, those govern all the rest - like a musical signature."

"Your own natural, original voice provides the engine for your writing."

"The Bible says, 'Woe unto you when all men speak well of you.' That's where the critics come in."

"The most pleasurable moments in writing are when you are either laughing or weeping, and scribbling at the same time. That's what one lives for in this trade."

And on having his book, Seize the Day, made into a movie, he said. "I haven't seen the film so I can't recommend it. But, I've read the book, and it's very good."

Monday, January 5, 2015

21 Poetry Publishers Accepting Unagented Manuscripts

"Muse Becomes Poet" by Donald Langosy
Updated 10/10/24

There are dozens of English language poetry publishers, but not all publishing houses are created equal. Some only publish poetry that has been entered into one of their contests (for which there is a charge), others demand an upfront fee or stipulate that a certain number of books must be pre-ordered. And the largest houses only consider manuscripts submitted though agents.

This list consists of publishers that do not require an agent, and which offer royalties, however modest. All of them publish book-length collections and/or chapbooks. (I have not included literary journals on this list. For poetry journals please see: Top 5 Resources for Publishing Poetry.)

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8th House Publishing is a small company based in Montreal and New York. They publish poetry, literary novels, philosophy, and other "earnest work." Their list consists of 34 books by 26 authors. "What we like at 8th House: modern, radical, enduring, insightful, inventive... Whether it's an essay, a philosophy tract, or a novel, a book of verse, send a sample of your work (2 or 3 chapters and a full table of contents) along with a query letter to : submissions@8thHousePublishing.com" Read guidelines here.

Arte Público Press, affiliated with the University of Houston, specializes in publishing contemporary novels, short stories, poetry, and drama based on U.S. Hispanic (Cuban American, Mexican American, Puerto Rican, and others) cultural issues and themes. How to submit: Arte Público uses an online submission form. See submission guidelines HERE.

Black Lawrence: "We seek innovative, electrifying, and thoroughly intoxicating manuscripts that ensnare themselves in our hearts and minds and won’t let go. We accept fee-free submissions in the following categories: novel, novella, short story collection (full-length and chapbook), poetry (full-length and chapbook), biography & cultural studies, translation (from the German and the French), and creative nonfiction." How to submit: Reading periods are the month of June and the month of November. Online submissions only. Read complete guidelines HERE. Note: They require the purchase of one their titles ($14) in lieu of a submission fee.  

BlazeVOX [books] is an independent small press publisher located in Buffalo, New York. To date, BlazeVOX has published 280 books and over 1000 writers in their online journal and other publishing outlets. They are developing a book series that promotes the work of women who are courageous, innovative, definition-defying writers. Genres: Poetry, short stories, experimental fiction, literary criticism (including companions, studies and histories) by women authors. Submissions online. Read complete guidelines HERE.

BOA Editions: "Founded in 1976 by the late poet, editor, and translator A. Poulin, Jr., BOA has published more than 300 books of American poetry, poetry-in-translation, and short fiction. The first publication bearing the BOA imprint was The Fuhrer Bunker: A Cycle of Poems in Progress by W. D. Snodgrass. The Fuhrer Bunker received tremendous critical attention and was nominated for the National Book Critics Circle Award for Poetry, optioned for the stage by Joseph Papp, and produced by Wynn Handman for The American Place Theater." Poets must have already published a full-length poetry book. Read full guidelines HERE.Open reading periods appear to be random.

Carcanet Press is a British publishing house specializing in poetry. "Now in its fifth decade, Carcanet publishes the most comprehensive and diverse list available of modern and classic poetry in English and in translation." How to submit: Carcanet considers submissions and book proposals submitted in hard copy form only. Writers should send between six and ten pages of poetry and a stamped and self-addressed return envelope. Response time within eight weeks. Has reading periods. Read full guidelines HERE.

Coffee House Press is an independent book publisher and arts nonprofit based in Minneapolis, MN; through their literary publications and Books in Action program, CHP acts as a catalyst and connector—between authors and readers, ideas and resources, creativity and community, inspiration and action. Seeking: Literary novels, full-length short story collections, poetry, creative nonfiction, book-length essays and essay collections, and the occasional memoir. Read submission guidelines HERE. Has reading periods.

Coach House publishes innovative poetry, literary fiction, drama and select nonfiction by Canadian authors onlyHow to submit: For poetry submissions, please send your complete manuscript, along with an introductory letter that describes your work and compares it to at least two current Coach House titles, explaining how your book would fit our list, and a literary CV listing your previous publications and relevant experience. Electronic submissions are preferred. Read their submission guidelines HERE.

Glass Poetry Press publishes poetry chapbooks. "We are interested in poetry that enacts the artistic and creative precision of glass. We are not bound by any specific aesthetic; our only mission is to publish collections of high quality writing. All styles, forms and schools of poetry are welcome, though easy rhymes and "light" verse are less likely to inspire us. We like poems that show a careful understanding of language, music, passion and creativity." Authors receive ten complimentary copies and may purchase additional copies at a discounted price. Authors also receive a complimentary copy of the other chapbooks published during their year and a 15% royalty on the sales of their chapbooks. Read full guidelines HERE. Has reading periods.

Faber & Faber is one of the last of the great independent publishing houses in London. They have published books by no fewer than twelve Nobel Laureates and six Booker Prize winners. Among its luminaries are T.S. Eliot, Ezra Pound, and Jean Cocteau. How to submit: Send six examples of your work to the poetry department by regular post. Email submissions are not accepted. Read their submission guidelines HERE.

Futurepoem books is a New York City-based publishing collaborative dedicated to presenting innovative works of contemporary poetry and prose by both emerging and important underrepresented writers. How to submit: Futurepoem has an open reading period in December of each year. Submissions are usually from 50-200 pages. There is a $5 processing fee. Read full guidelines HERE.

Kaya Press is a publisher of Asian and Pacific Islander diasporic writers in the United States. Their diverse list of titles includes experimental poetry, noir fiction, film memoir, avant-garde art, performance pieces, and “lost” novels. How to submit: Send your manuscript in electronic format. Files must be sent in a Word document or as a PDF. They will only accept works related to the Asian diaspora. Read full guidelines HERE.

Manic D Press is an American literary press based in San Francisco, California publishing fiction novels and short stories, poetry, and graphic novels. It was founded by Jennifer Joseph in 1984 as an alternative outlet for young writers seeking to bring their work into print. Manic D Press books are distributed throughout the US by Consortium, Last Gasp, and wholesalers including Ingram and Baker & Taylor; in the UK and EU by Turnaround PSL; in Canada by Publishers Group Canada; and throughout the world by Perseus. How to submit: Email submissions are preferred. Printed manuscripts are read twice a year, during the months of January and July ONLY. Simultaneous submissions are allowed, just let them know if your work has been accepted elsewhere or if (and where) it has been previously published. Read full guidelines HERE.

Mansfield Press publishes exciting, challenging and adventurous poetry, fiction and literary non-fiction by Canadian writers at all stages of their careers. How to submit: For poetry, send the full manuscript. In your cover letter, please indicate why you believe your book belongs with Mansfield Press — reference other Mansfield titles in your explanation. Note: They expect writers to help with promotion. Read full guidelines HERE.

Measure Press publishes poetry, criticisms, and poetry instruction, as well as a semi-annual literary journal that focuses on publishing formal poetry. Poetry manuscripts should contain between 50 and 100 pages of poetry. Read full guidelines HERE.

Milkweed Editions is a nonprofit literary press, publishing between fifteen and twenty books each year. They have published nearly three hundred titles. “Our mission is to identify, nurture and publish transformative literature, and build an engaged community around it.” Milkweed publishes fiction, literary nonfiction (not academic), middle grade and YA novels, poetry collections by single authors (60+ pages). How to submit: Milkweed is currently closed for submissions, but they plan on opening submissions once they have responded to all submissions from their last reading period. Check HERE for updates and submission guidelines.

Persea Books is an independent, literary publishing house founded in 1975 by Michael Braziller and Karen Braziller, who still own and direct the company. Genres: Poetry, fiction, essays, memoir, biography, titles of Jewish and Middle Eastern interest, women's studies, American Indian folklore, and YA. Response time: Eight weeks for proposals and 12 weeks for requested manuscript. Submissions: Queries should include a cover letter, author background and publication history, a synopsis of the proposed work, and a sample chapter. Send queries and manuscripts to info@perseabooks.com or to the appropriate editor (Fiction or Nonfiction), Persea Books, 277 Broadway, Suite 708, New York, NY 10007. Read their submission guidelines HERE.

Plan B Press is a small independent publishing company that produces high-quality, limited-run poetry chapbooks. They are in the process of becoming a nonprofit. How to submit: Plan B accepts manuscripts from authors who have published fewer than three books (including chapbooks). Read full guidelines HERE.

Tia Chucha Press is a small cross-cultural press, focused on socially engaged poetry. They publish full poetry manuscripts of more than 60 pages. They are interested in all types of poetic expression and are not bound by poetic style, form, school, or era. Their poets have been Chicano, African American, Jamaican American, Native American, Irish American, Italian American, Korean American, Japanese American, Puerto Rican, Cuban American, and more. All ages, genders, sexual orientations, disabilities, and spiritual persuasions are welcome. Read full guidelines HERE.

Tram Editions is a publisher of chapbooks of poetry and hybrid forms. "We view the chapbook as a complete work unto itself—not a fragment of something larger, but an artistic offering in its own right. We encourage authors to consider the power of a discrete project—the chapbook as a distinct articulation. We are invested in work that speaks from a variety of voices, and strongly encourage submissions from women, LGBTQ+, and BIPOC authors." Manuscripts should be 22-40 pages in length. Read full guidelines HEREHas reading periods

Wake Forest University Press publishes Irish poetry only. They do not accept manuscripts from American poets, including Irish-American poets. Submissions: "If you are a native of Ireland and wish to submit a poetry manuscript, please email a representative sampling of your poetry and your biographical information to wfupress@wfu.edu. Alternatively, you may mail a hard copy of your work, biographical and contact information to Wake Forest University Press, PO Box 7333, Winston-Salem, NC 27109. Should you want the return of your submission, please include a self-addressed envelope with adequate postage. We consider manuscripts from September through mid-May, and the average turnaround time is three months." Read guidelines HERE.

Friday, January 2, 2015

2 New Agents Actively Building Their Client Lists

Updated 2/8/23

Here are two new agents actively building their client lists. Leon Husock has a particular interest in science fiction and fantasy, young adult and middle-grade novels. Cynthia Segraves is interested in representing young adult, children’s, nonfiction, memoir, and commercial fiction.

As always, make sure to check the agency's website before submitting. Agents can switch agencies, and submission requirements may change.

If these agents don't suit your needs, there are dozens of new and established agents building their client lists here: Agents Seeking Clients.
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Cynthia Segraves of Capital Talent Agency

(Link to CTA is broken. I can find no further information.)

About Cynthia: “I’ve been involved in the publishing industry for more than ten years. I have worked as a Development Editor for different publishing houses and individual authors and have seen more than 100 titles to market. I worked with Michael Gross, New York Times best-selling author. I have also written for national and international publications and have served as a writing instructor at the Writopia Lab in Washington, DC, and have run several writing workshops at public libraries in the area and Politics & Prose Bookstore. I received my B.A. in Literature from Bard College and M.F.A. in Creative Nonfiction from Sarah Lawrence. The new literary division of Capital Talent Agency is a wonderful home for authors who are looking for a supportive and hands-on agency. We want nothing more than to see our authors achieve their dreams, and we do everything we can to make that happen.”

What she is seeking: Young adult, children’s, nonfiction, memoir, commercial fiction (but no science fiction or fantasy).

How to contact: “Submissions should be sent to literary.submissions [at] capitaltalentagency.com. We accept submissions only by e-mail. We do not accept queries via postal mail or fax. For fiction and nonfiction submissions, send a query letter in the body of your e-mail. Attachments will not be opened. Please note that while we consider each query seriously, we are unable to respond to all of them. We endeavor to respond within six weeks to projects that interest us.”

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NO LONGER AN AGENT

About Leon: Prior to joining the L. Perkins Agency, Leon was an associate agent at Anderson Literary Management. He has a BA in Literature from Bard College and attended the Columbia Publishing Course. Leon is actively building his client list. Follow him on Twitter: @leonhusock.

What he is seeking: He has a particular interest in science fiction & fantasy, young adult and middle-grade novels filled with strong characters and original premises, but keeps an open mind for anything that catches his eye. He is also looking for historical fiction set in the 20th century, particularly the 1980s or earlier. He is not interested in nonfiction at this time.

How to contact: E-query him at leon [at] lperkinsagency.com.
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